Preston S. Foster Movies

Lensed at Paramount's Astoria studios, Follow the Leader is the film version of the 1927 Broadway musical Midnight Mary, with Ed Wynn making his talkie debut in his original stage role. The story has something to do with bombastic Broadway singer Helen King (Ethel Merman in her first feature-film appearance) and her understudy, winsome Mary Brennan (Ginger Rogers). To make certain that Rogers will be able to go on in Helen's place, comedy-relief character Crickets (who else but Wynn?) is hired to kidnap the latter. He makes precious little effort to hide his larcenous intentions, noisily stumbling into the lobby of Helen's hotel with the tools of his trade -- rope, sledgehammers, et. al. -- in full view of the assembled guests. Amazingly, he manages to bind Helen to a chair, only to wind up knocking himself out with a bottle of chloroform. Needless to say, Mary becomes a star, but the audience never sees Crickets or Helen again; for all anyone knows, they may still be locked up in that hotel room. Incredibly silly, Follow the Leader did little to advance the careers of any of its stars, though Ed Wynn and Ethel Merman continued packing 'em in on Broadway. If nothing else, the film offers modern audiences a chance to see several vaudeville headliners in action, including Lou Holtz, James C. Morton and Bobby Watson (here cast as Broadway impresario George White instead of his usual guise as Adolph Hitler). ~ Hal Erickson, All Movie Guide

In this drama, a remake of Sal of Singapore(1929), the captain of a freighter becomes an instant father when his crew rescues a drifting Navy boat that contains a baby. The captain decides that he will keep the baby and take it back to the U.S. instead of turning it in to the authorities. He begins advertising for a "mother" for the baby to help him while he runs the ship. His call is answered by a woman with a dubious, secret past. During the interview she lies about her character and qualifications and gets the job and a free cruise to the States. It is smooth sailing until one of the sailors recognizes her and attempts to blackmail her into sleeping with him. Fortunately, the captain rescues her and tosses the loutish seaman into the sea. The woman immediately falls for the good captain who has also fallen for her. They encounter more rough seas when, upon docking in New York, the captain is arrested for attempted murder. The woman becomes his witness, but when he learns the truth about her, he loses his respect and they go their separate ways. She again becomes a loose woman, and he begins to drink heavily. When the baby gets deathly ill, the two are reunited--this time it is for good, and happiness ensues. ~ Sandra Brennan, All Movie Guide

Warner Bros.' hard-hitting chain-gang movie was a faithful adaptation of the similarly titled autobiography of Robert Elliot Burns. Paul Muni plays World War I veteran James Allen, whose plans of becoming a master architect evaporate in the cold light of economic realities. Flat broke, Allen is forced to pawn his war medals, which have become a glut on the market. When Allen is innocently involved in a restaurant holdup, the police don't buy his story that the robber (Preston S. Foster) had forced him to clean out the cash register, and Allen is sentenced to ten years on a chain gang. The brutal scenes that follow make the later chain-gang movie Cool Hand Luke (1967) look like a picnic in the country. Unable to stand any more, Allen escapes and heads to Chicago. Using an alias, he builds a new life for himself and within five years is the respected president of a bridge-building firm. His landlady (Glenda Farrell), learning about his past, forces Allen to marry her. When he falls in love with another girl (Helen Vinson) and asks for a divorce, his wife turns him over to the authorities. The real-life Robert Elliot Burns was still a fugitive when he wrote his exposé of the chain-gang system; the publication of Burns' book led to the abolishment of that system and an erasure of Burns' sentence. ~ Hal Erickson, All Movie Guide

A star football player in college, Garry King (Richard Arlen) finds post-college life very different; he betrays the trust of his best friend Steve (Preston S. Foster), finally losing his job. Meanwhile, his younger brother Bob (John Darrow), also a football star, is on the same track to ruin; when Garry reforms himself, events give him the opportunity to help Bob as well. Many football players and coaches of the time appear as themselves. ~ Bill Warren, All Movie Guide

