Nike Arrighi Movies
Known to English-speaking audiences as Day for Night, La nuit américaine was director François Truffaut's loving and humorous tribute to the communal insanity of making a movie. The film details the making of a family drama called "Meet Pamela" about the tragedy that follows when a young French man introduces his parents to his new British wife. Truffaut gently satirizes his own films with "Meet Pamela"'s overwrought storyline, but the real focus is on the chaos behind the scenes. One of the central actresses is continually drunk due to family problems, while the other is prone to emotional instability, and the male lead (Truffaut regular Jean-Pierre Leaud) starts to act erratically when his intermittent romance with the fickle script girl begins to fail. In addition to all this personal drama, the film is besieged by technical problems, from difficult tracking shots to stubborn animal actors. The inspiration for future satires of movie-making from Living in Oblivion to Irma Vep, La nuit américaine was considered slight by some critics in comparison to earlier Truffaut masterworks, but it went on to win the 1973 Oscar for Best Foreign Film. ~ Judd Blaise, All Movie Guide
- Starring:
- Jacqueline Bisset, Valentina Cortese, (more)
At the beginning of World War II, while the Germans entered France from the north, many people had reason to believe that the Germans would not treat them kindly, and they fled by train to the south. This French film tells the story of a few of them. Because they were fleeing the best-organized bureaucrats in the world, many of them chose to flee in freight cars, unseen and unnoted. When Meyereu (Jean-Louis Trintignant) is separated from his wife during the escape, he allows a Jewish girl (Romy Schneider) to pose as his wife. As the deception continues, they come to care for each other, but she discreetly disappears when his real wife turns up. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jean-Louis Trintignant, Romy Schneider, (more)
- 1972
- PG
Polish actress Ingrid Pitt became a cult figure for her portrayal of the notorious Hungarian Countess Elizabeth Bathory in this Hammer horror film. Bathory finds that bathing in the blood of virgins restores her youthful beauty, and she enlists her servant (Nigel Green in a standout performance) to kidnap her own daughter, Ilona (Lesley-Anne Down). Bathory assumes Ilona's identity to seduce a young man (Sandor Eles), but without a supply of blood, she turns old in a hurry. The real Bathory had no such problems, reportedly slaughtering over 600 young girls before being sealed alive in her room. Pitt and Green are excellent, although director Peter Sasdy -- who helped adapt this story from Valentine Penrose's book The Bloody Countess -- moves the story along at a rather leisurely pace. Still, the performances and typically sumptuous "Hammer look" should make this film appealing to fans of historical horror. Maurice Denham, Patience Collier, and Nike Arrighi co-star. ~ Robert Firsching, All Movie Guide
- Starring:
- Ingrid Pitt, Nigel Green, (more)
- 1972
Double and triple crosses complicate the lives of the amiable villains of this French crime-caper film. The story concerns a group of people living in a blue-collar neighborhood which is being demolished for a new office and housing development. In order to save their neighborhood, they get together and decide on a complicated plot involving jewel-theft and insurance fraud. Things get even more complicated when they call on the services of an expert burglar. ~ Clarke Fountain, All Movie Guide
- Starring:
- Serge Reggiani, Michel Bouquet, (more)
Women in Love is set in 1920s England, where free-spirited artist Gudrun (Glenda Jackson) and her schoolteacher sister Ursula (Jennie Linden) make the acquaintance of lifelong friends Gerald (Oliver Reed) and Rupert (Alan Bates). The foursome attends a picnic in honor of a pair of newlyweds, who put a damper on the proceedings (literally!) by drowning in a nearby lake. Evidently unscathed by this tragedy, Gerald and Rupert participate in a nude wrestling match later that evening (this was the sequence that got the most press, thanks to fleeting glimpses of the male stars' privates). Gerald marries Gudrun, Rupert weds Ursula, and the foursome embarks upon a Swiss honeymoon. The holiday is marred by infidelity and sudden death, leaving Rupert to wonder aloud just what it is that makes men and women "tick." An Academy Award went to Glenda Jackson, while nominations were bestowed upon screenwriter Larry Kramer and cinematographer Billy Williams (who received an uncredited assist from director Ken Russell). ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Bates, Oliver Reed, (more)
