Ruth Ford Movies

In this improvisational style drama, a tormented man muses over the meaning of it all. When not pondering the meaning of life in a war-torn world, the fellow is cavorting with his nude wife, his mother, and his best friend. Much of the man's time is spent working it out through a monologue. The film's title reflects Kodak's name for color negative film. ~ Sandra Brennan, All Movie Guide

This autobiographical story traces the career of playwright Moss Hart. Moss (George Hamilton) struggles as a dramatic writer until he concentrates his efforts on writing comedy. He suffers through a series of professional and romantic failures before a meeting with George S. Kaufman (Jason Robards Jr.) changes his fortunes. Joe (Jack Klugman) is the faithful friend who stands by Hart in the lean times. Ruth Ford, Eli Wallach and George Segal also appear in this feature produced, directed and written by Dore Schary. ~ Dan Pavlides, All Movie Guide

Years before he became the leading star in horror movies, Vincent Price starred in this gothic thriller based on the best-selling novel by Anya Seton. Nicholas Van Ryn (Vincent Price) is a wealthy feudal heir of Dutch ancestry living in New York's Hudson Valley in the 1840s. Nicholas has come to hate his wife because she has been unable to give him a son; their only child is a daughter he doesn't care for. Miranda Wells (Gene Tierney), a distant relative of the Van Ryns, comes to live at their estate and work as an au pair girl; Nicholas becomes infatuated with her and eventually poisons his wife so they can marry. However, while Miranda gives birth to a son, the boy is sickly and does not live to adulthood. Nicholas begins to slip into insanity, moving to the attic of his mansion and drowning his sorrows in drugs. A distraught Miranda seeks the counsel of the local physician, Dr. Jeff Turner (Glenn Langan); Dr. Turner falls in love with Miranda, and he eventually discovers that Nicholas killed his first wife to be with her, and that Miranda might be next on the madman's list. Dragonwyck was the directorial debut of screenwriter and producer Joseph L. Mankiewicz. ~ Mark Deming, All Movie Guide

For at least 63 of its 68 minutes, Republic's The Woman Who Came Back is an exciting and compelling journey into the realm of the supernatural. Returning to her ancestral New England village, Lorna Webster (Nancy Kelly) slowly but surely becomes convinced that she's the reincarnation of a centuries-old witch. A chance encounter on a bus with a weird old woman, combined with a series of bizarre "coincidences", further confirms Lorna's suspicions. Set upon and stoned by the terrified villagers, Lorna is rescued by her physician fiance Matt Adams (John Loder) and local minister Stevens (Otto Kruger), who attempt to separate fact from fancy. The disappointingly "logical" explanation to the events in The Woman Who Came Back doesn't quite gloss over such phenomena as a bouquet of flowers wilting at Lorna's touch! ~ Hal Erickson, All Movie Guide

Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide

A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide

At 49 minutes, Murder on the Waterfront was the shortest-ever Warner Bros. B picture. Alas, brevity is not the soul of wit in this updated remake of 1938's The Invisible Menace. Warren Douglas plays sailor Joe Davis, who while on leave in California gets mixed up with an enemy spy ring. The head Nazi intends to steal a top-secret thermostat. For a while, it looks as though Lt. Commander Holbrook (John Loder) is the villain, but he turns out to be a red herring before the picture is half over. In his efforts to thwart the baddies, Davis is aided and abetted by carnival performer Gloria (Joan Warfield), who wears her skimpy sideshow costume throughout the picture. ~ Hal Erickson, All Movie Guide

Murder in the Big House was a remake of the 1936 Warner Bros. programmer Jailbreak. In his first starring role, Van Johnson plays reporter Bert Bell, who wonders how it came to be that death-row inmate Dapper Dan Mallory (Michael Ames) was "accidentally" killed just before his appointment with the electric chair. Digging a little deeper, Bell discovers that Dapper Dan was planning to make a big revelation just before his execution, one which would expose the corrupt political machine for which he worked. With the help of heroine Gladys Wayne (Faye Emerson) and perenially drunken columnist Scoop Connor (George Meeker), Bell contrives to have himself thrown in jail to solve the mystery. Though the film passed unnoticed when first released, Murder in the Big House raked in a pile of cash when it was reissued as Born to Trouble in 1945, by which time Van Johnson had become the hottest male star in the movies. ~ Hal Erickson, All Movie Guide

Made in 1942 but released early in 1943, Secret Enemies is a Warner Bros. espionage quickie, putting the studio's second-echelon contractees to good use. Craig Stevens, Faye Emerson and John Ridgely are the leads in this hour-long meller about a Nazi spy ring operating covertly in America. The FBI sniffs out the "secret enemies," striking another blow against Uncle Adolf. Secret Enemies enabled Faye Emerson to step up into "A" pictures and secured a contract extension for reliable utility player John Ridgely. But Craig Stevens was drafted almost immediately after the film's release; unable to regain his lost footing after the war, it would take Stevens until 1958 to establish himself as a full-fledged star on the TV series Peter Gunn. ~ Hal Erickson, All Movie Guide

Mitchell Leisen directed this romantic comedy with melodramatic overtones, starring Marlene Dietrich in a sympathetic role as famed stage star Elizabeth Madden. Elizabeth longs for motherhood but has no husband. Her desire appears to be fulfilled when she finds an abandoned baby, but she doesn't have a clue on how to raise it. She finds divorced pediatrician, Dr. Corey McBain (Fred MacMurray), to help her with the child. Elizabeth names the child after him and makes Corey an offer. Since she's single, she cannot adopt the child. But if Corey would marry her in name only, she could be the adopted mother and Corey could stay in a section of her apartment where she would support his research. Corey agrees to the deal, but it's not too long before Corey and Elizabeth fall in love. ~ Paul Brenner, All Movie Guide

Escape from Crime is a pared-down (51 minute) remake of 1933's Picture Snatcher, with Richard Travis in the old James Cagney role. Recently paroled from jail, Red O'Hara (Travis) manages to wangle a photographer's job at the tabloid newspaper managed by hard-drinking Cornell (Frank Wilcox). Flamboyantly "grabbing" photos where no one else can, Red is able to support his wife Molly (Julie Bishop) and child, but the stigma of his prison sentence still hangs over him. Only by rounding up his former gang is Red able to square himself with police lieutenant "Biff" Malone. Though billed third, Jackie "C" Gleason has a very minor role as an overfed convict. ~ Hal Erickson, All Movie Guide

Michael Lanyard, the reformed criminal known as the Lone Wolf, is played in this Columbia B picture by the suave Warren William. The script contrives to have Lanyard's faithful butler Jamison (Eric Blore) to be mistaken for his boss by a gang of jewel robbers. They force poor Jamison to participate in the theft of the valuable "Napoleon gems" which Lanyard has been hired to protect. Most of the action takes place during a steamship voyage, allowing Columbia to trot out its standard (but impressive) shipboard sets and to cloud the budget limitations with heavy fog. Secrets of the Lone Wolf was the eighth in Columbia's series based on the mystery stories of Louis Joseph Vance. ~ Hal Erickson, All Movie Guide