Anthony Franciosa Movies

The meteoric popularity of Arthur Godfrey was allegedly the basis of the 1957 drama Face in the Crowd. Andy Griffith makes a spectacular film debut as Lonesome Rhodes, a philosophical country-western singer discovered in a tanktown jail by television talent coordinator Patricia Neal and her assistant Walter Matthau. They decide that Rhodes is worthy of a TV guest spot, the result being that the gangly, aw-shucks entertainer becomes an overnight sensation. As he ascends to stardom, Rhodes attracts fans, sponsors and endorsements by the carload, and soon he is the most powerful and influential entertainer on the airwaves. Beloved by his audience, Rhodes reveals himself to his intimates as a scheming, power-hungry manipulator, with Machiavellian political aspirations. He uses everyone around him, coldly discarding anyone who might impede his climb to the top (one such victim is sexy baton-twirler Lee Remick, likewise making her film debut). Just when it seems that there's no stopping Rhodes' megalomania, his mentor and ex-lover Neal exposes this Idol of Millions as the rat that he is. She arranges to switch on the audio during the closing credits of Rhodes' TV program, allowing the whole nation to hear the grinning, waving Rhodes characterize them as "suckers" and "stupid idiots." Instantly, Rhodes' popularity rating plummets to zero. As he drunkenly wanders around his penthouse apartment, still not fully comprehending what has happened to him, Rhodes is deserted by the very associates who, hours earlier, were willing to ask "how high?" when he yelled "jump". Written by Budd Schulberg, Face in the Crowd was not a success, possibly because it hit so close to home with idol-worshipping TV fans. Its reputation has grown in the intervening years, not only because of its value as a film but because of the novelty of seeing the traditionally easygoing Andy Griffith as so vicious and manipulative a character as Lonesome Rhodes. ~ Hal Erickson, All Movie Guide

This routine western finds Gannon (Tony Franciosa) as a lone drifter on the Kansas plains. He never looks for any trouble because trouble always manages to find him. Gannon takes on a young Eastern dude named Jess (Michael Sarrazin) and teaches him the ropes of being a cowboy. The two end up in conflict with the widow Beth (Judy West) when she desires to erect a barbed wire fence to corral the cattle. The widow also wishes to corral Gannon before he is befriended by Mattie (Susan Oliver), the local hooker with a heart of gold. ~ Dan Pavlides, All Movie Guide

Across 110th Street is a violent urban thriller about a corrupt, older white cop (Anthony Quinn) and an honest, young African-American cop (Yaphet Kotto) chasing three robbers-cum-murderers who ran away with $300,000 that belonged to the Italian mob. The police must find them before the sadistic Mafia henchman Nick D'Salvio (Anthony Franciosa) reaches them first. The film has reached a cult status; the title song, performed by Bobby Womack, was later used in Jackie Brown, Quentin Tarantino's extended homage to the crime flicks of the 1970s. ~ Yuri German, All Movie Guide

Ostensibly a six-hour miniseries adaptation of Bert Hirschfield's novel Aspen, the program actually used only the title of the Hirschfield work; the plot proper was lifted from another novel by a different author, Bart Spicer's The Adversary. Set in the titular Colorado ski resort in the 1960s, the story line incorporated equal amounts of sex, greed, ambition, and murder, with the trial of accused rapist-killer Lee Bishop (Perry King) at the center of the storm, and the efforts by a gangster to grab up the local land, coupled with the amorous misadventures of a jet-setting glamour girl, taking up the slack whenever the plot threatened to lag. Despite a huge and varied cast, Sam Elliott emerged as the star of the proceedings in the role of straight-arrow attorney Tom Keating. Originally shown by the NBC network from November 5 to 7, 1977, Aspen was rebroadcast under the more lurid title The Innocent and the Damned. ~ Hal Erickson, All Movie Guide

Not to be confused with the oft-filmed Fannie Hurst yarn Back Street, Backstreet Dreams is a contemporary drama of Humanity vs. the Streets. Jason O'Malley plays a New York hoodlum who doesn't trust his wife Sherilyn Fenn as far as he can throw her (and for good reason). The only person O'Malley truly cares for is his autistic son Shane, played by twin children Joseph and John Viezzi. Brooke Shields (who's better than you might think) enters the scene as a PhD candidate who hopes to get through to Shane. Now it is the unfaithful Fenn's turn to seethe with jealousy as Shields applies her "force holding" theory to Shane, she and O'Malley draw closer together. O'Malley is so taken by Shields' compassion that he severs his mob ties--but Big Boss Burt Young won't let him off so easy, and uses Shane as a "bargaining chip." Backstreet Dreams appears at times to be three films jumbled together; every time a story element starts rolling, it is exiled to the back burner in favor of another gratuitous subplot. ~ Hal Erickson, All Movie Guide

