William Forsythe Movies

During the 1977 Ediburgh Film Festival, independent filmmaker Maurice Hatton made this feature story, using real-life actors, film directors, producers, etc., to enact improvisational roles in a film about filmmaking. In the story, Charlie (played by the film's real-life producer Charles Gormley) is going from person to person at the Edinburgh Film Festival in order to raise money for the production of an independent director's first "commercial" film, tentatively titled "Gulf and Western." The bluffs, lies, and outright rejections he receives are characteristic of those experienced by industry insiders, and this rather bleak, occasionally humorous feature became a favorite among filmmakers and industry cognoscenti. Among the well-known individuals who enact roles similar to their real-life activities are director John Boorman, actress Susannah York, director Wim Wenders, and agent Dennis Selinger. ~ Clarke Fountain, All Movie Guide

Car chases abound in this youthful, comedy action outing that centers on the rivalry between a small-town Southern sheriff and a mischievous, but basically good-hearted kid who bedevils him by joy riding in stolen cars and then destroying them. As added insult, the sheriff's daughter, the boy's steady, is frequently involved. ~ Sandra Brennan, All Movie Guide

Though some viewers might be put off by its length, graphic violence, and absence of likable characters, Sergio Leone's final film is also a cinematic masterpiece. Spanning four decades, the film tells the story of David "Noodles" Aaronson (Robert De Niro) and his Jewish pals, chronicling their childhoods on New York's Lower East Side in the 1920s, through their gangster careers in the 1930s, and culminating in Noodles' 1968 return to New York from self-imposed exile, at which time he learns the truth about the fate of his friends and again confronts the nightmare of his past. The acting, the re-creation of the time period, the cinematography, and the music are all superb. However, even more important is Leone's ability to make the film work on so many different levels: it's both a criticism of gangster-film mythology and a continuation of the director's exploration of the issues of time and history. Strange as it may seem, the violence and gore in the first half of the film turn into a sad elegy about wasted lives and lost love. The film's strengths emerge only in its full 229-minute version -- the 139-minute and other edited versions don't make nearly the same impact. ~ Yuri German, All Movie Guide

Juvenile actor Henry Thomas, late of E.T., is the star of Cloak and Dagger. Given to telling whoppers, Thomas finds himself in a boy-who-cried-wolf dilemma when he overhears two spies plotting to smuggle valuable info out of the US. When he can't get his own father Dabney Coleman to believe him, Thomas turns disconsolately to a computer game called "Cloak and Dagger" and begins to fantasize, imagining that he is in cahoots with secret agent Jack Flack, also played by Coleman. Finally coming to grips with the fact that the mythical Jack Flack cannot help him this time, Thomas takes on the spies with the help of his schoolmates, who are also "Cloak and Dagger" addicts. Cloak and Dagger is a heavily disguised remake of 1949's The Window; both are based on the Cornell Woolrich story The Boy Cried Murder. ~ Hal Erickson, All Movie Guide

Before entering this story of a battle between the ostensible forces of good over evil, viewers should know that a lightship is a floating lighthouse, anchored in dangerous waters to warn other ships away. The German-American Captain Miller (Klaus Maria Brandauer) is in charge of one such lightship and is haunted by the memory of leaving some Americans to die at sea in World War II while he chose to go after a German U-boat. Miller was free of all wrong-doing technically, but he cannot forget the results of his decision. One night, with his son illegally on board, Miller takes on the sailors of another boat before a severe storm hits -- a mistake. The rescued men are modern-day pirates, gang members out to meet another ship and pick up some illicit cargo. From the moment they are taken on board, the thugs and their leader Caspary (Robert Duvall) are at war with the crew and Captain Miller for control of the lightship. This story was adapted from a novella by Siegfried Lenz, and both Brandauer and Duvall give stellar performances in their dueling roles. ~ Eleanor Mannikka, All Movie Guide

In this film, based on a true story, convicted criminal Lee Umstetter (Nick Nolte) is sentenced to life in San Quentin prison, with no possibility of parole. Despairing at his interminable sentence, Lee spends his time reading and educating himself. When he writes and performs a play that attracts the notice of a film critic (Rita Taggart), she sets out on a quest to have him paroled. ~ Iotis Erlewine, All Movie Guide

Combining influences from Tex Avery cartoons to Sam Raimi horror movies to 1940s B-movies, Joel Coen and Ethan Coen followed up the stylish film noir of their debut, Blood Simple (1984), with this frantic screwball comedy. H.I. "Hi" McDonnough (Nicholas Cage) is a philosophical but slightly dim career criminal who has been arrested so often that he gets to know "Ed," short for Edwina (Holly Hunter), the officer who takes his mug shots. Hi takes a shine to Ed and promises to go straight if she marries him. She accepts, and they move to the Arizona desert, where Hi holds down a factory job and blissfully watches the sunsets with Ed. Their serenity is shattered when the couple decides that they want a child and discover that, as Hi puts it, "Ed's womb was a rocky place where my seed could find no purchase." (One of the film's many delights is Hi's unexpectedly flowery dime-novel narration.) Ed goes into a severe depression until she sees an item in the news. Nathan Arizona (Trey Wilson), owner of a chain of unpainted furniture stores, has become the father of quintuplets, and he and his wife joke that they now have more children than they know what to do with. In what seems like a perfect "helps you, helps me" situation, Hi and Ed kidnap one of the Arizona infants, figuring that they'll have a baby and the Arizonas will have less of a burden. ~ Mark Deming, All Movie Guide

