Meg Foster Movies

A Salem, MA, radio DJ receives a mysterious record that unleashes a diabolical force of evil in this slow-burn shocker written and directed by Rob Zombie, and produced by Paranormal Activity's Oren Peli. Back in 1696, Reverend Jonathan Hawthorne (Andrew Prine) condemned a coven of witches led by Margaret Morgan (Meg Foster) to death, burning them without remorse in the woods surrounding Salem. Just over 300 years later, the small town has become a beacon for anyone interested in the supernatural. Heidi Hawthorne (Sheri Moon Zombie), Herman "Whitey" Salvador (Jeffrey Daniel Phillips) and Herman Jackson (Ken Foree) are the hosts of a popular Salem radio show with a playful occult slant. One day, after interviewing noted author Francis Matthias (Bruce Davison) on the air, Heidi receives a package containing a record from a band named the Lords. The following day, when Heidi plays the record on the airwaves, a strange spell falls over the locals. Later, as the Lords announce they will be performing a concert in town and the typically carefree Heidi grows increasingly withdrawn, Matthias senses that the sins of the past may be returning to haunt Salem. And he couldn't be more right -- something wicked has returned to this cursed town, and with each day that passes, Heidi slips ever deeper into its sinister grasp. Patricia Quinn, Dee Wallace, Michael Berryman, and Sid Haig co-star. ~ Jason Buchanan, Rovi

The six-season run of Hercules: The Legendary Journeys comes to a rousing climax involving a genuine, bona fide "monster rally." Perhaps hoping to patch up his differences with his wife, Hera (Meg Foster), the god Zeus (Charles Keating) releases her from bondage. Unfortunately, he also accidentally releases the three Titans -- Helios (Phil Grieve), Oceanus (Andrew Kovacevich), and Atlas (David Press), whose combined powers threaten to destroy both Olympus and the Earth. And there's an added threat in the form of Evander (Joseph Main), the all-powerful son of war god Ares (Kevin Smith). Before our hero Hercules (Kevin Sorbo) is able to bring order out of all this chaos, he finds himself in the thick of his greatest -- and possibly his last -- battle. ~ Hal Erickson, Rovi

In this follow-up to the previous episode "Top God," Hercules (Kevin Sorbo) accepts the offer of his father, Zeus (Roy Dotrice), to serve as a full god on Mount Olympus. The honor tarnishes when Hercules finds out the real reason Zeus' offer was extended: As his first assignment, Hercules is expected to thwart a power play spearheaded by the evil Ares (Kevin Smith) and Hera (Meg Foster). Along the way, Hera blackmails Zeus into relinquishing his throne, affording him a rare and tantalizing opportunity to experience life as mortal. In the climax of this, the fourth-season finale of Hercules the Legendary Journeys, Hercules engages in a violent, winner-take-all battle with Hera and his half-brother, Apollo (Scott Michaelsen), in the Dark Side of Olympus. ~ Hal Erickson, Rovi

Country-western singer JoAnne Chadway (Molly Gross) is distraught when her mother Renee (Angie Dickinson)--and even more so since the disappearance occurred amidst bitter domestic strife with JoAnne's powerful attorney father Clay Chadway (Richard Crenna). When Clay inevitably becomes a suspect in Renee's possible murder, JoAnne embarks upon her own private investigation to ferret out the truth. What she discovers is horrifying--not so much because of what she now knows, but because of what she never knew before about her parents. "Inspired by actual events", the made-for-TV Deep Dark Secrets was first unveiled by CBS on April 15, 1997. ~ Hal Erickson, Rovi

Majel Barrett returns in the role of Lwaxana Troi, who arrives on DS9 in a state of advanced pregnancy. Her delight over the prospect of giving birth is dampened by the admonitions of her Tavnian husband Jeyal (Michael Ansara), who insists that he and he alone will raise their son. Meanwhile, Jake is befriended by the mysterious Onaya (Meg Foster), who takes an inordinate interest in his writing aspirations. Scripted by guest star Majel Barrett (using her married name Roddenberry) and Rene Echevarria, "The Muse" was first telecast April 29, 1996. ~ Hal Erickson, Rovi

