John Forsythe Movies

Only a handful of American actors can lay claim to A-list popularity on the big and small screen in multiple decades, and even fewer have matched the good-natured, easygoing charm of John Forsythe. In lead or supporting roles, playing his standard everyman protagonist, or occasionally cutting against type to portray nasty villains, Forsythe is one to whom generations of viewers have naturally gravitated, like a reliable old friend.
The oldest son of a factory worker, John Lincoln Freund was born into inauspicious circumstances, in the middle-class community of Penns Grove, NJ, on January 29, 1918. Raised in Brooklyn, NY, while his father did business on Wall Street during the Great Depression, John graduated from high school two years earlier than most, at age 16, and attended the University of North Carolina at Chapel Hill, graduating two years later. A longtime worshiper of baseball, he almost immediately landed a highly coveted job as the Dodgers announcer at Ebbets Field after leaving UNC, but his father noticed his eldest's dramatic abilities and encouraged the boy to branch out into acting. Freund followed suit, making his Broadway bow in 1942 and latching on to a hit when cast in Moss Hart's 1943 production Winged Victory. He later moved to sunny Southern California, where he took the stage name John Forsythe, became a bit player for Warners, and landed supporting roles in several movies, including the heavily lauded WWII vehicle Destination Tokyo (1943) and the same year's Northern Pursuit. Meanwhile, he met and married actress Parker McCormick, by whom he had a son, Dall. Their troubled union lasted only a year.
Around the time of the divorce, Forsythe put his career on the shelf and headed off to military service in Europe, where he worked as a speech pathologist in a hospital, helping to recuperate wounded soldiers who were having difficulty with articulation. Before the end of 1943, Forsythe's enlistment wrapped. That same year, Forsythe met stage actress Julie Warren, who became his second wife; the couple raised two daughters. He helped found The Actors Studio in the early '50s, at the time a hotbed of exciting young screen talent that included Marlon Brando, Paul Newman, Richard Egan, and a 14-year-old prodigy from Great Britain named Joan Collins, with whom Forsythe would team up years later on Dynasty. Meanwhile, he appeared in two high-profile Broadway productions, Teahouse of the August Moon and Mister Roberts, both well on their way to becoming A-budget Hollywood films. The late '50s were an exciting period for Forsythe; he landed one of his most prominent big-screen spots -- as artist Sam Marlowe in Alfred Hitchcock's eccentric cult comedy The Trouble with Harry (1955) -- and, two years later, reeled in one of the most enduring small-screen roles of his career, as the titular uncle Bentley Gregg on the CBS/NBC/ABC series Bachelor Father. The cast included Noreen Corcoran, Sammee Tong, and Bernadette Withers; the ratings shot up and gave the series a five-year run. Scattered movie roles followed throughout the '60s, including Kitten with a Whip (1964) and In Cold Blood (1967), as well as the television series The John Forsythe Show (1965-1966) and To Rome with Love (1969-1971), but it would be another decade or so before Forsythe fully re-entered the public eye.

In the early '70s, Forsythe began a periodic association with TV mogul Aaron Spelling, which yielded multiple telemovies (Cry Panic [1974], Cruise into Terror [1978]), and the two series for which the actor is best known. For the first, Spelling cast Forsythe in a prominent voice-only role -- that of Charlie Townsend, the reclusive head of a female detective agency, in Charlie's Angels (1976-1981). With sex symbols Jaclyn Smith, Kate Jackson, and especially Farrah Fawcett-Majors as the leads, the program invented "jiggle TV" and became a ratings smash. Spelling didn't forget the favor that Forsythe had done for him; seven months before Angels ended, he spun around and made the actor one of the three stars (alongside Joan Collins and Linda Evans) of Dynasty, a prime-time ABC soaper about oil zillionaire Blake Carrington (Forsythe), his ennui-ridden current wife, Krystle (Evans), and his shameless, ever-scheming ex-wife, Alexis (Joan Collins). Ratings shot through the roof and turned Dynasty into a Wednesday-night American institution.
Meanwhile, Forsythe continued intermittent film appearances. He shocked just about everybody with his blackly comic portrayal of a judge with the morals of an alley cat in Norman Jewison's blithe satire ...And Justice for All, and contributed a memorably disgusting cameo to Richard Donner's overbaked Scrooged (1988). In the early 2000s, director McG brought him back for the two big-screen versions of Charlie's Angels, for which he reportedly received five million dollars.
Hollywood insiders regard Forsythe himself as one of Hollywood's few genuine "nice guys." A dedicated worker who respects his craft, he has always refused to take himself too seriously, issuing such self-deprecating statements as "Being a 64-year-old sex symbol is a hell of a weight to carry." Forsythe has been in semi-retirement since the death of his second wife, Julie, in 1994. He married for the third time, to Nicole Carter, in 2002. ~ Nathan Southern, All Movie Guide
1974  
 
