Robert Foulk Movies

The oft-told tale of controversial Southern-sympathizing outlaw Quantrill is recounted again in this low-budget western. Leo Gordon, possessor of one of the meanest faces in the movies, plays Quantrill, but top billing is bestowed upon Steve Cochran as Westcott, a Confederate officer assigned to collaborate with the vigilante leader in a raid on an ammunition depot in Lawrence, Kansas. Westcott is forced to move on when the ammo supply is moved, but the vengeance-driven Quantrill insists upon remaining in Lawrence, there to indulge in one of the bloodiest and most sadistic raids in Kansas history. Quantrill's Raiders was directed by Edward Bernds, who'd come a long way since his Three Stooges shorts of the early 1950s. ~ Hal Erickson, All Movie Guide

Joel McCrea essays the title role in this moody little western. McCrea is a Union officer wounded in battle, who joins up with a wagon train heading westward. He is ostracized by those passengers who'd fought on the Confederate side, though leading lady Virginia Mayo welcomes his presence. McCrea redeems himself in the eyes of the ex-Confederate homesteaders when he acts as mediator in a range dispute with a land baron (Barry Kelly)--who happens to be McCrea's own half brother. Tall Stranger is based on a novel by the prolific Louis L'Amour. ~ Hal Erickson, All Movie Guide

The Depression-New Deal subtext of the original 1936 My Man Godfrey was understandably dispensed with in this so-so 1957 remake. David Niven steps into the old William Powell role as hobo-turned-butler Godfrey, while June Allyson does her best in the Carole Lombard part as Irene Bullock, the spoiled, impulsive heiress who brings Godfrey into her zany household. The remake follows the original with reasonable fidelity so far as the basics are concerned, with Godfrey, a wealthy lawyer who dropped out of society after an unhappy romance, rescuing the screwball Bullock family from bankruptcy and self-destruction simply by applying a soupcon of common sense. The supporting cast is able, though not as "perfect" for their roles as their 1936 counterparts: the most interesting bit of casting is Jay Robinson, who rose to fame as Caligula in The Robe, as the parasitic "protégé" originally portrayed by Mischa Auer. In keeping with the custom of the times, My Man Godfrey is fitted out with an opening theme song, written by Peggy Lee and Sonny Burke, and performed by Sarah Vaughan. ~ Hal Erickson, All Movie Guide

Last of the Badmen gets started in 1880 Chicago, as detective Dan Barton (George Montgomery) prepares to head westward. Barton intends to round up a gang of stagecoach bandits, whose modus operandi is to spring criminals from jail in return for their services. In order to infiltrate the gang, Barton poses as an incarcerated crook with a huge price on his head. What he doesn't know is that gang leader Hawkins (Douglas Kennedy) invariably kills the bad guys that he's freed from jail in order to collect the reward money. For the most part an ordinary western, Last of the Badmen is elevated by its novel premise. ~ Hal Erickson, All Movie Guide

Conceived as a Gone With the Wind for the CinemaScope generation, Raintree County wasn't quite as successful as its role model, but it still proved a moneyspinner for MGM. Elizabeth Taylor stars as a spoiled Southern belle who falls in love with pacifistic Indiana youth Montgomery Clift. Though Clift is engaged to Eva Marie Saint, what Taylor wants, Taylor gets, and she isn't above using the dirtiest of deceptions to win Clift's affections. When the Civil War break out, Clift, a staunch abolitionist, joins the Union, much to the dismay of true-to-Dixie Taylor. While Clift is off fighting the war, Taylor descends into a depression that deepens into insanity. At war's end, Clift tries to come to terms with Taylor's lunacy for the sake of their child. But the strain proves too much for both of them, leading to an operatic climax which curiously segues into a happy ending (happy for some of the characters, anyway). If Montgomery Clift's performance--and appearance--seems to fluctuate wildly throughout the film, it is because he was involved in a serious auto accident during shooting, one that left both physical and emotional scars from which he never completely recovered. The 187-minute Raintree Country (reduced to 168 minutes after its initial roadshow engagements) was adapted by Millard Kaufman from the best-selling novel by Ross Lockridge, Jr. (whose own life story was infinitely more tragic than anything in his book). ~ Hal Erickson, All Movie Guide

Jockey Johnny Longden and his wife, Hazel Longdon, appear as themselves in this episode, in which Ricky (Desi Arnaz) is chosen to present a loving cup to Longden at a dinner for the National Turf Association. Having been chided for purchasing what Ricky regards as a ridiculous-looking hat, Lucy (Lucille Ball) jokingly places the loving cup on herself -- and then can't get it off! The situation reaches outrageous heights when Lucy tries to hide her "adornment" while riding on a subway train in search of a silversmith who will extricate our heroine from her dilemma. ~ Hal Erickson, All Movie Guide

