Barry Foster Movies

Made for BBC television, After Pilkington stars Bob Peck as Westgate, a dullish Oxford academician. Upon being introduced to the wife of a new faculty member, Westgate discovers that young woman is Penny (Miranda Richardson), his childhood sweetheart. He remembers that Penny used to embroil him in adventures that threatened life and limb. Apparently nothing has changed, and before long Penny has inveigled Westgate into helping her locate a missing archaeologist named Pilkington. This sprightly comedy-mystery first aired in the US in October of 1987 over the A&E cable network. ~ Hal Erickson, All Movie Guide

A veteran supporting cast graces the inspirational Beyond the Next Mountain. The story follows what happens when the Christian gospel of John finds its way to one of the most violent tribes in India and changes its leaders from bellicose warriors to Christ-loving pacifists. One of the converts, Rochunga Pudaite, is so moved and changed inside that he launches the 'Bibles for the World' organization, so that others can hear the gospel as well. Jon Lormer, Edward Ashley and Barry Foster are among the familiar faces in the cast. James F. Collier (Joni), a veteran helmer of Christian cinema, directs. ~ Nathan Southern, All Movie Guide

Ironies abound in this witty romance which tells a tale of greed and love. Edward is a lawyer who works for a women's underwear factory. He is ambitious, and wants to take the factory over. He hits on the scheme of wooing both the wife of the factory owner and her daughter. Several things go wrong with his plan. For one thing, he has begun to fall in love with the daughter. For another, her mother, who has a heart condition, dies during a peak moment while making love. ~ Clarke Fountain, All Movie Guide

Originally made for television, this production features divorce from two perspectives: in the first half, the husband (Richard Burton) explains his perspective of his failed marriage, while the second includes that of his wife (Elizabeth Taylor). ~ John Bush, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

In this drama, the commanding officer of a British Royal Air Force flight training school must deal with an ornery, irresponsible cadet. The lad reminds the officer of himself when he was young. It also reminds him that his own youthful arrogance and foolishness caused the death of the new recruit's father. The young man only settles down when the C.O. saves him during maneuvers. The boy is injured during the flight which gives him serious pause for thought. ~ Sandra Brennan, All Movie Guide

The famously inept but accidentally brilliant Inspector Clouseau returns to help foil a group of daring robbers in this comedy, the only film in the long-running series not to feature Peter Sellers as the bumbling inspector. Instead, the talented Alan Arkin assumes the role, blundering his way through the expected series of absurd, slapstick situations. The plot centers on a series of Swiss bank robberies under investigation by an uptight Scotland Yard inspector (Patrick Cargill), who naturally becomes infuriated by Clouseau's unwelcome intervention. Meanwhile, the robbers decide to confuse matters by wearing Clouseau masks, offering further opportunities for farcical mistaken identities. Due to the absence of both Sellers and director Blake Edwards, Inspector Clouseau has largely been forgotten in comparison to the other Pink Panther films, though it maintains some interest as a curious aberration in the popular comic series. ~ Judd Blaise, All Movie Guide

This family adventure movie, based on the novel by Marguerite Henry, is about a mute Arab boy and his constant companion, a beautiful stallion, who have to overcome all manner of hazards and setbacks and later get to meet the King and Queen of England. ~ Mark Hockley, All Movie Guide

In this mystery, based on an Edgar Wallace story, a wicked seductress uses her wiles on a weak-willed cop and persuades him to kill her husband so they can collect the insurance. ~ Sandra Brennan, All Movie Guide

Based on the true story of the 1963 British Royal Mail robbery, this late '60s British caper film was directed by Peter Yates a year before he made the action classic Bullitt in the States. Opening with an extended jewel theft sequence followed by a action-packed car chase, Robbery details the events before, during, and immediately following the infamous heist. Paul Clifton (Stanley Baker, who also produced) is the main thief who comes up with the idea to steal three million dollars from the overnight mail train that runs from Glasgow to London. While gathering together a crew of thieves, he helps currency expert Robinson (Frank Finlay) break out of jail. The gang successfully holds up the train, takes the money, and retreats to an empty field to divide it up. When Robinson calls his wife on the phone, Inspector George Langdon (James Booth) from Scotland Yard traces the call and arrests them. As the legend goes, one of them manages to escape with the money. Also starring Joanna Pettet, who played Mata Bond in Casino Royale, and a young Robert Powell, who would go on to appear in the crime caper The Italian Job. ~ Andrea LeVasseur, All Movie Guide

The logic behind inflating Robert Bolt's minimalist romantic drama Ryan's Daughter into a 12-million-dollar epic seems to have been "When David Lean directs, it's a super-spectacular." Sarah Miles (who at the time was married to Robert Bolt) stars as Rosy, the daughter of Irish pub keeper Tom Ryan (Leo McKern). Married to tweedy, sexless schoolmaster Charles Shaughnessy (Robert Mitchum), restless Rosy has an affair with British officer Randolph Doryan (Christopher Jones). When village idiot Michael (an Oscar-winning turn by John Mills) innocently uncovers evidence of Rosy's indiscretion, the local gossips begin wagging their tongues. Shaughnessy chooses to remain above the scandal, assuming that Rosy will come to her senses. Later, Rosy's father informs on a group of IRA insurgents, hoping to keep the peace in his village. The locals assume that Rosy, still enamored of Doryan, is the informer, and exact a humiliating punishment. Realizing that his very presence has caused disgrace for Rosy, Doryan kills himself. For Rosy and Shaughnessy, life goes on...not happily ever after, just ever after. The film was lensed on location in Ireland by frequent Lean collaborator Freddie Young. ~ Hal Erickson, All Movie Guide

This is an unimpressive spy-comedy from director Stanley Donen who inserts his specialty, a small song-and-dance number, into the odd proceedings. Gangster Nico March (Yul Brynner) has been ordered out of the United States because of his unsavory activities and back to the Greek island from whence he came (actually Rhodes). Once on the island, various characters enter the picture, including a local, corrupt police chief. Nico decides to send for a bundle of money left in the States but his double-crossing "friends" send him a bundle of feminine wiles instead, Gabby Rogers (Mitzi Gaynor). Obviously, Nico is none too pleased with the lousy substitution for hard cash, though he does not yet realize he is sure to fall in love with her. ~ Eleanor Mannikka, All Movie Guide