Byron Foulger Movies

One the finest of all Twilight Zone episodes, "Walking Distance" benefits not only from a superb Rod Serling script and a magnificent starring performance by Gig Young, but also from an evocative musical score by Bernard Herrmann (which would be cannibalized many times on subsequent episodes). Young is cast as 35-year-old businessman Martin Sloan, who, while waiting for his car to be repaired, takes a sentimental journey to his home town of Homewood. Gradually, Martin begins to realize that the town has not changed one bit in 25 years: In fact, his parents are still alive, and there's a young boy running around who is the living image of 10-year-old Martin Sloan. Watch for Ron Howard in a three-line bit role. "Walking Distance" was first telecast October 30, 1959. ~ Hal Erickson, All Movie Guide

While often regarded as one of America's greatest novelists, William Faulkner produced work that did not always translate well to the screen; it's ironically appropriate that this movie, based on several of Faulkner's short stories, is often regarded as one of the best films based on his work, though not especially accurate to the original source material. Ben Quick (Paul Newman), a sullen but self-confident drifter, arrives in a small Mississippi town where his father had a bad reputation as a firebug. Will Varner (Orson Welles), the town's patriarch, still holds a grudge against Quick's dad, and when the young man decides to stay in town and sharecrop on Varner's land, Will goes out of his way to make his life difficult. However, Will develops a grudging respect for Quick's guts and determination, and he wishes that his weak-willed son Jody (Anthony Franciosa) could be more like him; Jody's wife Eula (Lee Remick) happens to agree. In time, Will gets the idea that Quick might be a good match for his daughter Clara (Joanne Woodward) and a better choice to take over his business dealings than Jody. However, neither Clara nor Quick care to be told what to do, and besides, Clara already has a beau -- though Alan Stewart (Richard Anderson) is even more of a milquetoast than Jody and is led by the nose by his mother (Mabel Albertson). However, sparks begin to fly between Clara and Quick, and when Jody fears he may lose his place as heir of Will's estate, he takes drastic action, trapping his father in a barn, setting it on fire, and planting evidence that would suggest that the blaze was Quick's doing. The Long, Hot Summer was the first film that Newman and Woodward made together, and they got married the same year. ~ Mark Deming, All Movie Guide

Making the acquaintance of pretty Abigail Taylor (Joanna Barnes) in the lobby of a Denver hotel, Bret (James Garner) cannot help but notice that the lady has a tight grip on a hatbox. Abigail insists that the box contains important documents, and that there is a sinister stranger who is out to steal them. Would Bret be a darling and protect Abigail as she prepares to deliver the papers? Bret agrees--unaware that he's being set up as a dupe in an elaborate swindle. ~ Hal Erickson, All Movie Guide

Singer Molly Bee once commented ruefully that her films were shown only to captive audiences in jails and reformatories. One suspects that Ms. Bee's Going Steady had a few paying customers, since no Sam Katzman production of the 1950s ever lost money. In this one, Molly plays high schooler Julie Ann, who secretly marries boyfriend Calvin (Alan Reed Jr.) so that she can accompany his basketball team to an out-of-town game. The fun really begins when Julie Ann finds out that she's pregnant--depending, of course, upon one's interpretation of the word "fun". Going Steady was shipped out on a Columbia double bill with another Sam Katzman epic, Crash Landing. ~ Hal Erickson, All Movie Guide

A bank robber's avarice and obsessive quest for freedom lead to his downfall in this adventure-packed crime drama that was shot on location in Mexico. After lifting a cool million from a U.S. bank, the crook is anxious to sneak across the border into Mexico, but to do so he must hire an experienced wilderness guide. He goes to the guide's ranch and finds his ex-lover, now the guide's wife, preparing to leave her husband. The crook offers to take her to her home town. There is trouble with a border guard and the crook runs him over with his car. Terrified, the girl tries to escape, but the crook runs after her and they go back to the ranch where they meet the guide (who was beside the border guard when he died). Desperately, the crook forces the guide and his wife to head into the mountains with him. As they traverse the treacherous terrain, the crook becomes increasingly desperate and makes it plain that he will kill anyone who stands in his way. He also makes it clear that he would rather die himself than give up the money. ~ Sandra Brennan, All Movie Guide

Patricia Medina plays the title character in The Buckskin Lady. Medina is cast as female gambler Angela Medley, who is forced by circumstances to align herself with outlaw Slinger (Gerald Mohr). But Angela has never gotten over her love for honest frontier doctor Bruce Merritt (Richard Denning), and at the first opportunity she redeems herself by catching a bullet intended for the doc. Henry Hull delivers the film's most memorable performance as Angela's drunken wretch of a father. Per the title, Buckskin Lady affords the viewer ample opportunity to see Patricia Medina in form-fitting western garb. ~ Hal Erickson, All Movie Guide

Shortly before committing himself to the TV sitcom Mr. Adams and Eve, Howard Duff starred in the dust-caked western Sierra Stranger. After rescuing Sonny Grover (Ed Kemmer) from a brutal beating, well-meaning Jess Collins (Duff) discovers that Sonny is the town no-good. The far-from-grateful Grover later tries to gun down Collins during a stagecoach holdup. A good samaritan no longer, Collins dedicates himself to bringing Grover to justice. Sierra Stranger is blessed with one of those supporting casts that film buffs pray for: John Hoyt, Dick Foran, George E. Stone, Barton MacLane, Byron Foulger, Henry Kulky et. al. ~ Hal Erickson, All Movie Guide

You Can't Run Away From It is a musical remake of Frank Capra's Oscar-winning classic It Happened One Night, complete with same-named characters and word-for-word scene reconstructions. It all begins when spoiled heiress Ellie Andrews (June Allyson) is literally kidnapped from the altar by her wealthy father (Charles Bickford). Escaping from her daddy's yacht with only a handful of clothes and minimal finances, Ellie hops a bus, intending to travel cross-country to be reunited with her fortune-hunting husband. Reporter Peter Warne (Jack Lemmon), sensing a swell newspaper story, tags along. Though Peter and Ellie aren't terribly fond of one another (that's putting it mildly!), by the end of their journey they've fallen in love -- but there are still several last-minute complications before a happy ending can be reached. Most of the musical numbers in the remake are awkwardly inserted during the more famous scenes from the Capra original: the "Walls of Jericho," the impromptu singalong on the bus, the hitchhiking bit, etc. Benefiting from the breezy performances of Jack Lemmon and June Allyson, You Can't Run Away From It is easy to take, but hardly within shouting distance of the original film's brilliance. ~ Hal Erickson, All Movie Guide

One of the best of the High Noon derivations, At Gunpoint is the story of reluctant hero Fred MacMurray. When a band of gunmen invade a small frontier town, storekeeper MacMurray fires off a lucky shot and kills the leader. Hailed as a hero, MacMurray realizes deep down that he's a coward. When the surviving gunmen return to town, thirsting for revenge, the townsfolk expect MacMurray to singlehandedly stand up to the villains. When he asks for help, his neighbors turn their backs on him, ordering him to get out of town to avoid further trouble. Only doctor Walter Brennan and MacMurray's wife Dorothy Malone remain loyal. Facing certain death,MacMurray discovers that he's not as yellow as he thought he was-a revelation that brings about a change in the rest of the town. ~ Hal Erickson, All Movie Guide

The infamous Benedict Arnold affair is the basis of the lively MGM costumer The Scarlet Coat. Arnold is played with suitably subtle menace by Robert Douglas, while his principal co-conspirator, Major John Andre, is essayed by Michael Wilding. The largely speculative storyline concerns the efforts of one Major John Boulton (Cornel Wilde), a colonial counterspy, to foil Arnold's plans. Thanks to some deft scriptwriting, the much-abused Major Andre emerges as the most sympathetic character in the film, if only because he is willing to face the consequences for his actions. Less sympathetic is George Sanders in another of his patented "cad" roles, while Anne Francis is the spunky (if unnecessary) heroine. ~ Hal Erickson, All Movie Guide

Next to Slightly Scarlet, Silver Lode is the best of the many 1950s collaborations between producer Benedict Bogaeus and director Allan Dwan. Clearly inspired by High Noon, the story covers three hours in the lives of a group of westerners. As the townsfolk prepare for the Fourth of July celebration, stranger Dan Duryea rides into view, followed by three tough-looking hombres. Duryea claims to be as US marshal, and further claims that he has a warrant for the arrest of the town popular sheriff, John Payne. A few hours away from his marriage to Lizabeth Scott, Payne assumes that no one will believe the troublemaking Duryea, and that his spotless record will speak for itself. But since it is impossible to confirm or deny Duryea's allegations, the seeds of doubt are planted in the minds of the townspeople, and before long virtually all of Payne's "friends" have turned against him. It soon becomes clear to the movie audience that Duryea is lying, especially after he guns down one of his own men. But Duryea is able to pin the blame of the killing on Payne, and in a twinkling the sheriff is a hunted man. The only person willing to give Payne the benefit of the doubt is town trollop Dolores Moran (Mrs. Benedict Bogeaus), who hides the sheriff while telegrapher Frank Sully tries to find out if Duryea is telling the truth. Building slowly and methodically to a slam-bang climax, Silver Lode is an above-average psychological western--and, like many "guilt by supsicion" films of the 1950s, a thinly veiled attack on McCarthyism. Best line: when Duryea bursts into Dolores' boudoir to see if Payne is hiding under the bed, she moans "Oh, what is this? A French farce?" ~ Hal Erickson, All Movie Guide

More sensitive than usual -- if such a thing is possible -- Lucy (Lucille Ball) becomes convinced that everyone has forgotten her birthday. Wandering disconsolately into Central Park, lonely Lucy is "adopted" by a lachrymose benevolent group called The Friends of the Friendless. With her new comrades in tow, Lucy angrily storms into the Tropicana to tell Ricky (Desi Arnaz) off for his negligence -- only to get the surprise of her life (which, by her count, has lasted a mere 29 years!). This is the one and only episode in which Desi Arnaz sings the I Love Lucy theme song, with special lyrics written for the occasion by Harold Adamson. ~ All Movie Guide