Charles Arnt Movies

Paul Newman recreates his Broadway role in the 1962 film version of Tennessee Williams' Sweet Bird of Youth. Newman plays handsome hustler Chance Wayne, who romances fading film star Alexandra Del Lago (Geraldine Page) in hopes of winning a movie contract for himself. The mercenary Wayne and the self-destructive Alexandra find themselves in Chance's home town, where corrupt politician Boss Finley (Oscar-winner Ed Begley) rules the roost. Finley's daughter Heavenly (Shirley Knight), impregnated by Chance during his last visit, dreams of a reunion with her old beau, but Finley and his brutish son Tom Jr. (Rip Torn) make certain that no such reunion occurs. Even the well-intentioned interventions of Heavenly's Aunt Nonny (Mildred Dunnock) fail to move the stubborn Finley. Warned to leave town or risk a broken skull, Chance is dumped by Alexandra, whose recent "comeback" film has proven a success and who thus no longer needs a gigolo to feed her ego. From this point on, Richard Brooks' screenplay departs so radically from the Tennessee Williams original that to elucidate the differences would require a book in itself. Suffice to say that the play's Chance Wayne is rendered "less than a man" by the vengeful Finley, whereas the film's Wayne emerges with all his working parts intact. A second version Sweet Bird of Youth (1989), purportedly based on Williams' own rewrite of his earlier material, was filmed for television in 1989, with Elizabeth Taylor and Mark Harmon in the leads, and with Rip Torn, Tom Finley Jr. in the original, stepping into the role of Boss Finley. ~ Hal Erickson, All Movie Guide

Rock 'n roll king Elvis Presley stars as Glenn Talbot, a country boy with a problem temper and a yen for literary greatness in this typical Presley vehicle directed by Philip Dunne. After Glenn is sent packing by his father for mixing it up one too many times with his brother, the court makes him a ward of his uncle. His inner turmoil leads him into therapy with the older and very attractive Irene (Hope Lange), a patient-doctor relationship that is misconstrued by their small town. The two spend a platonic night in the same room in a motel, but no one is believing it was innocent. Glenn's romantic interests include Noreen (Tuesday Weld), with whom he shares a drink or two or more, and a song, and Betty Lee (Millie Perkins). Between the singing and carousing and fist fights, it still looks like a happy resolution looms large on the horizon. ~ Eleanor Mannikka, All Movie Guide

Miracle of the Hills is a melodramatic, standard western with two ostensible "enemies" that fuel the plot: a decent town preacher, Scott Macauley (Rex Reason) and an "indecent" former prostitute, Kate Peacock (Betty Lou Gerson). The preacher is on his way to cleaning up his parish and the town but comes up against Peacock, who now owns the main source of employment in the town, a coal mine. In revenge for the way she was treated in the old days, she lords it over the town and her workers. Just as the preacher is mediating the best he can between Peacock and the rest of the community, three young boys get trapped in the mine. (Jay North, just before his Dennis the Menace fame on American TV, plays one of them). Sure enough, it is a potential disaster that galvanizes everyone and erases past battle lines. ~ Eleanor Mannikka, All Movie Guide

Flood Tide can be described as The Children's Hour gone ballistic. Michel Ray is David Gordon a sweet-faced little boy who dotes on his widowed mother Anne (Cornell Borchers) - but has a nasty, pathological penchant for lying. When a body washes up on the beach and a man is arrested, David tells a few "convenient" lies that get the fellow arrested. The owner of the adjacent beach house, Steve Martin (George Nader) returns from a trip, learns of the situation, and discusses in detail why he thinks the boy is being deceptive; he then spends the rest of the movie romantically pursuing Anne while attempting to earn David's trust and extract a confession from him that will free the unjustly convicted fellow. Flood Tide was directed by Abner Biberman, who as a former movie villain had a good grasp of what makes a sociopath tick--even a ten-year-old one. ~ Hal Erickson, All Movie Guide

