Ruth Ford Movies
Ruth Ford had been a photographer's model and stock actress before she was hired for Orson Welles's Mercury Theater in 1938. Ford enjoyed sizeable roles in the Mercury stage productions of Shoemaker's Holiday and Danton's Death, and also appeared on Welles' weekly radio anthology. In 1942, she was signed by Warner Bros. and groomed as a standard ingenue in such forgettable film fare as The Gorilla Man (1942) and The Hidden Hand (1943). In 1945 she moved on to 20th Century-Fox where she appeared in Wilson as Woodrow Wilson's daughter Margaret. Returning to Broadway, Ford distinguished herself in the demanding works of such playwrights as Shakespeare, Aigust Strindberg, Jean-Paul Sartre and Edward Albee. Her favorite stage roles included Estelle in No Exit, Temple Drake in Requiem for a Nun and Lorraine in A Breeze from the Gulf. Among the handful of films in which she appeared after 1950 were Act One (1963, as Beatrice Kaufman) and Play It As It Lays (1972). Previously married to actor Peter Van Eyck, Ruth Ford later married Zachary Scott, whom she outlived. ~ Hal Erickson, All Movie Guide- 1985
- R
This uneasy mix between a slasher film and a police story focuses on a series of murders in a luxury Manhattan apartment building and the main suspect in the case, an eccentric doorman (Ian McShane). The chief detective sent to unravel the crimes, Lt. Dinardo (Mike Connors) is involved with Kate (Anne Archer), an undercover cop who installs herself in the apartment building to lure the killer into action. This makes the lieutenant particularly interested in the outcome of Kate's ploy. Although potentially prone to high suspense and dramatic turns, the story is not quite as tension-filled (or gory) as its outlines suggest. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michael Connors, Anne Archer, (more)
- 1982
- R
In this mystery, a young woman travels to Nantucket to care for her ailing grandmother and finds herself entangled in a deadly game involving the ghost of her long-dead grandfather. The plot is based on a story by Natalie Babbitt. ~ Sandra Brennan, All Movie Guide
- 1972
Play It As It Lays offers what is probably the harshest view of Hollywood to be given a major production up to the time of its release; it depicts a world of narcissistic egotists who will do anything to inflate their own sense of importance. Based on the novel by Joan Didion, it tells of the rise and fall of one woman's acting career. Maria Wyeth (Tuesday Weld), a model, began her acting career in a Warhol-like film, and moved "up" to perform in a biker film. The director of both films, Carter Lang (Adam Roarke), discovered her, and soon afterwards, marries her. As Carter's career moves ahead, he pays less and less attention to Maria. She has a number of affairs to try to brighten her world, but nothing much works. When she gets pregnant by one of them, Lang divorces her. Then, her best friend (Anthony Perkins), who tried to bring about a reconciliation between Lang and her, commits suicide. Her world in tatters, she has a nervous breakdown. The film's story is told in flashbacks while she is in recovery. ~ Clarke Fountain, All Movie Guide
- 1971
In this improvisational style drama, a tormented man muses over the meaning of it all. When not pondering the meaning of life in a war-torn world, the fellow is cavorting with his nude wife, his mother, and his best friend. Much of the man's time is spent working it out through a monologue. The film's title reflects Kodak's name for color negative film. ~ Sandra Brennan, All Movie Guide
- 1969
Bucky (Jordan Christopher) is the local psychotic who kidnaps his niece and hides out for days with the dead body of his father's mistress Sally (Eileen Heckart). Bucky hates his mother, seemingly a prerequisite for all mental abnormality of the psycho-sexual variety. He rapes his sister after killing her husband. Suffering from temporary sanity, he feels a fleeting moment of remorse and contemplates suicide in this exploitation drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jordan Christopher, Eileen Heckart, (more)
- 1963
This autobiographical story traces the career of playwright Moss Hart. Moss (George Hamilton) struggles as a dramatic writer until he concentrates his efforts on writing comedy. He suffers through a series of professional and romantic failures before a meeting with George S. Kaufman (Jason Robards Jr.) changes his fortunes. Joe (Jack Klugman) is the faithful friend who stands by Hart in the lean times. Ruth Ford, Eli Wallach and George Segal also appear in this feature produced, directed and written by Dore Schary. ~ Dan Pavlides, All Movie Guide
- Starring:
- George Hamilton, Jason Robards, Jr., (more)