On the wild desert planet of Oblivion, a man called Sweeny comes to search for a corporate saboteur. Though deceptively dressed as a greenhorn city dude, Sweeny is the most effective bounty hunter in the galaxy. He stays in the town where she (he knows nothing about her) is supposed to reside. He finds plenty of suspicious women and even gets romantically involved with the widow Mattie Chase, stealing her away from her steady beau Marshal Adams. Like its predecessor, this feature attempts to create a fresh new genre by combining science fiction and western with comic elements. ~ Sandra Brennan, Rovi

A beautiful cop poses as a high-class prostitute in order to catch a murderer. She gets hired by the madam of a call-girl ring (after doing a strip for her), and befriends one of the madam's girls (by doing a strip for her, too); however, the deeper she gets into "the business," the more she realizes she just might like it. ~ Brian Gusse, Rovi

A divorced Los Angeles detective is tracking down a psycho serial killer who strangles prostitutes. He becomes a suspect himself when the rich lawyer who represented all the murdered hookers is killed -- and the lawyer just happens to be his ex-wife's husband. ~ Brian Gusse, Rovi

Careful, parents: this one's Immortal Combat, not Mortal Kombat. And it's R-rated, too. Even so, the young fans of wrestler Rowdy Roddy Piper will probably find some way to get this on their TV screen. Together with the equally musclebound Sonny Chiba, Piper takes on a battalion of seemingly indestructible martial-arts bad guys. The lovely and talented Meg Foster supplies acting relief (well that's not really fair; Piper and Chiba are very good at what they do). ~ Hal Erickson, Rovi

Based on Stuart Kaminsky's novel Exercise in Terror, Hidden Fears is about a widow (Meg Foster) who is haunted by memories of her husband's murder. Several years after his death, she approaches the police with new evidence about her husband's death. Unfortunately the perpetrators discover that the case is re-opened, and they set out to kill the eyewitnesses and the widow herself. ~ Stephen Thomas Erlewine, Rovi

In this exciting sci-fi thriller, a newly designed and extremely expensive android with plenty of strength but neither emotions nor a conscience busts out of a secret government lab and ends up in the hands of terrorists who commandeer the top story of a hospital and hold the daughter of the President hostage. Desperate to stop the mercenaries before they kill, the government must thaw out the frozen form of the criminal who designed the hospital. But they end up thawing out a former football hero instead, who pretends to be the architect. ~ Sandra Brennan, Rovi

Not to be confused with the 1994 exchange-of-murders melodrama Dead On, this 1991 film was originally shipped out under the title Relentless 2: Dead On. You may recall that in the first Relentless in 1989, Judd Nelson starred as a serial killer. Nelson isn't around for the sequel, though two of his near-victims, a mother (Meg Foster) and her son (Leo Rossi), make return appearances. Relentless 2 elaborates on the possible aftereffects of Nelson's psychotic behavior, as manifested in young Rossi. Could the kid have learned too much about the inner workings of a murderer's mind? The premise is a workable one, and the film makes the most of it, with several genuinely frightening setpieces. ~ Hal Erickson, Rovi

Backstab an erotic, mystery thriller made in Canada, and directed by Jim Kaufman, is the story of an architect Cliff Murphy (James Brolin), who spends the night with a beautiful woman only to find his murdered boss next to him in bed. Cliff is framed for the murder, and he must prove his innocence. This average thriller, with a lackluster performance by James Brolin never really takes off. The pace is too leisurely and the courtroom finale and plot twists are not convincing. The cast also includes Meg Foster who gives a convincing performance and some beautiful color photography by Rodney Gibbons. Despite some good moments and good production values, Backstab fails to either thrill or entertain. ~ Linda Rasmussen, Rovi