- 1968
- G
- Add Don't Raise the Bridge, Lower the River to QueueAdd Don't Raise the Bridge, Lower the River to top of Queue
Humorist Max Wilk scripted this listless film version of his book of the same name. Jerry Lewis plays George Lester, an American entrepreneur living in London. After a money-raising scheme fails, his wife Pamela (Jacqueline Pearce) threatens him with divorce. Trying to demonstrate his willingness to get serious with Pamela, George, with crackbrained finesse, turns her country home into a discotheque. Pamela, shocked, demands that George restore her home the way it was. While defending himself, George notes than Pamela now has a snobbish suitor in tow -- Dudley Heath (Nicholas Parsons). To show up Pamela, George contacts an old friend, conman H. William Homer (Terry-Thomas). Together, they concoct a scheme to abscond with Dudley's blueprints for an electronic oil drill and sell it to the Arabs. But complications occur when George catches the mumps and has to rely upon airline steward Fred Davies (Bernard Cribbins) to transport the microfilmed blueprints to Lisbon in his teeth. Once in Lisbon, a local dentist, Dr. Pinto (John Bluthal), is tabbed to remove the blueprints from Davies's mouth, but Dr. Pinto double-crosses them. George flies off to Lisbon with Pamela in pursuit, and the chase is on. ~ Paul Brenner, All Movie Guide
- Starring:
- Jerry Lewis, Terry-Thomas, (more)
Jean-Luc Godard's Sympathy for the Devil, also known as One Plus One, uses both documentary and staged sequences, alternating between an inside look at a rock band's recording process and reflections on contemporary politics and aesthetics. One half of the film focuses on the Rolling Stones, as they rehearse and ultimately record the song that would become "Sympathy for the Devil." By presenting repeated takes of the entire composition, the film allows the viewer to witness the progressive evolution of the song from its original, slower conception to the more percussive version that became the final recording. The other half of the film -- which is occasionally accompanied by the song -- presents a series of sequences dealing with issues like black power, pornography, racism, and Marxism, amongst others. These sequences, which often focus on a group of revolutionary youth in Paris, provide a chance for Godard to inject political commentary and meta-fictional musings on the nature of cinema. These more cerebral scenes serve as counterpoint to the direct presentation of the creative process seen in the Stones' studio sessions, and provide oblique commentary on the political meanings of popular music. ~ Judd Blaise, All Movie Guide
- Starring:
- The Rolling Stones, Iain Quarrier, (more)
- 1968
Adapted by Richard Matheson from a novel by Dennis Wheatley, The Devil Rides Out admirably adopts a restrained approach to its horrific material. Christopher Lee plays a French nobleman, Duc De Richeleau, who is worried sick over the bizarre behavior of his friend Simon (Patrick Mower). Richeleau has every reason to be concerned: unless drastic measures are taken, Simon will lose his soul to Satan within three days. Two black masses are performed (one a bizarre Felliniesque orgy), but neither satiate the Devil's appetite. As the story races to its climax, it looks as though Richeleau's own niece (Rosalyn Landor) will have to be sacrificed. The film's best moments belong to Charles Gray, playing the charming, hypnotic leader of the devil cult which holds Simon in its thrall. The Devil Rides Out was released in the U.S. as The Devil's Bride. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Lee, Charles Gray, (more)
- 1967
Originally broadcast in England on November 12, 1967, this episode of The Prisoner was written by Anthony Skene and directed by "Joseph Serf" --- actually a pseudonym for series star Patrick McGoohan. Arising from his slumbers early one morning, Number Six discovers that the Village is deserted and all the power has been shut off. At last able to make his escape, Number Six fashions a raft and sets out to sea. Washing up on the shore of what seems to be a familiar English coastal village, he finds that his old lodgings have been taken over by a Mrs. Butterworth (Georgina Cookson), whose behavior does not set his heart at ease. Hoping to return to his former government headquarters to inform his superiors of the Village's existence, the prisoner is plunged into a deep and ever-widening pit of paranoia, with no certainty as to whom he can trust and whom he should fear. Donald Sinden and Patrick Cargill guest star as the Colonel and Thorpe, respectively. "Many Happy Returns" first aired in America on July 20, 1968. ~ Hal Erickson, All Movie Guide