A blushing bride (Melissa Gilbert) doesn't catch on that something's fishy when her new husband (Joe Penny), last name "Moran", introduces her to his distinctly Italian family, who kiss each other's hands a lot. In fact, she doesn't tumble to the fact that her "perfect" spouse is a Mafiosa until it's Too Late. Before she knows what's happening, the wide-eyed (and soft-headed) girl is swept up in drug trafficking. To keep the Italian anti-defamation league at arm's length, the producers of this film contrive to have Tony Franciosa portray an Italian-American FBI agent who comes to the heroine's rescue. Blood Vows: The Story of a Mafia Wife was originally telecast January 18, 1987. ~ Hal Erickson, All Movie Guide

Three A-list screenwriters -- (Nicholas Pileggi, Bo Goldman, and Paul Schrader) -- contributed to the script of this idealistic political drama. John Pappas (Al Pacino) is the popular, ethical Mayor of New York; Kevin Calhoun (John Cusack) is his even more idealistic and principled deputy. When a detective and mobster kill each other and an innocent six-year-old black child in a shootout, questions arise about what the cop was doing meeting with the gangster in the first place. The Mayor and his staff handle the situation ably, but Calhoun digs deeper and finds troubling evidence that even his seemingly incorruptible boss has not escaped the shadier aspects of political life. The Mafia boss (Tony Franciosa) whose nephew was the dead gangster, along with a Brooklyn political boss (Danny Aiello) with his own agenda, come into the story, becoming part of a series of larger links, secret relationships, and bonds of "honor" between men who, on the surface, would have no reason to be in business with each other. ~ Don Kaye, All Movie Guide

This wonderfully cheesy TV movie-of-the-week stars Tony Franciosa as a detective hot on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path to Los Angeles, where he discovers her true identity -- a woman who was bitten by black widow spiders as a child, who has developed the ability to transform herself into a gigantic spider-monster (as portrayed by a not-too-convincing rubber puppet). An odd diversion for director Dan Curtis, with a 1950's monster-movie mentality incongruous with his earlier TV features. The cast -- comprised of many familiar TV faces -- try to play their roles straight, despite the overall impression that the whole thing is a silly put-on. ~ Cavett Binion, All Movie Guide

Paul Kersey's (Charles Bronson) self-appointed one-man vigilante squad goes bi-coastal in Michael Winner's sequel to his Death Wish. Kersey has taken up residence in Los Angeles, but lunatic violence follows him across the country like toilet paper sticking to his shoe. Kersey's Spanish cook is immediately gang-banged and killed, while his daughter, still suffering from a catatonic stupor after her brutal rape in the first film, finds herself raped yet again. Vincent Gardenia as New York detective Frank Ochoa, reprises his role from the first film here -- traveling to Los Angeles to locate Kersey but finding death waiting for him off a LA freeway ramp. After all this mayhem, Kersey cannot cringe in hiding for long, and once again he loads up his tube socks with rolls of quarters and goes hoodlum hunting. ~ Paul Brenner, All Movie Guide

The all-purpose science fiction title Earth 2 was utilized in 1971 for this TV pilot film. Producer/writers Allan Balter and William Read Woodfield consulted both NASA and the Rockwell Corporation to guarantee a modicum of authenticity for their futuristic teleplay. The story takes place in "Earth II", a self-contained space station orbiting the earth which houses 2000 people. Gary Lockwood, star of 2001: A Space Odyssey, appears as the commander of the station (note to fans of "Alvin and the Chipmunks": Lockwood's character name is David Seville!) The anecdotal plot explores the everyday operations of Earth II and the various trials and tribulations of its denizens. ~ Hal Erickson, All Movie Guide

Raquel Welch breaks the surly bonds of Earth and loves every minute of it in this lighthearted spy spoof. Fathom Harvill (Welch) is an American skydiver touring Europe with a U.S. parachute team when she's approached by Douglas Campbell (Ronald Fraser), a Scottish agent working with American intelligence. According to Campbell, a triggering mechanism for nuclear weapons has gone missing in the Mediterranean, and Douglas wants Fathom to help find it. After encountering Chinese operative Peter Merriweather (Anthony Franciosa), Fathom discovers that Campbell is actually a private eye and that she's been tricked into helping him snag some jewelry. But what's the whole truth, and whose side is Fathom supposed to be on? ~ All Movie Guide

When a movie star's ghost takes to haunting a writer's home on the beach, the two put their heads together to uncover the truth behind her suspicious demise. ~ Iotis Erlewine, All Movie Guide

Gina Lollobrigida plays a Lady of the Evening who is wooed by wealthy young Anthony Franciosa. She leaves him in the dark concerning her checkered past. Alas, Franciosa's father Ernest Borgnine knows everything about Lollobrigida, and breaks the bad news to his son. Aghast at first, Franciosa is willing to forgive Lollobrigida. But since the Production Code was still tenuously in effect, Lollobrigida can't possibly enjoy a happy ending, so she obligingly kills herself. Based on a novel by Tom T. Chamales, Go Naked in the World was written and directed by Ranald MacDougall, and did you know that MacDougall was the husband of Nanette Fabray? ~ Hal Erickson, All Movie Guide