In this made-for-TV movie, a driver is involved in a hit-and-run accident. By the time the guilt-ridden fellow returns to the accident scene, the body has mysteriously disappeared. ~ Sandra Brennan, All Movie Guide

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Starring:
John Forsythe
1974  
 
The Healers is a soap opera-style affair starring John Forsythe as head researcher at a California medical center. Underfunded and understaffed, Forsythe tries his best to hold his humanitarian enterprise together. At home, Forsythe is plagued by a mercurial wife (Beverly Garland) and rebellious children (Shelly and Christian Juttner). So many "name" supporting players wander in and out of the proceedings that one might suspect The Healers was the pilot of a projected TV series...and one's suspicions would be correct. But with a Jackie Gleason/Julie Andrews special as its main competition, who was watching The Healers during its first telecast on May 22, 1974? ~ Hal Erickson, All Movie Guide

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1973  
 
Kay Lenz essays the troubled title role in the made-for-TV Lisa, Bright and Dark. Unhappy at school and at home (her parents, Anne Baxter and John Forsythe, are the just-don't-understand type), Lisa is on the verge of a nervous breakdown. Three of her classmates (Anne Lockhart, Debralee Scott and Jamie Smith-Jackson) come to her rescue. They submit Lisa to their own interpretation of a group therapy session, learning a lot about themselves in the process. Based on a novel by John Neufield, Lisa, Bright and Dark was originally telecast November 28, 1973. ~ Hal Erickson, All Movie Guide

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1973  
 
Letters begins with the crash of a U.S. mail plane. One year later, cheerful postman Henry Jones delivers the long-delayed letters. These overdue missives profoundly affect the lives of (a) a man who's deserted his wife; (b) a woman anxious to break up her daughter's romance; and (c) a pianist who'd sell his soul for success. The guest star roster of this TV movie includes John Forsythe, Jane Powell, Lesley Ann Warren, Ida Lupino, Ben Murphy, Pamela Franklin, and Leslie Nielsen. Both Letters and its sequel Letters From Lost Lovers (1973) were intended as pilot films for a never-sold TV anthology series. ~ Hal Erickson, All Movie Guide

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1971  
 
A charming doctor who kills his female patients is discovered by a private detective in this made for television movie. ~ All Movie Guide

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1969  
PG  
Suburban housewives console themselves with pills and alcohol to tolerate their spouses' infidelities in The Happy Ending. Mary Wilson (Jean Simmons) is married to Fred (John Forsythe) and she prepares for their 16th wedding-anniversary party with tranquilizers and booze. The guests are clients of Fred's, a successful tax attorney. Harry (Dick Shawn) and wife Helen (Tina Louise) are two of the guests. Helen offers herself to Fred, as Mary entertains thoughts of bedding down with the playboy Sam (Lloyd Bridges) or a young gigolo (Bobby Darin). Agnes (Nanette Fabray) is the level-headed housekeeper who wryly observes the proceedings, and Shirley Jones is on hand as one of the guests. Mary ends up in the hospital in need of a stomach pump after a half-hearted suicide attempt. After the incident, her incredulous husband shallowly suggests that she needs a hobby. All is not well in the suburban Shangri-La in this feature, that tends to sympathize with the female characters. ~ Dan Pavlides, All Movie Guide

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Starring:
Jean SimmonsJohn Forsythe, (more)
1969  
PG  
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Filmed on locations ranging from Denmark to the Universal backlot, Alfred Hitchcock's Topaz is based on a novel by Leon Uris. Frederick Stafford, a veteran of European-filmed James Bond rip-offs of the 1960s, is cast as Andre Devereaux, a French secret agent assigned to snoop around Cuba in the months prior to the 1962 missile crisis. Someone is supplying Castro -- and, by extension, Moscow -- with NATO secrets; it is up to Devereaux to liquidate the "mole." Aiding Devereaux is CIA agent Nordstrom (John Forsythe) and aristocratic anti-Castro Cuban Juanita (Karin Dor), who happens to be the girlfriend of pro-Castroite Rico Parra (John Vernon). The director seems to be in awe of the fact-based storyline, and as a result, the film is more cut-and-dried than most Hitchcock efforts. Three different endings were filmed for Topaz; the Laserdisc version carries all three, as does the print available to the American Movie Classics cable service. According to the MPAA, the film was originally rated M but later changed to PG; however, a number of home-video issues of Topaz officially list it as "Not Rated." ~ Hal Erickson, All Movie Guide