Several genuine Native Americans dot the cast of Universal's The Great Sioux Uprising. The scene is the frontier outpost of Laramie Junction, where livery stable owner Joan Britton (Faith Domergue) and rancher Stephen Cook (Lyle Bettger) carry on a friendly rivalry while trading horses with the cavalry. On friendly terms with the local Sioux, Joan hopes to persuade the tribe to sell some of its ponies to the military. Cook's method is more direct: he and his men steal the horses, then sell them for a 100% profit. Into this situation rides ex-Union medical officer Jonathan Westgate (Jeff Chandler), who promises Apache chief Red Cloud (John War Eagle) that he'll track down the rustlers. Westgate also organizes the local ranchers to sell their horses to the military, thereby undercutting the duplicitous Cook. Complications arise when Stand Waite, an Apache officer in the Confederate army, tries to persuade his tribesmen to join the Southern cause. All the various plotlines converge in the climactic uprising, which is shown to be the by-product of white greed. ~ Hal Erickson, All Movie Guide

He's a Cockeyed Wonder stars Mickey Rooney as the title character. Try as he might, Freddy Frisby (Rooney) can't succeed at anything. Things take an upward turn when Freddy inherits the estate of his uncle, a famed magician. Armed with all sorts of legerdemain, Freddy begins giving shows at local businesses, assisted by his girl friend Judy Sears (Terry Moore). While performing at a factory, Freddy and Judy are framed for a payroll robbery by a gang of thieves. By using his bag of tricks to the utmost, Our Hero clears himself and Judy then prepares to round up the bad guys. Nobody seems willing to play straight in He's a Cockeyed Wonder--certainly not William Demarest as the heroine's father and Douglas Fowley and Mike Mazurki as the head crooks. ~ Hal Erickson, All Movie Guide

The Sun Sets at Dawn is a crime melodrama with strong religious overtones. The Boy (Philip Shawn) is about to be executed in the State's brand-new electric chair. On this momentous occasion, dozens of reporters gather around as The Boy tells his sad life story. While this is going on, the person who should be electrocuted is exposed, and it is suggested that a Divine force has brought about this last-minute miracle. Sally Parr co-stars as The Girl, who believes in The Boy's innocence (the characters have no names; this, evidently, is meant to be symbolic). Walter Reed also appears as The Chaplain, who has ever so much to say. The Sun Sets at Dawn represents the return after a lengthy retirement of director Paul H. Sloane, who also wrote and produced. ~ Hal Erickson, All Movie Guide

In this final episode of the Boston Blackie mystery series, our hero and his side-kick find themselves accused of murder after they are seen exiting a Chinese laundry where the proprietor is soon found murdered. Blackie must find the real killers before he gets in real trouble. Action and mystery ensue. ~ Sandra Brennan, All Movie Guide

Bride for Sale is an old-fashioned romantic triangle brightened by the star power of Claudette Colbert, George Brent and Robert Young. In search of a "perfect" husband, Nora Shelly (Colbert) decides to comb through the tax records of several eligible males, and to that end takes a job at Paul Martin's (Brent) accounting firm. When Paul learns the real reason behind Nora's diligence, he decides to teach her a lesson. He convinces his wealthy friend Steve Adams (Young) to woo and win Nora, then leave her flat. It doesn't take a genius to figure out that Paul and Steve will both fall in love with Nora by reel seven. Produced independently by Jack H. Skirball's Crest Productions, Bride for Sale proved to be a moneyspinner for its distributor, RKO Radio. ~ Hal Erickson, All Movie Guide