Nora Goodrich (Brenda Marshall) is a dedicated research scientist who is very close to a breakthrough in her field of anesthetics. She allows herself to be used as the subject of an experiment, and becomes the victim of sabotage by her jealous assistant (Hillary Brooke), who is her rival for the affections of the same man (William Gargan). Nora is scarred by the accident, but fate takes a hand when a vicious blackmailer (Ruth Ford), part of an extortion scam that was being worked on her, breaks in to her apartment. In the ensuing struggle, the lady grifter is killed and then mistaken for Nora, while the real Nora goes into hiding. Taking the identity of the dead woman, she realizes how she has been betrayed and maimed and plots an elaborate revenge, undergoing reconstructive surgery that changes her whole appearance. She then reintroduces herself into the lives of her former associates, in her new guise, and begins her revenge. Before her plans can be concluded, however, her masquerade backfires on her, when she finds herself accused by the police -- of the murder of Nora Goodrich. ~ Bruce Eder, All Movie Guide
- 1946
Years before he became the leading star in horror movies, Vincent Price starred in this gothic thriller based on the best-selling novel by Anya Seton. Nicholas Van Ryn (Vincent Price) is a wealthy feudal heir of Dutch ancestry living in New York's Hudson Valley in the 1840s. Nicholas has come to hate his wife because she has been unable to give him a son; their only child is a daughter he doesn't care for. Miranda Wells (Gene Tierney), a distant relative of the Van Ryns, comes to live at their estate and work as an au pair girl; Nicholas becomes infatuated with her and eventually poisons his wife so they can marry. However, while Miranda gives birth to a son, the boy is sickly and does not live to adulthood. Nicholas begins to slip into insanity, moving to the attic of his mansion and drowning his sorrows in drugs. A distraught Miranda seeks the counsel of the local physician, Dr. Jeff Turner (Glenn Langan); Dr. Turner falls in love with Miranda, and he eventually discovers that Nicholas killed his first wife to be with her, and that Miranda might be next on the madman's list. Dragonwyck was the directorial debut of screenwriter and producer Joseph L. Mankiewicz. ~ Mark Deming, All Movie Guide
- Starring:
- Gene Tierney, Walter Huston, (more)
Circumstantial Evidence is so expertly acted and directed that the audience is willing to forget its gaping logic holes. Pugnacious family man Joe Reynolds (Milo O'Shea), blowing his top as usual, threatens violence to an unlikeable storekeeper (Ben Welden). When the latter is killed, Joe is arrested for murder. Thanks to circumstantial evidence and faulty eyewitness accounts, Joe is sentenced to death in what seems to be a matter of days-and never mind that the defense attorney hasn't the presence of mind to enter medical testimony into the record. While awaiting his fate on death row (one of the nicest, most inviting death rows in cinema history), Joe is regularly visited by his young son Pat (Billy Cummings), who has always believed in his dad's innocence. For Pat's sake, Joe escapes from prison on the eve of his execution. Meanwhile Pat and a family friend, postman Sam Lord (Lloyd Nolan), have sought out the eyewitnesses whose testimony cinched Joe's conviction; with a little gentle persuasion, the witnesses probe their memories and realize that they were mistaken, and that the victim's death was accidental. Armed with this new evidence, Pat and Sam convince Joe to break back into jail so that his release can be secured through the proper channels. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael O'Shea, Lloyd Nolan, (more)
For at least 63 of its 68 minutes, Republic's The Woman Who Came Back is an exciting and compelling journey into the realm of the supernatural. Returning to her ancestral New England village, Lorna Webster (Nancy Kelly) slowly but surely becomes convinced that she's the reincarnation of a centuries-old witch. A chance encounter on a bus with a weird old woman, combined with a series of bizarre "coincidences", further confirms Lorna's suspicions. Set upon and stoned by the terrified villagers, Lorna is rescued by her physician fiance Matt Adams (John Loder) and local minister Stevens (Otto Kruger), who attempt to separate fact from fancy. The disappointingly "logical" explanation to the events in The Woman Who Came Back doesn't quite gloss over such phenomena as a bouquet of flowers wilting at Lorna's touch! ~ Hal Erickson, All Movie Guide
- Starring:
- John Loder, Nancy Kelly, (more)
Based on the novel by A.J. Cronin, The Keys of the Kingdom was the first big-budget effort of movie-newcomer Gregory Peck. This is the 137-minute chronicle of a Scottish priest (Peck), who is assigned a mission in China. Never very focused in his life or work, the priest finds plenty to keep his mind occupied in his new post; when he isn't coping with the starvation and poverty plaguing his flock, he must contend with China's bloody civil war. Nonetheless, he perseveres, and finds it difficult as an elderly man to retire. He returns to Scotland, where he finds a new purpose in life; that of ministering to youngsters who, like him, have trouble determining their place in the world. Keys of the Kingdom was one of the last 20th-Century-Fox films produced by Joseph L. Mankiewicz before his career-shift to directing; Rose Stradner, Mankiewicz' then-wife, has an important role in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Gregory Peck, Thomas Mitchell, (more)