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Starring:
Frederick StaffordDany Robin, (more)
1968  
 
America is no longer the home of the free in this futuristic drama. Now the country is ruled by a powerful, tyrant and his henchmen. The story centers on two brave underground rebels who work to usurp the dictator and restore democracy to the beleaguered land. ~ Sandra Brennan, All Movie Guide

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1967  
R  
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Richard Brooks wrote and directed this stark black-and-white (with brilliantly evocative cinematography by Conrad Hall) study of two drifters who murder a family, based on Truman Capote's non-fiction novel In Cold Blood. The film takes place in Holcomb, Kansas, where four members of the Herbert Clutter family are roused from their sleep and brutally murdered. The killers, Perry Smith (Robert Blake) and Dick Hickock (Scott Wilson), are two ex-cons who plan to rob the Clutters of $10,000 kept in a safe in their home. But Dick and Perry find no safe and no $10,000 and end up leaving the murder scene with only $43. The police, led by Alvin Dewey (John Forsythe) of the Kansas Bureau of Investigation, try to track down the killers. Meanwhile, Dick and Perry take off to Mexico, where Perry has fantasies of prospecting for gold. But when his dreams of prospecting come to naught, Dick insists that they return to the United States. Confident that they have left no clues, they cash bad checks, and the police track them down in Las Vegas. During questioning, their alibis are broken when they are separated and tell conflicting stories. ~ Paul Brenner, All Movie Guide

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Starring:
Robert BlakeScott Wilson, (more)
1966  
 
Lana Turner takes the lead in the seventh film version of Alexandre Bisson's glossy soap opera. Holly Parker (Turner) is married to respected diplomat Clay Anderson (John Forsythe), but his busy schedule prevents them from seeing each other very often. Distracted and lonely, Holly allows her head to be turned by carefree playboy Phil Benton (Ricardo Montalban), who dies in a freak accident during an assignation. In a panic, Holly contacts her mother-in-law, Estelle Anderson (Constance Bennett) and asks what she should do. Estelle, a joyless woman who has never cared for her daughter-in-law, tells Holly that unless she wants to destroy her husband's life and career, she should flee the country and never return. Tearfully, Holly follows Estelle's advice, leaving behind her young son. Many years later, Holly has fallen on hard times; addicted to drugs, she scrapes out a meager living as a prostitute in a cheap hotel in Mexico. Devious criminal Dan Sullivan (Burgess Meredith) tries to involve Holly in a blackmail scheme; at the last minute, she finds out that Clay is the target, and she kills Sullivan. She cannot afford to hire a lawyer to defend her, so she is assigned a dedicated young public defender, whom she soon recognizes as her son, Clay Anderson, Jr. (Keir Dullea). Not wanting Clay, Jr. to know her true identity, Holly is tried as "Madame X," but she has trouble keeping her composure given the trial and her mixed joy and shame at seeing her son. Madame X was Constance Bennett's first film in 12 years and the last she would ever make; she died of a cerebral hemorrhage shortly after completing her work on the picture, nine months before it was released. ~ Mark Deming, All Movie Guide

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Starring:
Lana TurnerJohn Forsythe, (more)
1965  
 
In this adventurous chase film, three orphans head for the US. Unbeknownst to them, they carry with them important information--information the man who killed their father is desperate to retrieve. ~ Sandra Brennan, All Movie Guide

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1964  
 
An aspiring senator finds himself in deep trouble when he tangles with a sultry teenage girl gone bad in this campy drama. Ann-Margret stars as Jody, a tough customer who escapes from reform school by stabbing a matron and attempting to burn down the building and then takes refuge in a house owned by ambitious politician David Patton (John Forsythe). Despite the hellcat's ample charms, the would-be officeholder wants nothing to do with her and tries to drive her away. She responds by practically taking him hostage, with the help of a gang of delinquent friends. An unexpected act of violence causes more trouble, leading Jody to hijack David and force him to a drive a getaway car to Mexico. The stilted dialogue, over-the-top situations, and rampant sexual innuendo will prove particularly attractive to camp aficionados, who should be delighted by the presence of such recognizable figures as Ann-Margret and Forsythe in the central roles. ~ Judd Blaise, All Movie Guide

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Starring:
Ann-MargretJohn Forsythe, (more)
1962  
 
The only episode of The Alfred Hitchcock Hour directed by Hitchcock himself (though he'd previously helmed several of the anthology's half-hour installments), "I Saw the Whole Thing" draws its suspense from the reliability -- or lack of reliability -- of eyewitness testimony. Arrested on suspicions of causing a fatal car accident, mystery writer Michael Barnes (John Forsythe) insists upon acting as his own attorney. Five witnesses insist under oath that they saw Barnes run a stop sign -- and in each case, Barnes discredits their testimony by proving that the witnesses only thought they saw what they saw, based on their own experiences and personal prejudices. Things take an unexpected turn when a sixth witness offers a sixth version of the accident. ~ Hal Erickson, All Movie Guide

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1962  
 
Filmed in 1962 but not released in the US until 1966 (with 20 of its 108 minutes removed), Conquered City is an all-star World War II drama financed in Italy and filmed in Greece. An Athens hotel, full of refugees and expatriates of all nationalities, is captured by Allied troops in the closing days of the War. British Major David Niven has been ordered to prevent a cache of weapons hidden in the hotel from falling into the hands of renegade troops. He cannot allow himself to trust anyone--not even the most innocent-looking (or attractive) of guests. Originally titled La Citta Prigioniera. Conquered City was released in English-speaking countries outside the U.S. as Captive City. ~ Hal Erickson, All Movie Guide

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Starring:
David NivenLea Massari, (more)
1959  
 
This is an out-dated, old-fashioned remake of the 1935 film by Alexander Ivanovsky, a Russian director. Based on a tale by Alexander Pushkin, Dubrovsky (John Forsythe) is a young nobleman whose land is confiscated by a greedy and powerful aristocrat. Determined to get justice one way or another, Dubrovsky gathers together a band of serfs and goes on the rampage like another Robin Hood or Pancho Villa, stealing from the rich and giving to the poor. Along the way, Dubrovsky falls in love with the daughter (Rossana Schiaffino) of his arch-nemesis, a mistake that takes its toll in the end. This film was an entry at the 1959 Pula Film Festival. ~ Eleanor Mannikka, All Movie Guide

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Starring:
John ForsytheRosanna Schiaffino, (more)
1956  
 
The offspring of the American ambassador to France (the star was then living in Paris with her journalist husband), De Havilland tries to dissuade narrow-minded senator Adolphe Menjou from declaring Paris "off limits" to American servicemen. One such man in uniform is sergeant John Forsythe, who falls in love with De Havilland, whom he mistakes for a model. Eventually Menjou is shown the error of his ways through the combined efforts of De Havilland and his own wife Myrna Loy, while Our Heroine finds true happiness as an Army wife. The Ambassador's Daughter was produced, written and directed by Norman Krasna, a renowned Hollywood wit whose comic gifts were apparently left back in California on this occasion. ~ Hal Erickson, All Movie Guide

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Starring:
Olivia de HavillandJohn Forsythe, (more)
1956  
 
First filmed under the supervision of Orson Welles in 1942, Eric Ambler's espionage thriller Journey Into Fear was effectively adapted to an hour-long format fourteen years later by by the CBS dramatic anthology Climax. John Forsythe stars as Graham Johnson, an American engineer working on a secret project in Turkey. For reasons that he cannot quite fathom, Johnson has been targetted for death by a group of sinister foreign spies. The local Turkish police arrange for Johnson to be quietly shipped to safety on a tramp steamer, which is already bearing a number of other passengers--most of whom look like they'd cut Johnson's throat for the fun of it. Climax was originally telecast live from New York City. ~ Hal Erickson, All Movie Guide

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1956  
 
This very lightweight comedy focuses on young orphan Willie Taylor (Tim Hovey). Upset with the prevarications of the adult world, Willie launches a truth-telling campaign at school, with the blessings of his pretty teacher Joan Madison (Maureen O'Hara). Things begin to get dicey when Willie publicly reveals a slightly dishonest real-estate deal mastermined by his Uncle Arthur (Barry Atwater). Crusading reporter Ernie Miller (John Forsythe) transforms little Willie into a big celebrity, and in so doing wins the love of Joan. A good supporting cast helps smooth over the lumpier passages of Everything but the Truth. ~ Hal Erickson, All Movie Guide

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Starring:
Maureen O'HaraJohn Forsythe, (more)
1955  
 
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The trouble with Harry is that he's dead. The scene is a autumnal Vermont village, where a pre-Leave It to Beaver Jerry Mathers stumbles upon Harry's corpse in the woods. Mathers alerts his mother Shirley MacLaine (making her film debut), who recognizes Harry as her ex-husband. Later on, retired sea captain Edmund Gwenn likewise comes across the moribund Harry. Both MacLaine and Gwenn have reason to believe that they're responsible for Harry's demise; MacLaine thinks that she killed Harry by clobbering him with a bottle, while Gwenn is certain that he shot the poor fellow while hunting. As the day draws to a close, seemingly every person in town is convinced that he or she has had some hand in Harry's death, thus they conspire to hide the body from the authorities. Visiting artist John Forsythe, dumbfounded at the calm, collected reactions of the villagers regarding Harry (whose ubiquitous body pops up at the most inopportune moments), solves the "mystery." Though not his most successful film, The Trouble with Harry was one of director Alfred Hitchcock's favorites. The story's whimsical black-comedy elements are perfectly complemented by Bernard Herrmann's playful music score. Best bit: Mildred Natwick, coming upon Gwenn as the latter is strenuously dragging away Harry's corpse, asking offhandedly "What seems to be the trouble, Captain?" The Trouble With Harry was adapted by John Michael Hayes from the novel by John Trevor. ~ Hal Erickson, All Movie Guide

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Starring:
Edmund GwennJohn Forsythe, (more)
1955  
 
Famed pianist Kim Stanger (John Forsythe) returns to his home town after a four-year absence, acting upon a premonition that something terrible has happened. Upon his arrival, Kim is disturbed by the mysterious and secretive behavior of his friends and family members. Insisting upon seeing his father, from whom he has been long estranged, Kim is eventually informed of the old man's violent death. Obsessively, Kim seeks out the truth about his father's demise -- but he may not like what he finds. ~ Hal Erickson, All Movie Guide

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1953  
 
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A nail-biting Indian deadlock remains the climax of this otherwise overly verbose Western filmed in M-G-M's then-new Ansco colors (forerunner of Eastmancolor). After ruthlessly dragging an escaped prisoner through the Arizona desert, Union Army Captain Roper (William Holden) suffers rebuke from both the rebel prisoners and his commanding officer (Carl Benton Reid). Things settles down a bit with the arrival of Carla Forester (Eleanor Parker), with whom Roper falls in love. But Carla proves to be a Confederate spy assigned to engender the escape of Captain Marsh (John Forsythe), the Rebel leader. The plan succeeds to a point but the escapees are hunted down by Roper and Lieutenant Beecher (Richard Anderson). Returning to Fort Bravo with his prisoners, Roper and his captives ride right into a Mescalero Apache hunting party. Filmed on location at California's Death Valley, Escape from Fort Bravo was co-written by Australian-born actor Michael Pate. ~ Hans J. Wollstein, All Movie Guide

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Starring:
William HoldenEleanor Parker, (more)
1953  
 
John Forsythe plays a successful television writer, Don Newell, who works on the "Crime of the Week" anthology series. Newell is being blackmailed by one of the program's actresses (Kathleen Hughes), who threatens to tell his wife of their clandestine affair. Arriving at the actress' apartment for a showdown, Newell discovers that the woman has been murdered. Though the writer is the principal suspect, the real killer is Henry Hayes (Edward G. Robinson), "Crime of the Week"'s research expert, who was also a blackmail victim. The inability of the police to solve the murder becomes the subject of the next "Crime of the Week" program. Hayes tries to deflect attention from himself by building up evidence against Newell, which the writer is compelled to use in his script. But Newelltumbles to Hayes' guilt, and includes this fatal clue in his "Crime of the Week" playlet. Hayes tries to kill Newell during the live broadcast, but the police arrive on the scene and shoot down Hayes. Although The Glass Web was originally released in 3-D, it is surprisingly light on "stereoptic" special effects. ~ Hal Erickson, All Movie Guide

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Starring:
Edward G. RobinsonJohn Forsythe, (more)
1953  
 
Excluding a brace of 1980s TV-movie appearances, It Happens Every Thursday was the final feature film appearance of Loretta Young. As radiantly beautiful at 40 as she'd been as a teen-aged ingenue, Young plays Jane McAvoy, the pregnant wife of big-city newspaper reporter Bob McAvoy (John Forsythe). Tired of the urban rat race, Bob moves to a small California town and assumes ownership of a just-getting-by weekly paper. It's a hand-to-mouth existence for the first few editions, and the situation isn't remedied by the cloistered, resentful behavior of the local citizenry. The outcome of the plot hinges on a publicity stunt engineered by Bob: an attempt to artificially create rain for the drought-ridden community. The well-chosen supporting cast of It Happens Every Thursday includes Edgar Buchanan, Jimmy Conlin, Willard Waterman, and in her last film, Gladys George. ~ Hal Erickson, All Movie Guide

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Starring:
Loretta YoungJohn Forsythe, (more)

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