Harry Fowler Movies

Despite its fervently flag-waving title, the British Salute John Citizen is a simple, low-pressure study of the wartime "home front." Edward Rigby plays Mr. Bunting, an out-of-work clerk who is rehired during the manpower shortage of World War II. Bunting's son Ernest (Jimmy Hanley) is determined to stay out of the line of fire, but changes his mind after witnessing the horrors of the London Blitz. In its own quiet, unassuming war, Salute John Citizen paints a truer portrait of a proud populace besieged by war than the more celebrated Mrs. Miniver. The film was based on a brace of novels by Robert Greenwood. ~ Hal Erickson, All Movie Guide

Released in the US as Forty-Eight Hours, Went the Day Well? is a solidly constructed wartime melodrama. Actually, the film covers 72 hours in the life of the small British village of Bramley Green, which serves as the focal point for an attempted German invasion. Immediately upon parachuting in the community, vicious Nazi officer Ortier (Basil Sydney) makes contact with local Fifth Columnist Oliver Wileford (Leslie Banks), using the film's British title as their password. Fortunately, Democracy is preserved when postmistress-telephone operator Mrs. Collins (Muriel George), picking up on a simple clue inadvertently left behind by the well-disguised Germans, alerts her neighbors of impending danger. The British home guardsmen and German soldiers seen in the film were drawn from the ranks of of the real-life Gloucestershire Regiment, who volunteered their services for this patriotic morale-booster. The episode screenplay of Went the Day Well (based on Graham Greene story) was unified by the direct-to-camera narration of the town gravedigger, a device deftly borrowed from Our Town. ~ Hal Erickson, All Movie Guide

Don't Take It to Heart is an amiable entry in the 1940s cycle of "ghost comedies". A British castle is rocked by a German bombing raid, releasing a jaunty wraith (Richard Greene) from his house-haunting job. As long as he's got the run of the castle, the ghost decides to take a hand in the romance between mistress-of-the-house Patricia Medina and young researcher Richard Bird. Also in line for ghostly visitation is the nasty landlord who holds the local townsfolk in his avaricious clutches. Don't Take It to Heart received almost uniformly good reviews from the British press, which during wartime was often resistant to comedy films. ~ Hal Erickson, All Movie Guide

In this drama, set during World War II, two rival boat families battle it out for supremacy. ~ Sandra Brennan, All Movie Guide

Like such later American programmers as Rock Around the Clock, the British Trouble in the Air is essentially an excuse to parade popular radio entertainers before the cameras. The plot is but a sliver: When a team of small-town bellringers is picked to perform over the BBC, their village is beseiged by oppotunists, including a gang of toughs. Radio announcer Jimmy Edwards gets wind of the villain's schemes and uses the airwaves to alert the authorities. Trouble in the Air is so dependent upon built-in audience familiarity with its stars that it leaves American audiences at a complete loss. As a time capsule for British radio fans, however, the film is invaluable. ~ Hal Erickson, All Movie Guide

A popular British stage play by William Douglas Home was the basis for this out-of-the-ordinary prison picture. Richard Greene heads the cast as Turnfell, a murderer facing a death sentence. Turnfell is but one of several inmates whose joys and sorrows are detailed in anecdotal fashion: others include a cockney forger (William Hartnell), an embezzling bank clerk (Ronald Howard) and a bigamist (Lesley Dwyer). Also on hand is the Governor (or warden), played with a refreshing lack of genre cliches by Sir Cedric Hardwicke and an Irish terrorist, well-played by a very young Richard Burton. Now Barabbas was a Robber was eventually given a general release under the streamlined title Now Barabbas. ~ Hal Erickson, All Movie Guide