- 1944
Producer Darryl F. Zanuck had high hopes that Wilson would immortalize him in the manner that Gone With the Wind did for David O. Selznick. The notion of bringing the life story of Woodrow Wilson, 28th president of the United States, to the big screen was a labor of love for Zanuck, and accordingly the producer lavished all the technical expertise and production values he had at his disposal. Though Alexander Knox seems a bit too robust and overnourished for Wilson, his is a superb performance, evenly matched by those of Ruth Nelson as Wilson's first wife Ellen, Geraldine Fitzgerald as second wife Edith, Thomas Mitchell as Joseph Tumulty, Sir Cedric Hardwycke as Henry Cabot Lodge, Vincent Price as William Gibbs McAdoo, Sidney Blackmer as Josephus Daniels, and the rest of the film's enormous cast. The story begins in 1912, a time when Wilson is best known as the head of Princeton University and the author of several books on the democratic process. Urged into running for Governor of New Jersey by the local political machine, Wilson soon proves that he is his own man, beholden to no one-and that he is dedicated to the truth at any cost. From the governor's office, Wilson is nominated as the Democratic presidential candidate, an office he wins hands-down over the factionalized Republicans. The sweetness of his victory is soured by the death of his wife Ellen, but Wilson ultimately finds lasting happiness with Edith Galt. When World War I breaks out in Europe, Wilson vows to keep America out of the conflict, despite pressure from such political foes as Henry Cabot Lodge (who is depicted as a thoroughly unsympathetic power broker). After being elected for a second term, however, Wilson finds it impossible to remain neutral, especially in the wake of the Lusitania sinking. Reluctantly, he enters the war in April of 1917. Deeply disturbed by the mounting casualties, Wilson decides that, after the Armistice, he will press for a lasting peace by helping to organize a League of Nations. Unfortunately, the isolationist congress, urged on by Lodge and his ilk, refuses to permit America's entry into the League. His health failing, Wilson nonetheless embarks on a whistle-stop tour, imploring the public to support the League of Nations and Wilson's 12-point peace program. During this campaign, he is felled by a stroke, whereupon Mrs. Wilson begins acting as liason between the president and the rest of the country (the commonly held belief that Edith Galt Wilson virtually ran the nation during this crisis is soft-pedalled by Lamar Trotti's script). All hopes for America's joining the League of Nations are dashed when, in the 1920 election, the Republicans gain control of the White House. The film ends as the ailing but courageous Woodrow Wilson bids farewell to his staff and walks through the White House doors for the final time. Idealistically ignoring the negative elements of the Wilson regime (notably his attitudes toward racial relationships), Wilson is not so much a biography as a paean to the late president. Though too long and overproduced, the film survives as one of Hollywood's sturdiest historical films of the 1940s. However, audiences did not respond to Wilson as Zanuck had hoped; the film was a terrific flop at the box office, so much so that it was for many years forbidden to speak of the project in Zanuck's presence. Still, Wilson garnered several Academy Awards: best original screenplay, best color art direction (Wiard Ihnen), best color cinematography (Leon Shamroy), best sound recording (E. H. Hansen), best film editing (Barbara McLean) and best color set decoration (Thomas Little). ~ Hal Erickson, All Movie Guide
- Starring:
- Alexander Knox, Charles Coburn, (more)
Its wartime setting notwithstanding, the fast-paced Warner Bros. B-picture Adventures in Iraq is a remake of the 1930 George Arliss vehicle The Green Goddess, with much of the original dialogue intact. Forced to making a landing in the Syrian desert, pilot Doug Everett (Warren Douglas) and his passengers George and Tess Torrence (John Loder, Ruth Ford), find themselves the unwilling guests of Sheik Ahmid Bel Nor (Paul Cavanagh, in the George Arliss role). The civilized but deadly Sheik intends to hold the threesome as hostages to prevent the execution of his three Nazi-spy brothers by the British. After several desperate escape attempts, the trio is prepared for human sacrifice by the ruthless Shiek. The ending is substantially the same as in The Green Goddess. ~ Hal Erickson, All Movie Guide
- Starring:
- John Loder, Ruth Ford, (more)
- 1943
A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide
- Starring:
