Yefim Kopelyan Movies

Sponsored by both the Polish and the Soviet states, the Polish military officer in this movie was a notable leader in an uprising against the ruling and aristocratic classes of both of those countries. The officer died fighting for the Paris Commune in 1871. ~ Clarke Fountain, All Movie Guide

One of the most popular Soviet TV miniseries of all time, The Seventeen Moments of Spring is a tale of the heroic exploits of a Russian spy in Germany during the last months of World War II. The movie is a battle of wits rather than a regular glamorized spy fare, with a heavy reliance on dialogues and atmosphere. Vyacheslav Tikhonov is quietly convincing as the leading character but the film's popularity owes a lot to its great supporting cast of which Leonid Bronevoy and Oleg Tabakov stand out. ~ Yuri German, All Movie Guide

This Russian adaptation of Dostoyevsky's Crime and Punishment packs nearly every pivotal event from the mammoth novel into its 200 minute running time. Georgi Taratorkin stars as Raskolnikov, the impressionable student who believes himself to be above the law-and commits murder to prove his theory. Innokenti Smoktunovskiy, best known for his brilliant interpretation of the title character in the Russian Hamlet (1964), costars as police inspector Porfiry, who humbly but diligently wears down Raskolnikov's alibi. Most cinemadaptations of Crime and Punishment end with the protagonist's arrest; this one retains Dostoyevsky's lengthy post-prison epilogue, in which Raskolnikov learns at long last how to be a human being. ~ Hal Erickson, All Movie Guide

This adaptation of Lev Slavin's play was notable for its humorous treatment of the Russian Civil War and foreign governments' involvement in it. The film was shot in 1968 but not completed until 1987 due to the intervention (no pun intended) of the authorities. It was intended to commemorate the 50th anniversary of the October revolution and at the same time be an entertaining film. One reviewer (for Variety) likens the resulting film to what might have happened had directors Jean-Luc Godard and Federico Fellini teamed up with the Red Army in 1968 to put on a cabaret show. Farce is liberally mixed with slapstick. This is far from the kind of stodgy film that was usually produced for official celebrations. After the government stopped the production, the cast sent a letter to Soviet Prime Minister Alexei Kosygin defending the film and its director, quoting from Lenin that "the Revolution is a jolly thing, and revolutionary art can't be routine, dull, cliched." The letter didn't help. The show opens with a chorus of very fat girls in tight-fitting band uniforms singing while an army unit goes on maneuvers and a general does bookkeeping on an abacus. In the story, Brodsky, (who is also sometimes called Voronov), is a communist agitator in Odessa, which has not yet fallen to the Bolshevik regime. The local police and military are trying to hunt down the communists. Zhena is a wealthy woman who hopes to escape before the Bolsheviks take over, but she falls in love with a good-looking lad named Sasha, who is involved with the communists. When Sasha works out a deal with the local "bourgeois capitalists" (all made up like clowns) to cover his gambling debts, he becomes an official "Enemy of the Working Class." Meanwhile, Brodsky has landed in the capitalist's prison and is declared a hero of the revolution when he dies there. The entire story is told in Odessa slang, liberally mixed with heavy swearing and underworld lingo. ~ Clarke Fountain, All Movie Guide

This sequel to the film The Elusive Avengers tells the story of four teenagers assigned by their commander to retrieve a map of a heavily fortified area. Military intelligence is nothing new to this band of young spies, and through careful acts of disguise and distraction, they steal the map from a safe. But will they be caught before they can deliver it to their superior officer? ~ Cammila Albertson, All Movie Guide