Barry Foster Movies

Widely regarded as one of the best and most intelligent British war dramas of the 1950s, The Battle of River Plate is the story of Britain's first significant naval victory in WW2. John Gregson heads the cast as Captain Bell, skipper of the Exeter, one of several vessels engaged in pursuit of the "indestructable" Geman battleship Graf Spee. Taking refuge in the neutral harbor of Montevideo, the Graf Spee is covertly protected by the Uruguayan government. Eventually, however, German captain Langsdorff (Peter Finch) is faced with a difficult decision: either stand his ground and fight a losing battle against the Exeter and its sister ships, or scuttle the Graf Spee and save the lives of his crew. Battle of the River Plate was released in the US as Pursuit of the Graf Spee. ~ Hal Erickson, All Movie Guide

In this drama, the commanding officer of a British Royal Air Force flight training school must deal with an ornery, irresponsible cadet. The lad reminds the officer of himself when he was young. It also reminds him that his own youthful arrogance and foolishness caused the death of the new recruit's father. The young man only settles down when the C.O. saves him during maneuvers. The boy is injured during the flight which gives him serious pause for thought. ~ Sandra Brennan, All Movie Guide

One of the most significant moments in the history of British warfare (in both the best and worst sense) is given reverent but reserved treatment in Dunkirk. The film takes place during the 1940 evacuation of Allied troops across the English channel. One party of British soldiers becomes detached from the rest of the retreating Allies. John Mills plays an inexperienced lance corporal who resists an increase in rank, but when the chips are down performs with courage and authority in organizing the lost troop and shepherding them to Dunkirk. Running 135 minutes in its original release (much of the footage comprised of newsreel shots), Dunkirk was based on two novels: Eleston Trever's The Big Pick-Up and Lt. Col. Ewan Hunter and Maj. J. S. Bradford's Dunkirk. The above time pertains to the original British theatrical version; the film was reedited and shortened to 113 minutes for U.S. release. ~ Hal Erickson, All Movie Guide

The scene is Burma during World War II. A small British brigade led by Stanley Baker comes upon a Burmese village controlled by the Japanese. The brigade wipes out the enemy, whereupon Baker discovers that the late Japanese commandant has a coded map secreted on his person. When a Burmese prisoner who can decode the map refuses to talk, Baker orders that two peaceful villagers be executed. Baker's actions seem cruel and extreme until it becomes apparent that the enemy is twice as ruthless as he. Based on a TV play by Peter R. Newman, Yesterday's Enemy is a brutal but insightful look at the blurred line between good and evil in wartime conditions. ~ Hal Erickson, All Movie Guide

In this mystery, based on an Edgar Wallace story, a wicked seductress uses her wiles on a weak-willed cop and persuades him to kill her husband so they can collect the insurance. ~ Sandra Brennan, All Movie Guide

This gently farcical British comedy stars Hayley Mills and Hywel Bennett as Jenny and Arthur, a young couple who have just gotten married. However, while both of them are filled with anticipation for their honeymoon, a practical joke played by their "friends" causes their bed to collapse just as they're about to consummate their relationship. Through a variety of misfortunes, they end up spending the night at the home of Arthur's parents, where nervousness and a certain lack of privacy make it difficult for them to enjoy their first night together as they'd wish. While a bit of frank language and some fleeting nudity by former child star Hayley Mills generated a certain amount of controversy upon first release, by today's standards The Family Way is more easily seen as the compassionate relationship comedy its creators intended. The Family Way is also of note to Beatles fans as the first film scored by Paul McCartney. ~ Mark Deming, All Movie Guide

The famously inept but accidentally brilliant Inspector Clouseau returns to help foil a group of daring robbers in this comedy, the only film in the long-running series not to feature Peter Sellers as the bumbling inspector. Instead, the talented Alan Arkin assumes the role, blundering his way through the expected series of absurd, slapstick situations. The plot centers on a series of Swiss bank robberies under investigation by an uptight Scotland Yard inspector (Patrick Cargill), who naturally becomes infuriated by Clouseau's unwelcome intervention. Meanwhile, the robbers decide to confuse matters by wearing Clouseau masks, offering further opportunities for farcical mistaken identities. Due to the absence of both Sellers and director Blake Edwards, Inspector Clouseau has largely been forgotten in comparison to the other Pink Panther films, though it maintains some interest as a curious aberration in the popular comic series. ~ Judd Blaise, All Movie Guide

Tom Pickle (Michael York) is the British rock star who travels to India to learn the sitar from Ustad Zafar Khan (Uptal Dutt). Much to the dismay of his aggressive agent Chris (Barry Foster), he leaves the money-making music world behind to learn about the exotic Indian instrument. Khan believes Tom lacks focus but has the talent, and a young hippie girl arrives (Rita Tushingham) who has the focus but not the natural talent that Tom possesses. There is a romantic angle between the hippie-girl Jenny and Tom, but it is more implied than demonstrated. Soon the Guru Khan is besieged by women who all try to capture his attention. He becomes frustrated over the lack of spiritual commitment of his students, as the rocker contemplates his return to swinging London town. ~ Dan Pavlides, All Movie Guide

The logic behind inflating Robert Bolt's minimalist romantic drama Ryan's Daughter into a 12-million-dollar epic seems to have been "When David Lean directs, it's a super-spectacular." Sarah Miles (who at the time was married to Robert Bolt) stars as Rosy, the daughter of Irish pub keeper Tom Ryan (Leo McKern). Married to tweedy, sexless schoolmaster Charles Shaughnessy (Robert Mitchum), restless Rosy has an affair with British officer Randolph Doryan (Christopher Jones). When village idiot Michael (an Oscar-winning turn by John Mills) innocently uncovers evidence of Rosy's indiscretion, the local gossips begin wagging their tongues. Shaughnessy chooses to remain above the scandal, assuming that Rosy will come to her senses. Later, Rosy's father informs on a group of IRA insurgents, hoping to keep the peace in his village. The locals assume that Rosy, still enamored of Doryan, is the informer, and exact a humiliating punishment. Realizing that his very presence has caused disgrace for Rosy, Doryan kills himself. For Rosy and Shaughnessy, life goes on...not happily ever after, just ever after. The film was lensed on location in Ireland by frequent Lean collaborator Freddie Young. ~ Hal Erickson, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

In this feature-film version of the popular British television cop show, Regan (John Thaw) and Carter (Dennis Waterman) are two British Scotland Yard detectives who find themselves involved with the exchange of oil resources on the political and economic fate of the world. Ian Bannen plays Baker, an alcoholic foreign minister involved in a scheme to manipulate a worldwide oil crisis to his benefit. ~ Paul Brenner, All Movie Guide

Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide