Rudolf Forster Movies

Ariane was Hungarian director Paul Czinner's first talking picture. Starring in the title role is Czinner's charming wife, Elizabeth Bergner, likewise making her talkie debut. Young, naive Ariane sets herself for an emotional fall when she falls in love with Konstantin (Rudolf Forster), a much older and very married businessman. For his part, Konstantin regards the girl as just another harmless fling -- until he realizes a shade too late that he's really in love with her after all. Filmed in German, Ariane was simultaneously lensed in an English-language version, The Loves of Ariane. ~ Hal Erickson, All Movie Guide

Based on a play by Eugene Scribe, this witty comedy by director Richter-Helmut Kautner departs from the usual fare of 1950s and early '60s German films. Set at the beginning of the 18th century when Queen Anne (Liselotte Pulver) was on the throne as the British monarch, the story tells of the rivalry and animosity between Lady Churchill (Hilde Krahl), the Duchess of Marlborough and Sir Henry St. John (Gustaf Grundgens), the Viscount of Bolingbroke. While the Queen is depicted as naive and vacillating, the Duchess and Viscount have a great deal to say about the affairs of state. (The Duke of Marlborough was in charge of the armed forces in Queen Anne's war on the continent.) Other affairs are also examined, such as that of the lovers Arthur Masham (Horst Janson) and Abigail (Sabine Sinjen). Flashbacks are shot in black and white, and the skillful use of color in costuming and decor adds a touch of symbolism to the story. ~ Eleanor Mannikka, All Movie Guide

This quirky crime thriller stars Hansjörg Felmy as an intrepid Scotland Yard inspector tackling two seemingly disparate cases. He is officially assigned to investigate an underground society of vigilantes who take the law into their own hands, trying criminals in their own "Star Chamber"-style kangaroo court. On his own initiative, he is also pursuing a serial sex-killer who decapitates his victims. Felmy's dogged devotion to this case turns out to be personal, since his sister was among the killer's victims. The vendetta eclipses all other concerns, as the inspector even uses his own fiancee (Maria Perschy) as bait to trap the madman -- who suddenly falls into the clutches of the hooded vigilantes and is whisked away for a speedy trial. No prizes will be issued to viewers who guess the identity of the judge. This German production was also released as The Mad Executioners. ~ Cavett Binion, All Movie Guide

Based on a popular novel by Horst Wifram Geissler, Der Liebe Augustin is a carefully-wrought, sometimes slow-paced story about a young Romeo who lived around 1800 in the region of Lake Constance. Augustin (Mathias Fuchs) is a sentimental, likeable lothario whose first big romance is with Lady Ann (Ina Duscha), a woman who may not have been such a good choice. His next real love, perhaps the love of his life, is Friederike (Nicole Badal), a charming princess who reciprocates his feelings but whose family lines are too royal to allow for any permanent union. That loss is hard to bear, yet Augustin finds some solace in Susanne (Veronika Bayer) woman more of his own background -- and a sturdier romance begins to grow. ~ Eleanor Mannikka, All Movie Guide

Apparently based on real people, this story of Germans in a Russian POW camp still makes the altruistic, tolerant attitudes of the main protagonists seem less than convincing. The characters of the people involved in the camp are developed through dialogue and minimal action, without any visible storyline. The Russian political officer is Jewish, and so is his wife. She is now a Russian army officer trying to forget the torture she suffered in a Nazi concentration camp. Remarkably, both husband and wife would rather forgive than take out any nascent hatred on the German POWs. The camp commander is a tough disciplinarian yet he is not unreasonable or cold-hearted. Among the Germans, there is a young soldier whose ethics are intact and who is disheartened by what he knows of the war. Taken together, the characters seem to argue for the humanity that underlies the inhuman conditions war imposes. ~ Eleanor Mannikka, All Movie Guide

In this psychological thriller an Austrian nobleman tries to stay sane in the face of Nazi torture during World War II. The story is told in flashback after the protagonist is seen at a chess tournament with a champion. He is thrown into jail after the Nazis overran Austria. When he is not being mentally tortured into revealing important secrets, the man is in solitary confinement. To stay sane, he conceals a chess book in his cell. The intricacies of the game help him concentrate. Unfortunately his valiant attempts fail and he breaks down. ~ Sandra Brennan, All Movie Guide

