Barry Foster Movies

Roxanne: The Prize Pulitzer was based on the best-selling 1987 autobiography of (who else?) Roxanne Pulitzer. Since both the book and the subsequent TV movie were told from Roxanne's point of view, it is to be expected that certain ego-massaging liberties would be taken with the facts behind her sensational divorce from publishing heir Herbert Pulitzer (Perry King), and Herbert's subsequent bitter child custody battle. Thus it is that Roxanne is portrayed as a wide-eyed innocent at the time of her marriage, and Pulitzer is a double-dyed dastard. Those who tuned in to see the sex and drug orgies which permeated the couple's relationship were in for a major letdown: these "hot" elements were soft-pedalled into virtual invisibility. The leading lady of Roxanne: The Prize Pulitzer is Chynna Phillips, daughter of another famous star-crossed duo, musicians John and Michelle Phillips. ~ Hal Erickson, All Movie Guide

A veteran supporting cast graces the inspirational Beyond the Next Mountain. The story follows what happens when the Christian gospel of John finds its way to one of the most violent tribes in India and changes its leaders from bellicose warriors to Christ-loving pacifists. One of the converts, Rochunga Pudaite, is so moved and changed inside that he launches the 'Bibles for the World' organization, so that others can hear the gospel as well. Jon Lormer, Edward Ashley and Barry Foster are among the familiar faces in the cast. James F. Collier (Joni), a veteran helmer of Christian cinema, directs. ~ Nathan Southern, All Movie Guide

Teri Garr and Robert Wagner play a cafe owner and nightclub singer who vacation in Lisbon in 1940. They discover and attempt to waylay a Nazi plot to kidnap the Duke and Duchess of Windsor. Roger O. Hirson wrote the teleplay, which he adapted from the novel by Harry Patterson (the pseudonym of Jack Higgins). ~ Kristie Hassen, All Movie Guide

Two women, related but separated by one generation and 60 years, have parallel experiences in the evocative mystical environment of India in this period drama from producer Ismail Merchant and director James Ivory. Although a little slow-paced for some, and slightly confusing because the stories of the two women are intercut, the scenery and script evoke a time and place that mesmerize. Based on the 1975 novel by Ruth Prawer Jhabvala, a long-time collaborator in Merchant-Ivory Productions, the story begins with Ann (Julie Christie) who discovers some letters written by her grandfather's first wife Olivia (Greta Scacchi) that open up a whole new world as Ann travels to India to continue researching her grandmother's past. The letters reveal that when she was young, the free-spirited grandmother fell in love with an Indian nobleman (Shashi Kapoor) and left her husband -- an administrator in the British colonial government -- for her lover. After Ann arrives in India, her life and the modern rush of cars and people are played off against flashbacks to Olivia's life in a colonial setting. When the environment of each woman is compared and the nature of their momentous decisions placed side-by-side, their rites of passage and the society that dominated their choices stand out in high relief. Ruth Prawer Jhabvala won "Best Adapted Screenplay" at the 1983 British Academy Awards for her script of Heat And Dust. ~ Eleanor Mannikka, All Movie Guide

Ironies abound in this witty romance which tells a tale of greed and love. Edward is a lawyer who works for a women's underwear factory. He is ambitious, and wants to take the factory over. He hits on the scheme of wooing both the wife of the factory owner and her daughter. Several things go wrong with his plan. For one thing, he has begun to fall in love with the daughter. For another, her mother, who has a heart condition, dies during a peak moment while making love. ~ Clarke Fountain, All Movie Guide

The title of this Canadian film drama is, need we say, ironic. Director Milad Bessada underlines the tragedy and futility of Ireland's civil war by heavily underlining the sameness between the two warring factions. This he does by casting Margot Kidder in a dual role. Ms. Kidder plays twin Catholic girls, one loyal to the "cause," the other in love with a British soldier. Though A Quiet Day in Belfast is not rated, the unrelenting hopelessness of the subject matter may prove too intense for very young children. ~ Hal Erickson, All Movie Guide

Tom Pickle (Michael York) is the British rock star who travels to India to learn the sitar from Ustad Zafar Khan (Uptal Dutt). Much to the dismay of his aggressive agent Chris (Barry Foster), he leaves the money-making music world behind to learn about the exotic Indian instrument. Khan believes Tom lacks focus but has the talent, and a young hippie girl arrives (Rita Tushingham) who has the focus but not the natural talent that Tom possesses. There is a romantic angle between the hippie-girl Jenny and Tom, but it is more implied than demonstrated. Soon the Guru Khan is besieged by women who all try to capture his attention. He becomes frustrated over the lack of spiritual commitment of his students, as the rocker contemplates his return to swinging London town. ~ Dan Pavlides, All Movie Guide

