Frances Foster Movies

Based on Richard Price's grim best-seller, and directed by Spike Lee from a screenplay co-written with Price, Clockers takes the structure of a police procedural to build a chilling portrait of despair, hope, and the unanswered problem of black-on-black crime in an urban housing project. The film's haunting themes are vividly visualized during the opening credits, which run over police photos of dead young black men, shot and sprawled on sidewalks, in streets, and hanging over fences. Strike (Mekhi Phifer) is a 19-year-old African-American "clocker" -- the lowest link on the drug dealing chain -- who hangs around park benches and street corners selling small amounts of druges at all hours of the day. Strike drinks chocolate milk to soothe an ulcer and plays with model trains in his apartment, dreaming of a way out of his dead-end life. Drug kingpin Rodney (Delroy Lindo) asks Strike to kill another clocker, Darryl, for skimming money, saying that this will be Strike's ticket to a higher post in Rodney's organization. Darryl is indeed shot, and suspicion immediately falls on Strike, but a weary cop named Rocco Klein (Harvey Keitel) thinks there's more to the case. ~ Don Kaye, Rovi

When an African-American honors student is found murdered, detectives Logan (Chris Noth) and Briscoe (Jerry Orbach) dig up evidence that the dead girl was stealing from her family to support a drug habit. The number-one suspect is the girl's sleazy crack-dealing boyfriend, but for reasons that defy explanation, he will not plea-bargain with the D.A.'s office. Meanwhile, the search goes on for the missing murder weapon -- or has it been deliberately hidden by a hitherto unsuspected party? ~ Hal Erickson, Rovi

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, Rovi

Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, Rovi

A young boy retreats into a world of silence in this made-for-television drama. Kiefer Sutherland stars as Kevin Richter, an adolescent boy who has suffered from years of physical abuse. In an attempt to deal emotionally with the effects of the abuse, Kevin refuses to speak and instead lives in a world of silence. When child psychologist Jennifer Hubbell (Marsha Mason) becomes aware of his situation, she refuses to write him off as a hopeless case and works tirelessly to help him emerge from his protective shell. ~ Bernadette McCallion, Rovi

Bill Cosby and Sidney Poitier, co-stars of the comic capers Uptown Saturday Night and Let's Do It Again, team up again for this socially conscious comedy-adventure. This time out, Poitier and Cosby play Manny Durrell and Dave Anderson, Windy City con artists with a long history of cheating crooks who rip off the poor. They are blackmailed by retired cop Joshua Burke (James Earl Jones) into "giving back to the community." Manny and Dave soon find themselves posing as career counselors for a group of surly inner-city youths at a local community center. Despite the efforts of such unruly kids as class clown Gerald (Eric Laneuville) and bitter Barbara (Sheryl Lee Ralph), Manny actually begins to take pride in the help he's giving to his students. Soon, though, he's forced to deal with two additional obstacles: the arrival of his girlfriend's obnoxious parents (Gammy Burdett and Wonderful Smith) and the attentions of a local mobster (Titos Vandis) upset that he's been had. As with his previous Cosby collaborations, Poitier directed A Piece of the Action, whose cast also includes Denise Nicholas as a community center leader, Tracy Reed as Manny's girlfriend, Nikki, and Ja'net DuBois as Nikki's tipsy aunt, Nellie. ~ Brian J. Dillard, Rovi

While Kojak (Telly Savalas) is following up several false leads in the bombing of a Manhattan restaurant, one of his detectives, Jeff Braddock (Joseph Mascolo), would seem to have inside information on the crime. Unfortunately, Braddock is unable to tell Kojak or anyone else what he knows. It seems that among those killed in the bombing was his mistress Gretchen Hodges (Judith Chapman)--and there is a strong likelihood that Braddock's own wife Molly (Fionnuala Flanagan), who suffers from mental illness, was responsible for the tragedy. ~ Hal Erickson, Rovi

The only real novelty in the videotaped 90-minuter Legacy of Blood is its having a largely black cast going through the motions of a plotline that had previously been performed to death by white actors. Moses Gunn stars as Joe Mattingly, a supposedly respectable insurance agent. Short of cash, Joe utilizes the services of a loan shark. Now he's deeply in debt, and time is running out to make good his loan; perhaps a little life-insurance scam is in order. Legacy of Blood was originally telecast in 1974 on the ABC late-night anthology Wide World Mystery. ~ Hal Erickson, Rovi

This upbeat children's adventure tells the true story of gentle Barney Marcovitz who firmly believes that the world's hope is in the hands of children. Barney manages a pony farm/petting zoo in Greenwich Village so that city kids can sample country life. The trouble begins when the real estate developers who own his property want to put up a housing complex. The irate neighbors rally on behalf of Barney's zoo, but the developers won't listen. The defeated zoo keeper then gives his animals to the local kids. Mayhem ensues, especially with two children who try to keep their new pony a secret from their parents. In the end, all is saved when Barney moves his menagerie to the Bronx. ~ Sandra Brennan, Rovi