Harry Fowler Movies

Season 25 of Doctor Who got under way on October 5, 1988, with episode one of the four-part "Remembrance of the Daleks." Accompanied by his new friend, Ace (Sophie Aldred), the Doctor (Sylvester McCoy) shows up in 1963 London in search of something he inadvertently left behind during his last visit. That "something" is a remote stellar manipulator -- desperately needed by two warring Dalek factions. "Remembrance of the Daleks, Episode 1" was written by Ben Aaronovitch. ~ Hal Erickson, All Movie Guide

The title of this British drama series referred to a small neighborhood somewhere in the London suburbs. The stories focused on World's End's various denizens, whose dreams of advancing themselves and escaping their shabby surroundings usually came acropper. The series was written by Ted Whitehead, an old hand at the British soap-opera genre. Thirteen half-hour episodes of World's End were shown from October 1 to December 18, 1981. ~ Hal Erickson, All Movie Guide

A poor commoner and a young prince each find out how the other half lives in this adventure story based on the classic tale by Mark Twain. Tom Canty (Mark Lester) is a young man from a laboring family who bears a striking resemblance to Prince Edward (also played by Lester), the son of King Henry VIII (Charlton Heston) and heir to his throne. Tom and Edward meet by chance, and they decide to exchange places briefly as a lark; Edward will get to live as an ordinary boy, and Tom will be able to enjoy the perks of royalty. But the two are separated before they can let everyone in on the joke, and Tom discovers as he pretends to be Price Edward that the castle is awash in corruption. Originally released as Crossed Swords, The Prince and the Pauper also features Oliver Reed, Raquel Welch, George C. Scott, and Rex Harrison. ~ Mark Deming, All Movie Guide

This crime drama chronicles the demise of a hapless stripper who ends up gang-raped and killed. The dead woman's best friend, a singer, tells the sordid tale. ~ Sandra Brennan, All Movie Guide

In this thriller (which represented something of a departure for Hammer Films, noted for their gothic period pieces), Joey Fane (William Dix) has returned home after two years in an institution for mentally ill children. His sister drowned, and his family believes that Joey was to blame, despite his claims of innocence. Joey is convinced that the family's Nanny (Bette Davis) was responsible and refuses to have anything to do with her, but only neighbor girl Bobby (Pamela Franklin) agrees that there's something sinister about the woman minding the house. When Joey's neurotic mother Virginia (Wendy Craig) nearly dies after eating tainted food prepared by the Nanny, Virginia's sister Penelope (Jill Bennett) comes by to help. Penelope soon witnesses the bad blood between Joey and the Nanny, though before long she begins to think that the boy might be right about her after all. Jimmy Sangster adapted the screenplay from a novel by Evelyn Piper. ~ Mark Deming, All Movie Guide

Life at the Top is a belated sequel to Room at the Top, John Blaine's "angry young man" British novel that was made into a film in 1959. Laurence Harvey is back as Joe Lampton, the man-on-the-rise protagonist who in Room had given up true love in favor of a career-boosting (and antiseptic) marriage to his boss' daughter. Ten years have passed: Lampton is a business success, but utterly bored by his dead-end marital setup. His wife feels the same, and it isn't long before Mr. and Mrs. Lampton begin conducting separate affairs. While the original Room was a fairly accurate evocation of its era, Life at the Top works too hard and too noisily to be "mod," in reflection of the ethereal Swinging London era. The inclusion of flashbacks from Room at the Top, in which Harvey is seen making love to Simone Signoret, only serves to emphasize the shortcomings of the sequel. The best moments in the later version can be found in the early establishing scenes set in Yorkshire. Life at the Top was followed by a TV series called Man at the Top, starring Kenneth Haigh as Lampton, which in turn was followed by a theatrical feature of the same name. ~ Hal Erickson, All Movie Guide

A British charwoman and her colleagues strike it rich on the stock market when she discovers a wastebasket filled with market tips in this drama. Later they decide to use their money for good after they overhear a wicked financier planning to destroy the cleaning woman's neighborhood. Together they manage to save the neighborhood. ~ Sandra Brennan, All Movie Guide

This comedy features a 12-step Program for habitual hoods. The recovering criminal takes a job as a department store Santa, and again finds himself confronted with temptation. ~ Sandra Brennan, All Movie Guide

This sweeping, highly literate historical epic covers the Allies' mideastern campaign during World War I as seen through the eyes of the enigmatic T. E. Lawrence (Peter O'Toole, in the role that made him a star). After a prologue showing us Lawrence's ultimate fate, we flash back to Cairo in 1917. A bored general staffer, Lawrence talks his way into a transfer to Arabia. Once in the desert, he befriends Sherif Ali Ben El Kharish (Omar Sharif, making one of the most spectacular entrances in movie history) and draws up plans to aid the Arabs in their rebellion against the Turks. No one is ever able to discern Lawrence's motives in this matter: Prince Feisal (Alec Guinness) dismisses him as yet another "desert-loving Englishman," and his British superiors assume that he's either arrogant or mad. Using a combination of diplomacy and bribery, Lawrence unites the rival Arab factions of Feisal and Auda Abu Tayi (Anthony Quinn). After successfully completing his mission, Lawrence becomes an unwitting pawn of the Allies, as represented by Gen. Allenby (Jack Hawkins) and Dryden (Claude Rains), who decide to keep using Lawrence to secure Arab cooperation against the Imperial Powers. While on a spying mission to Deraa, Lawrence is captured and tortured by a sadistic Turkish Bey (Jose Ferrer). In the heat of the next battle, a wild-eyed Lawrence screams "No prisoners!" and fights more ruthlessly than ever. Screenwriters Robert Bolt and Michael Wilson used T. E. Lawrence's own self-published memoir The Seven Pillars of Wisdom as their principal source, although some of the characters are composites, and many of the "historical" incidents are of unconfirmed origin. Two years in the making (you can see O'Toole's weight fluctuate from scene to scene), the movie, lensed in Spain and Jordan, ended up costing a then-staggering $13 million and won seven Academy Awards, including Best Picture and Best Director. The 1962 Royal Premiere in London was virtually the last time that David Lean's director's cut was seen: 20 minutes were edited from the film's general release, and 15 more from the 1971 reissue. This abbreviated version was all that was available for public exhibition until a massive 1989 restoration, at 216 minutes that returned several of Lean's favorite scenes while removing others with which he had never been satisfied. ~ Hal Erickson, All Movie Guide

Don't Panic Chaps! is one of the least distinguished films in a run of 1950s British comedies set during World War II. This time around, four subpar Brit soldiers are dropped off on an island in the Adriatic Sea, not far from Sicily, to establish a base for military observation. After some time goes by, it becomes woefully apparent that the submarine crew that was supposed to pick them up, forgot. They soon find that a small group of German soldiers are on the island in that very same situation, forgotten by the war. These two opposing units call a truce and all seems to go relatively well until an attractive young woman shows up on the island (Nadja Regin), setting the soldiers back into a competitive, hostile attitude. ~ Eleanor Mannikka, All Movie Guide

A cynical wounded war hero becomes the athletic director at a boys' camp. The lively children brighten his days and make him more optimistic about life. ~ Steve Huey, All Movie Guide