- Olivia de Havilland, Robert Cummings, (more)
On December 6, 1941, a squadron of nine B-17 bombers takes off for Hickam Field, HI. The crew of the Mary Ann, including two new men, assistant radio man Private Chester (Ray Montgomery) and gunner Sergeant Joe Winocki (John Garfield), assembles for the flight, and in the first 20 minutes, the movie reveals certain things about the crew: the shadowy past of one, the mother of another, and the wife of a third; two of them are good friends with the sister of McMartin (Arthur Kennedy), the bombardier, who lives in Honolulu; the son of the senior member of the crew, Sgt. White (Harry Carey Sr.), is a pilot stationed at Clark Field in the Philippines. Then more characters make entrances: the aircraft commander Quincannon (John Ridgely); Weinberg (George Tobias), a Jewish mechanic from New York; and a man from a farm in the upper Midwest -- they all represent a broad cross-section of America as it saw itself, and the "regular guys" in the Army Air Force as it existed in 1941. The flight proceeds without incident. Winocki, an embittered, washed-out flight school candidate who accidentally killed another pilot, is about to leave the service when the weather report from Hickam Field is interrupted, and the radio man begins picking up transmissions in Japanese. The Mary Ann and the rest of the squadron fly right into the middle of the Japanese attack on Pearl Harbor unarmed and out of gas, and nearly crack up landing on an emergency field; no sooner do they make repairs than the crew comes under attack, and the plane takes off and makes for Hickam Field, which they find a flaming shambles. They fly on to the Philippines, stopping at Wake Island just long enough to meet a few members of the doomed Marine garrison, taking their company mascot, a dog, with them. At Clark Field, the Mary Ann and her crew finally go into action against the enemy, flying in alone against a Japanese invasion force; Quincannon is mortally wounded in the brief action, which leaves the plane damaged seemingly beyond repair. The remaining crew won't give up the plane, however, even when ordered to abandon and destroy her; they get the bomber off just ahead of the advancing Japanese, and survive to help bring retribution to the invading fleet and the Japanese empire. ~ Bruce Eder, All Movie Guide
- Starring:
- John Ridgely, Gig Young, (more)
- 1943
Action specialist B. Reeves Eason socked Truck Busters through its breathless 58 minutes. Richard Travis plays independent trucker Casey Dorgan, who organizes his fellow drivers against the crooked machinations of crooked trucking executive Bonelli (Don Costello). Things get personal when Casey's brother Jimmy (Charles Lang) is killed in a Bonelli-engineered "accident." Standing helplessly on the sidelines is heroine Eadie Watkins, played by Virginia Christine, later to gain nationwide fame as "Mrs. Olsen" in the Folger's Coffee commercials of the 1960s and 1970s. Truck Busters is a not-too-heavily disguised remake of the 1932 James Cagney-Loretta Young vehicle Taxi. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Travis, Virginia Christine, (more)
- 1943
At 49 minutes, Murder on the Waterfront was the shortest-ever Warner Bros. B picture. Alas, brevity is not the soul of wit in this updated remake of 1938's The Invisible Menace. Warren Douglas plays sailor Joe Davis, who while on leave in California gets mixed up with an enemy spy ring. The head Nazi intends to steal a top-secret thermostat. For a while, it looks as though Lt. Commander Holbrook (John Loder) is the villain, but he turns out to be a red herring before the picture is half over. In his efforts to thwart the baddies, Davis is aided and abetted by carnival performer Gloria (Joan Warfield), who wears her skimpy sideshow costume throughout the picture. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren Douglas, John Loder, (more)
The direction of Warner Bros.' Lady Gangster is credited to one "Florian Roberts," who on closer examination turns out to be veteran helmsman Robert Florey, working pseudonymously. Faye Emerson plays the title character, aspiring actress Dot Burton, whose chance association with a gang of bank robbers leads inexorably to a life of crime. She eventually ends up in prison, where she participates in a break-out. Her regeneration comes about when she rescues Kenneth Phillips (Frank Wilcox), the only man who has ever shown her any kindness, from being rubbed out by the mob. The supporting cast includes Julie Bishop (who only a year earlier had been billing herself as Jacqueline Wells), and Jackie "C." Gleason, wasted in the role of a rotund henchman. Lady Gangter bears some traces of the 1932 Warner Bros. drama The Life of Vergie Winters. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Emerson, Julie Bishop, (more)
- 1942