A newspaper heiress is kidnapped, brainwashed, and forced to join a group of terrorist bank robbers in this docudrama, based on the saga of Patricia Hearst. In 1974, Hearst (Natasha Richardson), the granddaughter of publishing tycoon William Randolph Hearst, was a student at the University of California. On February 4, members of the Symbionese Liberation Army, a radical political group, broke into the Berkeley home she shared with her boyfriend and kidnapped her. Hearst then allegedly spent 57 days locked in a closet as she was indoctrinated into the group's revolutionary beliefs by their charismatic leader, Cinque (Ving Rhames). Eventually, Hearst joined (or at least pretended to join) the SLA, adopted the name Tania and participated in a number of high-profile bank robberies. After several SLA members died in a police fire storm, Hearst and fellow members Bill and Emily Harris (William Forsythe and Frances Fisher) went on the lam and were later arrested. Although she claimed her participation in the group was a ruse carried out to protect herself from further rape, torture, and mind control, Hearst eventually served several years in prison after her 1976 conviction for bank robbery. Based on the novel Every Secret Thing, Hearst's own account of the events, Paul Schrader's film tells the story from the heiress' own viewpoint, with little in the way of conflicting evidence. After President Carter ordered her release from prison in 1979, Hearst went on to act in several films, including Cecil B. Demented, a John Waters spoof whose plot bears some resemblance to her own life story. ~ Brian J. Dillard, All Movie Guide

Based on the novel by Ivan Turgenev, this drama tells of a young Russian noble during the mid 19th century who, although engaged to a young pastry chef, falls for a seductive married noblewoman who has arranged to buy his estate. Timothy Hutton, Nastassja Kinski and Valeria Golino star in this period piece. ~ Kristie Hassen, All Movie Guide

Warren Beatty directed and starred in this big-budget action comedy featuring Chester Gould's square-jawed, two-dimensional comic strip detective. Ruthless gangster Big Boy Caprice (Al Pacino) touches off a gang war against underworld boss Lips Manlis (Paul Sorvino), with Big Boy and his minions rubbing out enough of Manlis's goons (along with Manlis himself) to take over his nightclub, and a healthy percentage of the city's criminal activities in the process. Caprice also gains proprietary rights to Manlis's girlfriend, nightclub chanteuse Breathless Mahoney (Madonna). Big Boy's next move to is unite the rest of the city's crooks under his command; this wave of corruption attracts the attention of lawman Dick Tracy, who is determined to smash Caprice's criminal network once and for all. As Tracy plots to put Big Boy behind bars where he belongs, Breathless uses her considerable charms in an attempt to sway Tracy from the path of righteousness; this causes no small amount of anxiety for Tracy's long-suffering female companion, Tess Trueheart (Glenne Headly), and the street-smart kid (Charlie Korsmo) they've been keeping an eye on. The various bad guys, heavily made up to resemble Gould's cartoon characters (though Beatty is not made up to resemble Tracy), include Dustin Hoffman, James Caan, R.G. Armstrong, and William Forsythe. ~ Mark Deming, All Movie Guide

Steven Seagal plays a good if troubled man living in a corrupt world (sound familiar yet?) in this action drama. Gino Felino (Seagal) is a cop who grew up in a tough Brooklyn neighborhood, and while many of his old friends now live on the other side of the law, he retains a fierce loyalty to the community. When his partner, a friend since childhood, is murdered -- in broad daylight, and in clear view of his wife and children -- Gino is assigned to investigate, and he soon learns that the shooter was Richie Madano (William Forsythe), his life-long nemesis and now a low-level wise guy with an addiction to crack. Gino swings into action to bring Richie to justice, though he discovers that he's not the first in line -- the Don who oversees Richie's crew is appalled by this crime, and Gino has to bring Richie in before the Mafia can put a bullet in his head. Out for Justice also features Jerry Orbach, Jo Champa, and Gina Gershon; keep an eye peeled for John Leguizamo and Julianna Margulies in small roles. ~ Mark Deming, All Movie Guide

In the early '90s, Brian Bosworth made the seamless transition from football bad boy to onscreen bad ass. In Stone Cold, the Boz plays cop Joe Huff, a brute force specialist. The FBI contracts him to take down a biker gang known as the Brotherhood, who have been implicated in drug trafficking and several murders. Joe assumes the personality of John Stone and goes undercover. His mission seems not to bust the gang but rather to kill with excessive force. Before he can take the law into his own hands, however, he has to get in with the gang's leader, the impressively tough Chains. The Boz doesn't disappoint, and he gets his chance in the final confrontation where he takes on several score of the Brotherhood in the street battle to end all street battles. ~ Brian Whitener, All Movie Guide

Edward J. Olmos made his directorial bow with the powerhouse crime saga American Me. Olmos stars as street-gang leader Santana, who during his 18 years in Folsom Prison rules over all the drug-and-murder activities behind bars. Upon his release, Santana goes back to his old neighborhood, intending to lead a peaceful, crime-free life. But his old gang buddies force him back into his old habits. The omniprescene of the "Mexican Mafia" in the southwest is sufficient to make this film a daunting, demoralizing experience. Upon its release, American Me received a lot of press play due to the fact that Olmos shot his Folsom sequences on location, using actual prisoners as extras and bit players. ~ Hal Erickson, All Movie Guide