Dreaming Lips was lovingly assembled by filmmaker Paul Czinner as an "ideal" vehicle for his popular actress wife Elizabeth Bergner. The star plays Gabrielle, the glamorous, spoiled wife of world-famous orchestra leader Peter (Romney Brent). Left alone by her constantly touring husband, she inaugurates a romance with brilliant but reclusive violinist Miguel de Vaye (Raymond Massey). Booked for an American tour, De Vaye insists that Gabrielle accompany him -- and that she tell her husband about their affair. But when Peter falls seriously ill, Gabrielle dutifully remains by his side, never telling him of her indiscretion. Torn between two lovers, Gabrielle eventually decides to kill herself -- leaving a nonplused Peter to wonder just why his wife was so distraught. Overlength is the only significant flaw of this luxuriously produced three-hanky picture. ~ Hal Erickson, All Movie Guide

Brigette Helm stars as a disillusioned movie extra who makes a speedy exit from a Viennese movie studio while still wearing her elegant costume. She heads off to a resort in Monte Cristo, where she poses as a wealthy countess (she's certainly dressed for it!) Jewel thief Gustaf Gruendgens and swindler Rudolf Forster help Helm carry off her masquerade for larcenous reasons of their own, but Forster spoils everyone's plans by falling in love with the girl. Graefin von Monte Cristo served as the basis for the 1934 Universal comedy The Countess of Monte Cristo, with Fay Wray in the starring role. The property was remade in 1948 as a musical vehicle for skating-star Sonja Henie. ~ Hal Erickson, All Movie Guide

Anna May Wong and J. Carroll Naish, so memorably teamed in Paramount's Dangerous to Know, are costarred once more in Island of Lost Men. Naish plays ruthless jungle plantation owner Gregory Prin, who runs his domain like a dictatorship and treats his workers little better than slaves. Into Prin's world comes Kim Ling (Wong), daughter of a disgraced Chinese general. Kim Ling hopes to clear her father's name by bringing his primary accuser, Prin, to justice. The native-uprising finale is rendered in gloriously gruesome detail. A remake of the 1931 Charles Laughton-Carole Lombard starrer White Woman, Island of Lost Men also offers early but well-rounded performances by Anthony Quinn (as a Chinese patriot!) and Broderick Crawford. ~ Hal Erickson, All Movie Guide

This drama is a remake of Pabst's famed 1929 film Die Buechse Der Pandora/Pandora's Box. It tells the story of a 14 year-old girl who is caught while trying to pick a doctor's pocket. The doctor ends up taking her in and turning her into a sophisticated lady whom he marries off to a wealthy man. Her new husband really likes to watch her dancing naked. Later, when he catches her 'dancing' with a young artist, the husband drops dead of a heart attack. She then marries the artist, but he soon commits suicide. After that she marries her doctor, but when they get into a fight over a pistol, she accidentally shoots him. She is sent to prison, but is later freed by the doctor's son, and his lesbian pal. The threesome head for gay Paris. In the end, she ends up a streetwalker in London where she becomes a victim of Jack the Ripper. ~ Sandra Brennan, All Movie Guide

Also known as Der Traumende Mund and Dreaming Lips, Melo was filmed in both French- and German-language versions by director Paul Czinner. Based on a play by Henry Bernstein, the film focuses upon a romantic triangle: orchestra violinist Peter, his wife Gaby, and their concert-violinist friend Michael. Gaby loves both Peter and Michael with equal fervor, making the situation all the more unbearable. When no other solution seems possible, Gaby kills herself rather than hurt either one of her lovers. In the French version of Melo, Gaby was played by Gaby Morlay; in the German version, the role was essayed by Czinner's wife Elisabeth Bergner. Both versions were eventually banned in Germany because virtually everyone involved in the production was Jewish. ~ Hal Erickson, All Movie Guide