The butt of many a practical joke at the office where he works as a clerk, Joe Holt (Joe E. Brown) is nonetheless determined to prove himself a brilliant inventor. His latest creation is an unsinkable swim suit, which works quite well in theory. In practice, however, it is another matter; Joe can't test out the suit because he can't swim. As the result of a series of dizzying circumstances, Joe is mistaken for a swimming champ (Guinn "Big Boy" Williams) also named Joe Holt, and as such he makes the acquaintance of wealthy debutante Alice Brandon (Ginger Rogers). Through the auspices of Alice's father, "our" Joe is entered in the annual swimming marathon from Catalina Island to the California coastline. After taking a few "dry" swimming lessons from a youngster named Sam (Allan "Farina" Hoskins), the nervous Joe dives into the Catalina surf and starts the 22-mile swim. His unsinkable suit is a success, but there's many a slapstick obstacle placed in Joe's path before he can resurface at the finish line, thanks largely to the machinations of rival swimmer Edward Dover (Preston S. Foster). ~ Hal Erickson, All Movie Guide

Joe E. Brown plays Elmer Kane, a rookie ballplayer with the Chicago Cubs whose ego is matched only by his appetite. Because he is not only vain but naive, Elmer's teammates take great delight in pulling practical jokes on him. Still, he is so valuable a player that the Cubs management hides the letters from his hometown sweetheart Nellie (Patricia Ellis), so that Elmer won't bolt the team and head for home. When Nellie comes to visit Elmer, she finds him in an innocent but compromising situation with a glamorous actress (Claire Dodd). She turns her back on him, and disconsolate Elmer tries to forget his troubles at a crooked gambling house. Elmer incurs an enormous gambling debt, which the casino's owner is willing to forget if Elmer will only throw the deciding World Series game. Elmer brawls with the gambler and lands in jail, where he learns of a particularly cruel practical joke that had previously been played on him. Out of spite, he refuses to play in the Big Game, and thanks to a jailhouse visit by the gamblers, it looks as though Elmer has taken a bribe. But when he shows up to play (after patching things up with Nellie), Elmer proves that he's been true-blue all along. Based on the Broadway play by Ring Lardner and George M. Cohan, Elmer the Great betrays its stage origins in its static early scenes, but builds confidently to a terrific climax during a rain-soaked ball game. This enjoyable film was the second in Joe E. Brown's "baseball trilogy" (see also Fireman Save My Child and Alibi Ike). Elmer the Great was remade in 1939 as Cowboy Quarterback, with Bert Wheeler in Joe E. Brown's part and with football substituting for baseball. ~ Hal Erickson, All Movie Guide

This Monogram melodrama gets off to a quick start as a young man is shot to death -- while he's being led to the electric chair! The condemned man was planning to make a startling last-minute revelation which would have put a noose around the neck of his murderer. Several other people shared the dead man's secret, and the murderer isn't averse to bumping them off as well. Assistant DA Preston S. Foster and intrepid newspaperwoman Peggy Shannon try to solve the mystery and trap the unknown assassin A good cast of "B"-picture regulars includes Bryant Washburn, George Hayes (still not "Gabby"), Jason Robards Sr., and, as the unfortunate hot-seat candidate, future John Ford regular Paul Fix. ~ Hal Erickson, All Movie Guide

Clara Bow, the saucy "It" girl of the silent screen, made her film farewell in the ragged musical drama Hoopla. Based on the stage play The Barker (previously filmed in 1927), the story takes place during the Chicago World's Fair of 1933. Bow plays Lou, a hootchy-kootchy dancer who is catapulted into stardom by fast-talking barker Nifty (Preston S. Foster). Hoping to escape her tawdry existence, Lou makes a play for handsome young naif Chris (Richard Cromwell), but by film's end she has bowed to the inevitable and returns to the sort of work she knows best. Despite excellent production values and a big-time promotional campaign, Hoopla was a bomb, convincing the ever-insecure Clara Bow to retire to private life as the wife of cowboy star and future Nevada politician Rex Bell. ~ Hal Erickson, All Movie Guide