Clifton Webb has the role of a lifetime as Lynn Belvedere, self-styled genius and expert on everything. Belvedere accepts the job of baby-sitting the troublesome children of Robert Young and Maureen O'Hara; he wins the job by calmly dumping a bowl of cold oatmeal on the head of the couple's most contentious offspring! At first the family chafes at Belvedere's imperiousness and unlimited resourcefulness, but gradually everyone--especially the children--grow quite fond of the man. The couple's snoopy neighbor (Richard Haydn), noting that Belvedere spends quite a lot of time in the house when the husband is away, begins spreading rumors of a clandestine affair. Belvedere only fuels the flames of innuendo by working on a "secret project" in his room. That project turns out to be a book about the community where he is staying, a revealing volume that exposes the pettiness and hypocrisy of several respectable citizens. Robert Young nearly loses his job over the ensuing scandal, but when the community becomes world famous and the object of increased business activity, Belvedere is the hero of the day. Clifton Webb made so vivid an impression as Mr. Belvedere that he repeated the role in two sequels, and played variations of Belvedere (with emphasis on his "child psychology" tactics) in such films as Cheaper by the Dozen and Mr. Scoutmaster. After numerous failed attempts at launching a TV series based on the Gwen Davenport-created character, Mr. Belvedere settled into a long video run in 1985, with Christopher Hewett in the title role and sportscaster Bob Uecker as Belvedere's nonplused employer. ~ Hal Erickson, All Movie Guide

Finding a curiously silent young runaway boy (Dean Stockwell) whose head has been completely shaved, small town police call in a psychologist (Robert Ryan) and discover that he is a war orphan named Peter Frye. Moving in with an understanding retired actor named Gramps (Pat O'Brien), Peter starts going to school and generally begins living the life of a normal boy until his class gets involved with trying to help war orphans in Europe and Asia. Peter soon realizes that -- like the children on the posters, whose images haunt him -- he, too, is a war orphan. The realization about his parents and the work helping the orphans makes Peter turn very serious, and he is further troubled when he overhears the adults around him talking about the world preparing for another war. Peter awakens the next day and his hair has turned green, prompting him to run away after being taunted by the townspeople and his peers. Suddenly, appearing before him in a lonely part of the woods are the orphaned children whose pictures he saw on the posters. They tell him that he is a war orphan, but that with his green hair he can make a difference and must tell people that war is dangerous for children. He leaves determined to deliver his message to any and all. Upon his return, the townspeople chase Peter, and even Gramps tries to encourage him to consider shaving his hair so that it might grow back normally. He agrees to get his head shaved, and the town barber does the job -- that night, however, Peter runs away. Later reunited with Gramps, Peter learns that there are adults out there who accept what he has to say and want him to go on saying it. He's sure that his hair will grow back in green again, and he will continue to carry his message. ~ Bruce Eder, All Movie Guide

Nice guys don't always finish last as can be seen in this crime drama. The story begins as a perfectly nice fellow finds himself arrested for murder. The trouble is, the man cannot remember a thing about the night of the murder. Though he insists he is innocent, all the evidence tells a different story. He was found at the scene with a bloody knife in his hand. Fortunately, a policeman friend, believes him. He gets him out of jail and together, they begin looking for the real killer. They soon find that the set-up was perpetrated by his uncle who strongly disapproved of his dating his ward. The woman who died had been the uncle's lover who was blackmailing him. To get even with them all, the uncle drugged his nephew, killed his mistress and planted the knife upon his unconscious relative. In the end, the uncle is arrested and the nephew and his lover live a long and happy life together. ~ Sandra Brennan, All Movie Guide

Big Town was the first of a series of Pine-Thomas productions inspired by the radio series of the same name--which in turn was spun off into a long-running TV series. Philip Reed stars as crusading newspaper editor Steve Wilson, while Hillary Brooke portrays Wilson's ever-loving, ever-efficient "Girl Friday" Lorelei Kilbourne. Vowing to rid his community of the stench of Yellow Journalism, Wilson assumes command of the Illustrated Daily Press, utilizing his tabloid as a bastion of truth and a weapon against big-city corruption. Crusading against a local crime ring, Wilson unfortunately goes "too far", and is nearly destroyed by lawsuits before he can redeem himself. To avoid confusion with the teleivision series, Big Town was retitled Guilty Assignment for its earliest TV showings. ~ Hal Erickson, All Movie Guide