Charles Arnt Movies

Just as Bob Hope's My Favorite Blonde (1942) was a takeoff on Alfred Hitchcock, Hope's My Favorite Brunette was a lampoon of the noirish "hard-boiled detective" school popularized by Raymond Chandler. Awaiting execution on death row, Hope tells the gathered reporters how he got into his present predicament. It seems that Hope was once a baby photographer, his office adjacent to the one leased by a private detective (played in an amusing unbilled cameo by Alan Ladd). While hanging around the p.i.'s office, Hope is mistaken for the detective by beautiful client Dorothy Lamour. She hires Hope to search for her missing uncle, and also entrusts him with a valuable map. Hope's diligent (if inept) sleuthing takes him to a shady rest sanitarium, where he runs afoul of lamebrained henchman Lon Chaney, Jr. and sinister, knife-throwing Peter Lorre. Both are in the employ of attorney Charles Dingle, who is responsible for the disappearance of Lamour's uncle. Escaping the sanitarium with Lamour in tow, Hope follows the trail of evidence to noted geologist Reginald Denny. The geologist is murdered, and Hope is accused of the crime. ~ Hal Erickson, All Movie Guide

In this Republic musical, all heck breaks loose when the girlfriend of an aspiring composer becomes a model for the starving artist who lives next door. The story takes place at the turn of the 19th century and is set in Miss Rich's boardinghouse, the temporary home of many young artists and performers hoping to make it big in New York. Songs include "Have I Told You Lately?" and "A Bluebird Is Singing to Me." ~ Sandra Brennan, All Movie Guide

In this melodrama, a self-absorbed mother unwittingly teaches her daughter some terrible habits. From her, the girl learns that she should simply take everything she wants without considering the consequences of her actions. Her conniving tactics make her rich, but unlucky in love. Fortunately, her second husband teaches her some important life lessons and the girl changes her ways. ~ Sandra Brennan, All Movie Guide

In this police drama, a busy precinct is thrown into chaos when the murdered corpse of a local detective is found in an abandoned car. Now the press is demanding to learn details. Meanwhile, an ambitious officer finds himself sorely tempted to use dishonest means to advance his political career. Things get even more muddled up when he falls in love with a female murder suspect. ~ Sandra Brennan, All Movie Guide

Busby Berkeley directed this lightweight musical comedy in which Judy Jones (Joan Leslie) is informed that she's due to receive a $10 million inheritance, but with one very large string attached: she has to marry an unusually intelligent man. With the call of her checking account ringing loudly in her ears, Judy gives her boyfriend Tommy Coles (Robert Alda), the leader of a dance band, his walking papers. She next enrolls in a (previously) all-male Institute of Technology, where she figures that bright boys will be easy pickings. However, snaring her dream man proves more difficult than she imagined, and she finds out that Tommy is a lot brighter than she originally thought. Sammy Cahn and Jule Styne wrote the songs for this film, which include "You Never Know Where You're Goin' Till You Get There" and "When the One You Love Simply Won't Love Back." ~ Mark Deming, All Movie Guide

Blondie's Lucky Day, indeed! Not only must Blondie Bumstead (Penny Singleton) put on a brave face when her husband Dagwood (Arthur Lake) is fired for the umpteenth time by Mr. Dithers (Jonathan Hale), but she must also tolerate the attentions paid to Dagwood by pretty WAC Mary Jane McDermott (Angelyn Orr). A whizz in business matters, Mary Jane sets up Dag in his own business, which replenishes the Bumstead coffers but which drives Blondie into a jealous frenzy. The film's highlight occurs early on, when Dagwood assumes Dithers' responsiblities for a single day--and makes a proper mess of things within five minutes. Blondie's Lucky Day was the 17th entry in the long-running film series based on the comic strip by Chic Young. ~ Hal Erickson, All Movie Guide

Based on the novel by Augusta Tucker, the provocatively titled Miss Susie Slagle's is actually a leisurely, sentimental story set in a turn-of-the-century boarding house. The title character, played by Lillian Gish, is the house's landlady, catering exclusively to young doctors and nurses in training. Miss Susie Slagle takes pride in the fact that not one of her boarders has ever failed medical school, but for a while it looks as though this perfect record will be spoiled by Elijah Howe Jr. (Bill Edwards), the seemingly irresponsible son of one of Susie's former tenants (Ray Collins). The bulk of the storyline is carried by med student Pug Prentiss (Sonny Tufts), who carries on a romance with Howe Jr.'s sister Margaretta (Joan Caulfield, in her film-starring debut). Flamboyant comic actor Billy DeWolfe is uncharacteristically restrained as pragmatic third-year student Ben Mead, though the script contrives to allow DeWolfe to do one of his celebrated female-impersonation routines! In true open-ended fashion, the film ends as it begins, with Miss Susie Slagle welcoming another crop of students to her lodgings. ~ Hal Erickson, All Movie Guide

Strange Illusion is really several movies in one, part dark psychological chiller, part unsettling murder mystery, and part breezy B-movie thriller, although most of its plot is derived from Shakespeare's Hamlet. Jimmy Lydon, best-known to audiences for his screen portrayal of Henry Aldrich during the early '40s, plays Paul Cartwright, the son of a respected judge who died under mysterious circumstances two years earlier. Paul is haunted by nightmares in which his father warns him of danger to his mother, and in which a mysterious stranger seems to threaten him and his family. He dismisses these dreams until his mother (Sally Eilers) introduces him to a new man in her life, Brett Curtis (Warren William), who says some of the very same things that Paul heard from the mystery man in his dream. There's a lot to dislike about Curtis despite his smooth, genial ways -- he seems too eager to please, and also offers an oily solicitousness to Paul's teenaged sister that's downright disturbing. Paul openly distrusts Curtis and opposes his mother's impending marriage to him. Most of those around him think Paul is overreacting and he is maneuvered into checking himself into a sanitarium run by a psychiatrist friend (Charles Arnt) of Curtis'. Trapped there and kept under constant surveillance, Paul is in danger, but he manages to find a clue that proves not only that his father's death was no accident, but that Curtis was involved in it. His discovery may be too late, however -- not only is his life in jeopardy, but it turns out that Curtis is really a career criminal that Paul's father had pursued from the bench for years, and that his real goal, having killed the judge, is to destroy the judge's family, including Paul's mother and sister. The plot of Strange Illusion works on many levels, as mystery and a dark psychological study, and it is told so smoothly and well by director Edgar G. Ulmer and his cast, that it may require multiple viewings to fully appreciate, though it is enjoyable on any level. ~ Bruce Eder, All Movie Guide

In their third film together, Spencer Tracy and Katharine Hepburn created one of the box-office sensations of 1945, a sparklingly witty wartime comedy about a marriage entered on the theory that love only gums up a relationship. Invited by a drunken Quintin Ladd (Keenan Wynn), devoted scientist Patrick Jamieson (Tracy) moves into the Washington mansion belonging to Ladd's cousin Mrs. Jamie Rowan (Hepburn), a widow, who, it soon appears, shares Pat's distaste of romantic love. Highly interested in the scientist's attempt to develop a high-altitude oxygen helmet for the war department, and tired of being hit on by men, an emboldened Jamie proposes marriage to Pat, insisting that theirs should be a union uncomplicated by love. Pat readily agrees and the two settle into a seemingly well-functioning life of shared passion for the oxygen experiments. But when Pat's former girlfriend turns up, Jamie discovers that she has fallen in love with her husband after all and attempts to win him back. The ploy, however, seems to backfire -- or does it? Originally written for Katharine Hepburn by her frequent collaborator Philip Barry, Without Love had enjoyed a moderately successful run on Broadway from 1942-1943 with Elliott Nugent as the scientist. The much more successful screen version became the final film of MGM contract director Harold S. Bouquet, who died of cancer soon after. ~ Hans J. Wollstein, All Movie Guide

In another of her series of romantic desert adventures, popular actress Maria Montez is this time Naila, the newly crowned queen of an ancient Egyptian land. Her father the king has just been assassinated and she intends to make those responsible pay for their crime. She sets out into the desert to find the killer herself -- little does Naila know that her "loyal" assistant Horadef (George Zucco) may be working against her, for he has designs on the throne for himself. John Hall plays a secondary role as Merab, an adventurer who shows up in the titular region with his comic-relief pal Nebka (Andy Devine), and the two help Naila, totally unaware that she is the queen. The romantic lead this time out is Herua (Turhan Bey), a rebel leader opposed to the despotic Horadef. The villain has Naila under his evil influence, but this state of affairs comes to an end when she falls in love with the charismatic rebel. The climax, wherein Horadef and his invading hordes are caught in a cleverly rigged death trap, is the film's highlight. As usual, Maria Montez plays her rather ridiculous role in Sudan with the determined seriousness of a Lady Macbeth, which only adds to the giddy fun. ~ Hal Erickson, All Movie Guide

A widow's grief turns to blind maniacal rage against the daughter she holds responsible for her husband's death in this, the second of three melodramatic films based on a novel by Gene Stratton Porter. In her anger, the mad mother abuses and torments her off-spring at every turn. ~ Sandra Brennan, All Movie Guide

No production unit at Paramount Pictures was busier in 1944 than the Pine-Thomas unit-and few were as bankable at the box-office. In Pine-Thomas' Dangerous Passage, Joe Beck (Robert Lowery), an easygoing resident of Central America, is summoned to Texas to claim his share of an inheritance. Making the journey by boat, Beck finds himself the target of several attempts on his life. He also forms a more than professional relationship with his attorney, Nita Paxton (Phyllis Brooks). En route to Galveston, Beck and Nita are shipwrecked and forced to swim for their lives. The identity of their mystery assailant is revealed in the last reel, though for a while it doesn't look like either the hero or the heroine will survive long enough to profit from this knowledge. ~ Hal Erickson, All Movie Guide