Anne Francis Movies

A professional magazine model at age four, American actress Anne Francis made some 3000 appearances on network radio before she was ten. She was under film contracts to both MGM and 20th Century-Fox as a teenager; in the days of publicity-agent pigeonholing, the actress was dubbed variously as "The Fragile Blonde with the Mona Lisa Smile" and "The Palomino Blonde," labels that she intensely despised. Usually cast in sullen bad-girl or troublemaker roles, Francis suffered from a volcanic private life; throughout these years her one source of comfort was her pet dog Smidgeon, whom she'd named after Walter Pidgeon, her co-star in the science-fiction film classic Forbidden Planet (1956). In 1965, Francis found herself with a more contentious pet, an ocelot named Bruce Biteabit, when she starred in the TV adventure series Honey West, in which she played a glamorous private detective. The series was meant to cash in on the gimmicky James Bond movies of the time (Honey West was a judo expert, had exploding earrings, and a microphone hidden in a martini olive), and like many such imitations, the program was on and off in a single year. Francis' film and TV career continued unabated after that, though a potentially good role in the 1968 movie musical Funny Girl was mostly consigned to the cutting-room floor in order to intensify the spotlight on the film's star, Barbra Streisand. Active in guest star spots into the early '90s, Anne Francis--billing herself in recent years as Anne-Lloyd Francis--enjoyed a brief co-starring turn as Mama Jo on the 1984 action series Riptide. ~ Hal Erickson, All Movie Guide
1965  
 
Brainstorm is a somewhat contrived but still well done and frightening thriller written and well-directed by actor William Conrad. Jim Grayam (Jeffrey Hunter) is a young scientist who saves Lorrie Benson (Anne Francis) from committing suicide. They fall in love, but Lorrie's husband Cort Benson (Dana Andrews), who had driven her to the brink of suicide before, discovers that Jim has had a history of mental instability and fabricates obscene phone calls and other actions to create the impression that Jim is unstable. The pair decide to murder Cort, using insanity as a defense. The film has a series of interesting plot twists and a plausible ending, and the performances are generally excellent with Conrad's direction maintaining a good pace and an excellent visual style aided by a good, simple musical score by George Duning. ~ Linda Rasmussen, All Movie Guide

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Starring:
Jeffrey HunterAnne Francis, (more)
1965  
 
Adapted from an Alistair MacLean novel, The Satan Bug is one of the best efforts in the "deadly virus at large" genre. Insane scientist Dr. Hoffman (Richard Basehart) steals several vials containing a lethal germ culture from a government lab. Hoffman has been unhinged by the notion of the government playing God and now it's his turn to do the same. Hot on his trail are Lee Barrett, a scientific investigator (George Maharis) and Ann, a general's daughter (Anne Francis). The climax, which seems to have been borrowed from the 1939 Bela Lugosi serial The Phantom Creeps, finds Maharis wrestling with the controls of a runaway helicopter, wherein the deadly vials are being jostled about. ~ Hal Erickson, All Movie Guide

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Starring:
George MaharisRichard Basehart, (more)
1963  
 
A haunting folk song written by Van Cleave serves as a framing device for this macabre hour-long Twilight Zone episode. Anne Francis plays the title character, a spiteful mountain girl who despairs when her boyfriend Billy-Ben Turner (James Best) dumps her in favor a Ellwyn Glover (Laura Devon). Hoping to win back Billy-Ben's affections, Jess-Belle asks witch-like Granny Hart (Jeanette Nolan) to stir up a love potion -- which has some unexpected side effects. Scripted by Earl Hamner, Jr. of The Waltons fame, "Jess-Belle" originally aired February 14, 1963. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisJames Best, (more)
1963  
 
Professional hitman Jim Derry (Richard Kiley) is contracted to bump off a bookie named Eddie Breech (Richard Long). But when Jim meets Breech's wheelchair-bound wife, Connie (Anne Francis), he takes pity on the woman and changes his mind. Generously, Jim offers to fake Breech's death so that Eddie and Connie can escape to Mexico and start life anew. Our hero's next step is to find a "replacement" corpse so it will appear that he has fulfilled his contract...only to find out that his grand gesture has been wasted on a master con artist. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisRichard Kiley, (more)
1963  
 
This episode is based on a story by Marie Belloc Lowndes, the author of Alfred Hitchcock's 1926 "breakthrough" film, The Lodger. Tyrannical Howard Raydon (Gene Lyons) fires his maid, Addie (Ruth Roman), much to the dismay of Howard's wife, Eve (Anne Francis), who feels that Addie is her only ally against Howard's domineering mother (Gladys Cooper). Vengefully, Addie poisons Howard -- but it is Eve who is accused of murder thanks to the persistence of her hateful mother-in-law. Figuring into the climax of the story is a dark secret harbored by both Addie and her late employer. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisRuth Roman, (more)
1961  
 
Night after night, Julia Reddy (Anne Francis) is left home alone while her husband, Marco (Edmund Hashim), works overtime with his brothers. Out of boredom one evening, Julia calls the police and makes up a story about seeing a prowler in the neighborhood -- and when a detective (Jack Ging) shows up, Julia puts the moves on the poor fellow. Under normal circumstances, Julia would be asking for a lot of trouble; instead, she unwittingly performs a great public service. ~ Hal Erickson, All Movie Guide