Trio was the 1950 follow-up to the successful Somerset Maugham "omnibus" feature Quartet. Maugham himself introduces the three short playlets in this captivating collection. "The Verger" stars James Hayter as a church verger who loses his position when it is discovered that he can neither read nor write. With the help of sympathetic Kathleen Harrison, Hayter becomes a successful tobacconist, a turn of events leading inexorably to the story's beautifully ironic punchline. In "Mister Know-All," Nigel Patrick plays an obnoxious, garrulous passenger on a luxury cruise, who becomes a hero simply by knowing when to shut up. The final story, "Sanitorium," details the touching romance between tuberculosis victims Michael Rennie and Jean Simmons. Like Quartet, this was popular and successful enough to inspire a sequel, 1951's Encore. ~ Hal Erickson, All Movie Guide

In this British crime drama, a petty crook teams up with a gangster to steal some jewels, but somehow the robbery goes awry and an innocent man is fatally shot. The man later turns out to be the father of the crook's newest girl friend. ~ Sandra Brennan, All Movie Guide

John Hayter is Samuel Pickwick is this delightful filmization of Dickens' seriocomic novel. Mr. Pickwick is chairman of the Pickwick club, a scholarly league operating in mid-19th century London. The club's avowed purpose is to scrupulously study everyday life in England-not to improve or remonstrate, but simply examine, as a scientist would examine life under the microscope. The episodic storyline transports the Pickwicks all over town, from the fashionable digs of ever-in-debt roue Mr. Jingle (Nigel Patrick) to debtor's prison. The Candide-like Mr. Pickwick survives his many experiences (including a duel and breach of promise suit) with the invulnerability of innocence. The Pickwick Papers was produced, directed and adapted by Noel Langley, a brilliant, hard-drinking wit who once upon a time had labored on the screenplay of Hollywood's The Wizard of Oz. ~ Hal Erickson, All Movie Guide

Inspired by the recent success of The Blue Lamp, I Believe in You is a multiplotted British drama about parole officers. Several short character vignettes pass our way as the film studies the various methods employed by the officers in dealing with their charges. The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down. ~ Hal Erickson, All Movie Guide

"Angels One Five" is the cognomen bestowed upon a group of WW II British fighter pilots. The squadron leader is Tiger Small (Jack Hawkins), who is taken out of commission after an accident. Despite the protests from his fellow flyboys, Tiger insists upon taking to the air again, thereby setting the stage for the film's exciting and inspirational finale. Angels One Five differs from other combat films in that the battles generally take place offscreen; the progress of the principal characters is relayed to the audience via radio reports and control-room charts. If this sounds dull and static, it isn't: in fact, Angels One Five is among the best of the "Battle of Britain" war epics. ~ Hal Erickson, All Movie Guide

The British Conflict of Wings was also released as Fuss over Feathers: Both titles are applicable, but only the second title captures the mood of the proceedings. The story takes plays in a Norfolk-country village, where the populace is up in arms over the announcement that the RAF plans to build a target range. It seems that the village is the site for a bird sanctuary that was allegedly established 400 years earlier by King Henry VIII. Faced with an intractable government and an equally unsympathetic bureaucracy, the villages decide to resolve matters in their own inimitable way. Commendably, the RAF is not cast as the villain of the piece: both sides are well represented in the argument, though audience sympathy understandably leans in the direction of the bird-huggers. Conflict Over Wings was adapted by Don Sharp from his own novel. ~ Hal Erickson, All Movie Guide

A remake of the 1937 British comedy Where There's a Will, Top of the Form top-bills perennial comic relief Ronald Shiner as a Bilko-like bookmaker. Circumstances dictate that Shiner find himself in charge of a boys' school, where all the students show a natural affinity for gambling. Taking the boys on a tour of the European gaming tables, Shiner gets entangled in a plot to steal a Mona Lisa (not so far-fetched; such a theft actually took place in 1913). With the help of his young charges, Shiner rescues the Da Vinci classic from artnappers. Among Shiner's students are such future luminaries as Anthony Newley and Ronnie Corbett. ~ Hal Erickson, All Movie Guide