Based on a novel by television producer Al Morgan, The Great Man is a Citizen Kane-style look at the private life of a public figure. The Great Man is a beloved radio and television personality who dies suddenly. Jose Ferrer (who also directed) plays a writer/commentator who has a chance to break into the Big Time by preparing a eulogistic broadcast concerning the deceased celebrity. As he interviews the various people who knew the Great Man on the way up (including Julie London and Ed and Keenan Wynn) he learns that the "idol of millions" was actually a conniving, duplicitous scoundrel who stepped on everyone in his path and who took credit for the hard work of others. Warned by his boss (Dean Jagger) that his career will be ruined if he tells the truth, Ferrer nonetheless takes to the airwaves with a "warts and all" biography--and the results are surprising only to those with no cynicism in their souls. The Great Man stirred up a sensation in 1956 because it was perceived to be an a clef study of the enormously popular (and ruthlessly powerful) media star Arthur Godfrey. ~ Hal Erickson, All Movie Guide

In this western, an adventurous gambler goes on the lam when he is falsely accused of a riverboat killing. He hides out for three years before returning to prove his innocence, and to find the girl he loves. Unfortunately, the girl is involved with a gambler, the ringleader of the gang responsible for the killing. The fugitive, assisted by a comic sidekick, soon brings them all to justice, and reclaims his lady love. Songs include: "Give Me Your Love," "Happy Go Lucky," and "The Gypsy with the Fire in His Shoes." ~ Sandra Brennan, All Movie Guide

A derelict named Goodfellow (Robert Newton) comes into possession of an IOU written by Ralph Cowell (Phillip Reed) to his principal creditor. As luck would have it, Goodfellow has also witnessed the murder of said creditor at the hands of Mr. Cowell. Thus it is that Goodfellow and a fellow bum named Shanks (Johnny Silver) are able to blackmail their way into Cowell's expensive apartment and hock all of the poor man's belongings. Ultimately, Cowell gains the upper hand in the situation -- or so he thinks. ~ Hal Erickson, All Movie Guide

One of the most entertaining of the Western movies to come out of the 1950s, this is a Stewart vehicle in which he must take on the ruthlessness of the frontier. Set in the Yukon, Stewart and his friends are driving cattle to market from Wyoming to Canada, where the boom towns pay top dollar for beef. When they arrive in Skagway, the corrupt sheriff of the town (John McIntire) steals the cattle and Stewart et al are forced to fight for their herd. Together with the female saloon keeper of another town (Ruth Roman), they find themselves up against an evil they were not prepared for. When Stewart's friend (portrayed by Walter Brennan) is killed, he is forced to go up against the evil sheriff. Good versus evil in incredible Yukon settings makes this an above average Western. ~ Tana Hobart, All Movie Guide

Longtime B-western favorites Tex Ritter and Ray "Crash" Corrigan are among the supporting players of the Columbia oater Apache Ambush. Star of the proceedings is Bill Williams, cast as Indian scout James Kingston. In the last days of the Civil War, President Lincoln (James Griffith) selects Kingston and two other men -- cattle driver O'Roarke (Ray Teal) and "reconstructed" Confederate major McGuire (Don C. Harvey) -- to help speed along a major cattle shipment from Texas to the Northern states. One of the obstacles facing the three men is Mexican fanatic Joaquin Jironza (Alex Montoya), who wants to get his hands on the Henry Repeating Rifles which Kingston and his confreres carry with them. Undermining the good guys is embittered ex-rebel Lee Parker (Richard Jaeckel), who is in cahoots with Jironza. So much happens in the first five reels that the titular Indian ambush is almost anticlimactic (a warning to more sensitive viewers: neither the Apaches nor the Mexicans are shown in a particularly sympathetic light). ~ Hal Erickson, All Movie Guide

In this gritty urban drama, war veteran Richard Dadier (Glenn Ford) wants to begin his career as a teacher and is given an assignment at a boys high school in inner-city New York. However, he soon discovers the school is overrun by delinquents, led by Artie West (Vic Morrow), an insolent hood who likes to call Richard "Mr. Daddy-O." Artie and his gang steal, destroy property, refuse to respect authority, and threaten the female teachers with rape. While most of the faculty have given up and meekly let the delinquents do what they want, Dadier is determined to bring order back to his classroom, even after Artie's thugs threaten Richard's pregnant wife. Keep your eyes peeled for a bit part by Jameel Farah, years before he would change his name to Jamie Farr. Blackboard Jungle was also the first major studio film to use rock & roll on the soundtrack; the film's success kick-started sales of "Rock Around the Clock" by Bill Haley & His Comets, which helped to spark the rock & roll boom of the 1950s. ~ Mark Deming, All Movie Guide