Thierry Fortineau Movies

A seemingly ideal marriage is thrown into embarrassing turmoil in Patrice Chéreau's period drama, Gabrielle. Based on the short story The Return by Joseph Conrad, the film opens with Jean (Pascal Greggory) extolling the virtues of his pretty wife, Gabrielle (Isabelle Huppert), in voice-over as he makes his way home from work. Jean and his wife, with help from their team of servants, have fostered the illusion of a perfect bourgeois household. Jean is particularly happy with the way Gabrielle presents herself at the couple's frequent dinner gatherings, attended by their "set," whom, as he describes them, "fear emotion and failure more than war." We see glimpses of these occasions in flashback, while Jean explains of his wife, "I'm proud of what she is -- impassive." The secure little world he's fashioned for himself is shattered when he arrives home and finds a note from Gabrielle, explaining that she's leaving him. "It's terrible, and right," the missive states. After a brief explosion of rage, Jean tries to compose himself, but he's thrown into chaos again when Gabrielle unexpectedly returns home. She finds it impossible to speak to Jean. "This letter is not the worst of it?" he asks her. "The worst is my coming back," she explains. The two struggle bitterly to regain the balance in their relationship. Soon, in the interest of appearances, another dinner party is planned. Gabrielle, switches from black-and-white to color and back from scene to scene, and is also notable for its intriguing use of intertitles. It was adapted by Chéreau and his frequent collaborator, Anne-Louise Trividic, and was shown at the 2005 New York Film Festival, presented by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide

Who would have expected Brigitte to marry a prisoner with a long sentence in the first place? In this romantic action movie, that is only the first in a long line of surprising actions by the young woman. Somehow, she manages to get hooked to the young prisoner before realizing that he'll be locked up for another three or four decades. She decides that this is much too long to wait to spend time with her sweetheart and decides to learn how to fly a helicopter. Why? So she can fly in and take him out of his prison yard, which is exactly what she does, thrilling romantics all over France and seriously upsetting the authorities. This award-winning film (it's a 1991 Cannes jury-prize winner) is based on a true incident from 1986. ~ Clarke Fountain, All Movie Guide

All of Europe was affected by the Great Depression of the 1930s, but some parts were hurt less badly than others. France, for instance, was relatively prosperous. In this grim drama, a sturdy Polish boxer and his family have settled into a mining town in northern France because that's where the work is. Like European "guest workers" in the 1990s, the Polish immigrants then were frequently treated badly by the locals. In this drama, the romantic aspirations of the boxer's son are thwarted by the concerted efforts of the local men and his own family's preference that he marry another Polish girl. After his romance fails, the son becomes a union activist and sacrifices a great deal to try to gain higher wages for the miners, but the contract he works out is reneged on by the duplicitous owners. ~ Clarke Fountain, All Movie Guide

Adrien (Remi Martin) does not see eye to eye with his patrician father about much. It is 1912, and the old man still believes in the old rules which strait-jacket "men of class." He believes that the elite have the right to conquer where they can, that they should refrain from publicizing their improprieties, and he is rabidly pro-military. Adrian, kicked out of his military school for his own improprieties (and hiding that from his father), is naturally drawn to Vicky (Maruschka Detmers) a beautiful divorced woman and friend of the family who is staying at their mansion. The family tutor, a man of ordinary background (with some ideas which seem radical in this household) is similarly smitten. On the basis of their shared attraction, the two men form a friendship. Meanwhile, the object of their affection finds it diverting to toy with them. ~ Clarke Fountain, All Movie Guide