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1960  
 
Anne Francis and Christopher Dark guest star as armored-car bandits Doreen Maney and Sheik Humphries in this thinly disguised retelling of the "Bonnie and Clyde" legend. Designed by the newspapers as "The Lovebirds", Doreen and Sheik have masterminded four major heists, the last of which netted the gate receipts from Yankee Stadium. This time, however, blood has been spilled, and Elliot Ness (Robert Stack) is determined to avenge the deaths of the four armored guards mowed down by the Lovebirds' gang. Managing to capture Doreen, Ness hopes that she will reveal Sheik's whereabouts while being extradited to New York, but Doreen says nothing, confident that her boyfriend will help her escape--little imagining that she is being double-crossed not only by Sheik, but also by her own kid sister Maybelle (played by a pre-Mister Ed Connie Hines). ~ Hal Erickson, All Movie Guide

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1960  
 
A little boy learns the dangers of chronic lying the hard way in this thriller. He is only eleven when he tells a story that causes a neighbor, an ex-POW with amnesia, to die. ~ Sandra Brennan, All Movie Guide

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1960  
 
While vacationing with his wealthy and much-older wife Gladys (Vivienne Segal), Ray Marschand (Robert Horton) meets and falls in love with Nyla Foster (Anne Francis), the young daughter of trailer-camp owner Floyd Foster (John F. Hamilton). Deciding that he'd be better off trading his wife for a younger model, Ray begins plotting Gladys' demise. The episode climaxes as Ray and Gladys embark on a fateful fishing excursion, with the requisite surprising results. This final episode of Alfred Hitchcock Presents' fifth season was originally telecast two days before the series switched networks and time slots for the inauguration of season six. ~ Hal Erickson, All Movie Guide

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1960  
 
Anne Francis stars as a young prostitute in search of a way out. She seeks out the help of a discreet psychiatrist (Lloyd Nolan), to find out why she has doomed herself to her sordid profession and why she can't seem to shake loose. At this point the film becomes a virtual monologue for Anne Francis, who is magnificent. Girl of the Night never quite rises above its exploitation trappings, but Ms. Francis' performance is worth the admission price alone. The film was advertised as a "case study", based on the book The Call Girl by Dr. Harold Greenwald. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisLloyd Nolan, (more)
1960  
 
A navy jet piloted by Captain Dale Heath (Efrem Zimbalist Jr.) and carrying a junior officer (Troy Donahue), making a quick hop across country on leave, has already taken off when Heath realizes that both his radio and his navigation equipment have malfunctioned. They might be on the right course, but he can't tell if they're at the right altitude -- 500 feet too high or too low would put him in the path of a plane headed in the opposite direction -- and he can't get through to ground control to get a fix or to request clearance to a new course, or to send out a mayday call. Heath is quietly terrified at the prospect of what may happen, not just for the obvious reason but also because he's experienced this situation once before and saved himself at the cost of the other plane and its pilot. Meanwhile, flying in the opposite direction on the same course is a commercial airliner piloted by Dana Andrews and carrying a full load of passengers, each with their own worries. Much of the first 85 minutes of this thriller is devoted to the passengers and crew of the airliner struggling with their personal problems, never knowing the danger they're in, while Heath (and the audience) grow increasingly tense trying to solve his problem and prevent a tragedy. In the end, his best efforts are to no avail, and he faces the choice of saving his plane and dooming the airliner, or sacrificing himself and his passengers. ~ Bruce Eder, All Movie Guide

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Starring:
Dana AndrewsRhonda Fleming, (more)
1960  
 
Bearing traces of the classic John Collier short story "Evening Primrose", Rod Serling's "The After Hours" was seen as the June 10, 1960, episode of Twilight Zone. While shopping in a big department store, Marsha White (Anne Francis) is inexorably drawn to the store's Ninth Floor, where a mysterious saleswoman (Elizabeth Allen) seems to recognize her. There's just one problem -- according to officious floorwalker Armbruster (James Milhollin), the store doesn't have a Ninth Floor! The makeup artistry of William Tuttle is utilized to the utmost in the episode's chilling (yet somehow touching) final scene. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisElizabeth Allen, (more)
1957  
 
Obviously inspired by such service comedies as Mister Roberts and Operation Mad Ball, Don't Go Near the Water is a tribute to those "unsung heroes" of WW2: the men and women of the Navy's Public Relations Department. Thousands of miles away from the shooting war, Lt. Max Siegel (Glenn Ford) and the rest of the PR staff spend their time issuing colorful reports of Naval heroism and sucking up to visiting US dignitaries on a tiny South Sea island. Siegel and company also battle the anal-rententive pettiness of such superior officers as Lt. Cmdr. Clinton T. Nash (Fred Clark) and such potential foes as abrasive war correspondent Gordon Ripwell (Keenan Wynn). The feminine angle is provided by Gia Scala as Melora, a European-educated local girl, Anne Francis as by-the-book nurse Lt. Alice Tomlen, and Eva Gabor as women's magazine writer Deborah Aldrich. Particularly amusing is Mickey Shaughnessy as foul-mouthed seaman Farragut Jones, whose periodic barrages of profanity are invariably drowned out by the sound of a ratchet-horn (this was, after all, 1957). Don't Go Near the Water was based on the comic novel by ex-PR man William Brinkley. ~ Hal Erickson, All Movie Guide

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Starring:
Glenn FordGia Scala, (more)

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