The famously inept but accidentally brilliant Inspector Clouseau returns to help foil a group of daring robbers in this comedy, the only film in the long-running series not to feature Peter Sellers as the bumbling inspector. Instead, the talented Alan Arkin assumes the role, blundering his way through the expected series of absurd, slapstick situations. The plot centers on a series of Swiss bank robberies under investigation by an uptight Scotland Yard inspector (Patrick Cargill), who naturally becomes infuriated by Clouseau's unwelcome intervention. Meanwhile, the robbers decide to confuse matters by wearing Clouseau masks, offering further opportunities for farcical mistaken identities. Due to the absence of both Sellers and director Blake Edwards, Inspector Clouseau has largely been forgotten in comparison to the other Pink Panther films, though it maintains some interest as a curious aberration in the popular comic series. ~ Judd Blaise, All Movie Guide

Based on the true story of the 1963 British Royal Mail robbery, this late '60s British caper film was directed by Peter Yates a year before he made the action classic Bullitt in the States. Opening with an extended jewel theft sequence followed by a action-packed car chase, Robbery details the events before, during, and immediately following the infamous heist. Paul Clifton (Stanley Baker, who also produced) is the main thief who comes up with the idea to steal three million dollars from the overnight mail train that runs from Glasgow to London. While gathering together a crew of thieves, he helps currency expert Robinson (Frank Finlay) break out of jail. The gang successfully holds up the train, takes the money, and retreats to an empty field to divide it up. When Robinson calls his wife on the phone, Inspector George Langdon (James Booth) from Scotland Yard traces the call and arrests them. As the legend goes, one of them manages to escape with the money. Also starring Joanna Pettet, who played Mata Bond in Casino Royale, and a young Robert Powell, who would go on to appear in the crime caper The Italian Job. ~ Andrea LeVasseur, All Movie Guide

King and Country was adapted by Evan Jones from John Wilson's play Hamp. Misfit World War I British soldier Tom Courtenay, on trial for desertion, is defended by martinet officer Dirk Bogarde. Disgusted by the assignment, Bogarde wearily asks the dullwitted Courtenay the reasons for his actions. Courtenay replies that, after being the sole survivor of a battle and discovering that his wife had been cheating on him while he was serving his country, he didn't see any purpose in going on; thus, he "went for a little walk". Bogarde's dislike of his client melts into sympathy, which in turn leads to temporary indignation over the manner in which the average enlisted man is treated by his aristocratic superiors. Despite his pleas for leniency, Bogarde's client is sentenced to be shot; after all, an example must be made. On the day of the execution, the men on the firing squad are so drunk that they're unable to carry out the sentence. Once more incensed by the "rabble" that he's forced to deal with, Bogarde takes the law into his own hands. ~ Hal Erickson, All Movie Guide

This is an unimpressive spy-comedy from director Stanley Donen who inserts his specialty, a small song-and-dance number, into the odd proceedings. Gangster Nico March (Yul Brynner) has been ordered out of the United States because of his unsavory activities and back to the Greek island from whence he came (actually Rhodes). Once on the island, various characters enter the picture, including a local, corrupt police chief. Nico decides to send for a bundle of money left in the States but his double-crossing "friends" send him a bundle of feminine wiles instead, Gabby Rogers (Mitzi Gaynor). Obviously, Nico is none too pleased with the lousy substitution for hard cash, though he does not yet realize he is sure to fall in love with her. ~ Eleanor Mannikka, All Movie Guide

Victor McLaglen made his last film appearance in the British Sea Fury. McLaglen plays the brawny captain of a salvage vessel, while Stanley Baker is his second in command. The two men battle over the affections of South American beauty Luciana Paluzzi. Baker has the advantage, but Luciana's father disapproves. During the climactic rescue sequence, Baker proves his mettle, while McLaglen is permanently removed from the scene. Sea Fury was instrumental in the spectacular comeback of director Cyril Endfield, who'd been forced to flee Hollywood and seek out work in England thanks to the Blacklist. ~ Hal Erickson, All Movie Guide

Sea of Sand was distributed in the US in a shortened version, Desert Patrol. John Gregson plays Captain Williams, a martinet mine expert who vows to whip a lackadaisacal patrol into shape. This brings Williams in conflict with patrol leader Captain Cotton (Michael Craig), but also earns him the respect of hard-bitten trooper Brody (Richard Attenborough). The wisdom of Williams' no-nonsense approach is demonstrated when the patrol is besieged by the highly disciplined members of the German Afrika Korps. The film was produced by Robert S. Baker and Monty Berman, best known to American TV viewers as the creative forces behind the weekly series The Saint. ~ Hal Erickson, All Movie Guide