An interesting precursor to such films as The Petrified Forest and Bus Stop, Heat Lightning takes place in a remote California-desert gas station-café. Several strange characters pass through the establishment's portals during one fateful 24-hour period, including cad-and-bounder George (Preston S. Foster). Resourceful proprietress Olga (Aline MacMahon) tries to remain detached throughout but is forced to take drastic action when George threatens to seduce and abandon her own sister Myra (Ann Dvorak). Glenda Farrell, one of Warners' most reliable players, is surprisingly wasted in a glorified bit role; even further down the cast list as "Husband and Wife" are 2-reel comedy star Edgar Kennedy and future Oscar winner Jane Darwell (talk about an odd couple!) Heat Lightning was based on a stage play co-scripted by George Abbott. ~ Hal Erickson, All Movie Guide

Robert Young had to be the busiest leading man in Hollywood in 1934. He appeared in no fewer than nine pictures, four of them at his home studio of MGM. The Band Plays On features Young as one of four close pals, who have grown up together and are now college football champs known as "The Four Bombers". So inseparable are these chums that, when one is injured in a car accident, the remaining three quit the team. But everyone is back on the field for the inevitable Big Game, including Young, who of course scores the winning T.D. Robert Young plays a football star as realistically as he'd played a baseball star in the earlier Death on the Diamond (34)--meaning that the film relies a heavily on stunt doubles and process screens. ~ Hal Erickson, All Movie Guide

Based on a novel by Frederick Nebel (of "Torchy Blane" fame), Sleepers East is largely set on a train bound for New York. The plot is set in motion by the murder trial of a man accused of killing a politician. The defendant intended to pull the trigger, but the murder was actually committed by someone else. The DA, however, isn't interested in facts: He's been ordered by the local political machine to railroad the defendant into the electric chair. The only person who can clear the poor fellow is witness Lena Karelson (Wynne Gibson), an ex-convict who is being transported to New York by train under an assumed name to prevent her death at the hands of hired gunmen. Unhappy at being a political pawn, Lena tries to escape from her bodyguards in the company of man-with-a-past Jason Everett (Preston S. Foster). She gets her chance during a train wreck, but ultimately realizes that unless she shows up to testify, she will never be able to live with herself. Sleepers East was remade in 1941 as the "Michael Shayne" series entry Sleepers West. ~ Hal Erickson, All Movie Guide

RKO Radio's spectacular production The Last Days of Pompeii utilizes the title but precious little else of the famous Sir Edward Bulwer-Lytton historical novel (at least the film admits as much in the opening credits). Preston S. Foster stars as Marcus, a happy-go-lucky Ancient Roman blacksmith who is plunged into the depths of despair when his wife and child are killed by a hit-and-run chariot. Undergoing a radical personality change, Marcus becomes obsessed with money and prestige, and to achieve these he becomes a mighty gladiator. While on a visit to Judea, Marcus takes orphaned boy Flavius (David Holt) under his wing and also spends some time with governor Pontius Pilate (Basil Rathbone), who is presently preoccupied with the execution of a subversive young rabbi named Jesus Christ. Witnessing Christ's march to Calvary, Marcus is moved by His plight, but does nothing to help the man and indeed dismisses the whole notion of Christianity as superstitious nonsense. Years later, an ageing Marcus takes up residence in a lavish villa in the resort town of Pompeii, while his grown-up foster son, Flavius (now played by John Wood), gets involved in the burgeoning Christian movement. Arrested by the authorities, Flavius and his fellow Christians are sentenced to death in the arena, much to the dismay of Marcus. Still, it takes the eruption of Vesuvius and the destruction of Pompeii for Marcus to undergo his long-overdue religious awakening, and in the moments before he himself is engulfed by lava he arranges the escape of Flavius and the young man's sweetheart, Clodia (Dorothy Wilson). The climactic volcanic holocaust is a triumph of special effects, but that was to be expected from the production team of Merian C. Cooper and Ernest B. Schoedsack, the same folks responsible for King Kong. Though Preston S. Foster delivers one of his finest performances in The Last Days of Pompeii, the film's acting honors go to Basil Rathbone as Pilate, who transforms from a swaggering young skeptic to a conscience-stricken old man. On its original release, the film lost 237,000 dollars, but in the long run made a profit via periodic reissues. ~ Hal Erickson, All Movie Guide