Murder in the Big House was a remake of the 1936 Warner Bros. programmer Jailbreak. In his first starring role, Van Johnson plays reporter Bert Bell, who wonders how it came to be that death-row inmate Dapper Dan Mallory (Michael Ames) was "accidentally" killed just before his appointment with the electric chair. Digging a little deeper, Bell discovers that Dapper Dan was planning to make a big revelation just before his execution, one which would expose the corrupt political machine for which he worked. With the help of heroine Gladys Wayne (Faye Emerson) and perenially drunken columnist Scoop Connor (George Meeker), Bell contrives to have himself thrown in jail to solve the mystery. Though the film passed unnoticed when first released, Murder in the Big House raked in a pile of cash when it was reissued as Born to Trouble in 1945, by which time Van Johnson had become the hottest male star in the movies. ~ Hal Erickson, All Movie Guide
- Starring:
- Faye Emerson, Van Johnson, (more)
- 1942
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King. ~ Hal Erickson, All Movie Guide
- Starring:
- Craig Stevens, Elisabeth Fraser, (more)
- 1942
Made in 1942 but released early in 1943, Secret Enemies is a Warner Bros. espionage quickie, putting the studio's second-echelon contractees to good use. Craig Stevens, Faye Emerson and John Ridgely are the leads in this hour-long meller about a Nazi spy ring operating covertly in America. The FBI sniffs out the "secret enemies," striking another blow against Uncle Adolf. Secret Enemies enabled Faye Emerson to step up into "A" pictures and secured a contract extension for reliable utility player John Ridgely. But Craig Stevens was drafted almost immediately after the film's release; unable to regain his lost footing after the war, it would take Stevens until 1958 to establish himself as a full-fledged star on the TV series Peter Gunn. ~ Hal Erickson, All Movie Guide
- Starring:
- Craig Stevens, Faye Emerson, (more)
- 1942
Cowboy-pic legends Wild Bill Elliot and Tex Ritter team up in The Devil's Trail. While the film contains barely enough plot for one star, it's nice to see Bill and Tex working together so smoothly. Our heroes head to a wide-open town in search of a gang of desperadoes, headed by swarthy Noah Beery Jr. Along the way, Elliot and Ritter find time to pitch woo to leading lady Eileen O'Hearn. The Devil's Trail was based on a story with the more intriguing title "The Town in Hell's Backyard." ~ Hal Erickson, All Movie Guide
- 1942
- NR
In This Our Life is not a "for the ages" classic of the Golden Age of Cinema, but as a highly effective and entertaining melodrama, it more than fits the bill. Howard Koch's screenplay is a trifle predictable, but it's well structured and provides the requisite juicy roles for its pair of female stars. It also provides a number of little surprises -- a sympathetic and (for the time) non-stereotypical portrayal of a black character and two characters living not only in sin but adulterously so -- that give it some distinction. The script's main drawback is its initial lack of focus; it doesn't seem to quite know exactly what its story is and where the real conflict will lie. Ultimately, this doesn't really matter, for John Huston knows where it's going, and he shepherds the story along very efficiently, throwing in a little social commentary here, heightening the atmosphere there, tossing in a hint of the unsavory elsewhere. Although he doesn't really know what to do with the male actors (save for Charles Coburn and Frank Craven, each of whom is just right in entirely different ways), he handles the women in exactly the right way, including Billie Burke as the coddling, neurotic mother. It's Bette Davis, of course, who gets the showiest role, and she sinks her teeth into it and plays it for all it's worth. It's a great Davis performance, but she's still outdone by Olivia de Havilland, whose quiet, understated work anchors the film and ultimately makes the greater impression. It's terribly fine film acting, and immensely satisfying. ~ Craig Butler, All Movie Guide
- Starring:
- Bette Davis, Olivia de Havilland, (more)
- 1942
- NR
A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Humphrey Bogart, Sydney Greenstreet, (more)
- 1942
Mitchell Leisen directed this romantic comedy with melodramatic overtones, starring Marlene Dietrich in a sympathetic role as famed stage star Elizabeth Madden. Elizabeth longs for motherhood but has no husband. Her desire appears to be fulfilled when she finds an abandoned baby, but she doesn't have a clue on how to raise it. She finds divorced pediatrician, Dr. Corey McBain (Fred MacMurray), to help her with the child. Elizabeth names the child after him and makes Corey an offer. Since she's single, she cannot adopt the child. But if Corey would marry her in name only, she could be the adopted mother and Corey could stay in a section of her apartment where she would support his research. Corey agrees to the deal, but it's not too long before Corey and Elizabeth fall in love. ~ Paul Brenner, All Movie Guide
- Starring:
- Marlene Dietrich, Fred MacMurray, (more)
