Paul Ford Movies

This prescient satirical drama (it came out before Watergate) takes a harsh look at Richard Nixon. His rise to political power is chronicled from his boyhood to his first go at becoming a Congressional candidate to his involvement with three devilish advisers. Later after suffering a series of political failures, the young politician gets plastic surgery and emerges a new man. Unfortunately, he is still a rotten politician so this time a guardian angel is sent down to insure his success. His three advisers then brainwash him a la Clockwork Orange. The man is soon ready to become a famous, powerful political figure. ~ Sandra Brennan, Rovi

In this animated follow-up to the classic fantasy The Wizard Of Oz, Dorothy (voiced by Liza Minnelli, whose mother Judy Garland played the same role in the 1939 film) decides to return to the land of Oz to pay a visit to her good friend The Scarecrow (voice of Mickey Rooney). However, shortly after her arrival Dorothy discovers all is not well in the land of magic; the evil witch Mombi (voice of Ethel Merman) has arrived to pick up where the Wicked Witch of the West left off, and is using her sinister powers to rob Scarecrow of her powers. Dorothy realizes it's up to her to save Oz from Mombi's machinations, and she teams up with Woodenhead (voice of Herschel Bernardi) and Pumpkinhead (voice of Paul Lynde) to see justice done. Produced in 1964 but not released until 1971, Journey Back To Oz also features the voice talents of Milton Berle, Danny Thomas, Paul Ford and Margaret Hamilton. ~ Mark Deming, Rovi

This by-the-numbers TV movie features an all-star cast in a comedy of marital mix-ups and misunderstandings. Consultants Michael Callan and Ann Prentiss arrange the marriages of several couples, only to discover that all the unions are illegal. Among those affected are a cop (Christopher Connelly) and his hippie spouse (Heather Young); A bachelor at heart (Bill Daily) who thinks he'd be happier without his wife (Elinor Donahue); and a dull missus (Ruth Buzzi) and her "swinger" hubby (Herb Edelman). Whether or not the now-unmarried couples will want to tie the knot legally forms the basis of the comedy. In Name Only has innocently caused resentment among film buffs who've tuned in expecting to see the 1939 film In Name Only, a quite different dramatic opus starring Cary Grant and Carole Lombard. ~ Hal Erickson, Rovi

Just because The Russians are Coming, the Russians are Coming was vastly overrated by contemporary critics does not make it any less amusing. The story gets under way when a Soviet submarine accidently gets lodged in a sandbar on the coast of a New England town. In his feature film debut, Alan Arkin plays the sub's second-in-command, who is ordered by commander Theodore Bikel to free up the sub and skeedaddle before an international incident erupts. Hoping to secure a power boat to tug the sub out to sea, Arkin and his men call upon vacationing TV writer Carl Reiner, passing themselves off as Norwegians. When this ruse fails, Arkin is reluctantly compelled to force Reiner at gunpoint to fetch his motorboat, while gentle-natured Russian sailor John Philip Law is left behind to guard Reiner's wife Eva Marie Saint and pretty neighbor girl Andrea Dromm (yes, love blooms). The plot thickens when the locals, notably bullnecked sheriff Brian Keith and superpatriot Paul Ford, spread the word that the Russians have "invaded" their little community. Several slapstick complications later, the Russians and the locals face each other down in the center of the village, weapons at the ready. Fortunately, World War 3 is averted when the Russians and the villagers band together to rescue young Johnny Whittaker from falling to his doom. Enormously popular upon its first release, The Russians are Coming, the Russians are Coming still works on a slick sitcom level. The film was based on a novel by Nathaniel Benchley, the son of humorist Robert Benchley and the father of Jaws author Peter Benchley. ~ Hal Erickson, Rovi

The action in A Big Hand for the Little Lady centers around a high-stake poker game. The participants include some of the wealthiest men in the West (among them Jason Robards Jr., Kevin McCarthy, Charles Bickford and Paul Ford). Into this rarefied atmosphere trudges impoverished farmer Henry Fonda, who despite the protests of his wife Joanne Woodward plunks down his last dollars to join the game. Halfway through the proceedings, Fonda falls ill. With quiet desperation, Woodward sits down daintily at the table and says in a firm voice, "Gentlemen, how do you play this game?" End of story? Not by a long shot! This O. Henry-style shaggy dog story is based on a Dupont Show of the Week TV presentation Big Deal at Laredo. Keep an eye out for two movie veterans in bit parts: silent screen comic Chester Conklin and 1930's leading lady Mae Clarke. ~ Hal Erickson, Rovi

Lawyer Dean Martin's gambling habit is beginning to get on the nerves of his wife Lana Turner. To keep the money in the family, Lana talks Dino's law partner Eddie Albert into acting as Martin's bookie. Not only does this plan not work, but it also rouses the ire of Runyonesque gangster Walter Matthau. In the cutest of the film's cute twist, Lana saves herself and her husband by solving Matthau's financial and domestic problems. A minor but efficiently assembled star comedy, Who's Got the Action benefits from tasty production values and a knockout supporting cast, including Paul Ford, John McGiver, Nita Talbot, Ned Glass, and fabled pin-up girl June Wilkinson. ~ Hal Erickson, Rovi

Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick. ~ Hal Erickson, Rovi

The seventh season of Alfred Hitchcock Presents gets under way with a nasty little tale of academic gamesmanship featuring former Phil Silvers Show regular Paul Ford and onetime Father Knows Best co-star Billy Gray. Ford plays college anatomy professor Jarvis, who finds out that one of his students, Perry Hatch (Gray), intends to cheat on an exam. Desperate to save himself from expulsion, Perry scrambles around to find a way to "get even" with Jarvis -- and thinks he has solved his dilemma when circumstantial evidence suggests that the good professor has done away with his wife. ~ Hal Erickson, Rovi

Missouri Traveler was one of a handful of independent films distributed by Disney's Buena Vista corporation. Brandon De Wilde heads the cast as 15-year-old orphan boy Biarn Turner. Doing his best to survive in the rural South of the pre-WW1 years, Biarn is unofficially adopted by crusty small-town newspaper editor Doyle Magee (Gary Merrill). Also taking an interest in Biarn's future is wealthy self-made farmer Tobias Brown (Lee Marvin), whose apparently cruel treatment of the boy masks his genuine affection and concern. Highlights include an annual trotting race and a climactic set-to between Magee and Brown. The Missouri Traveller is based on the novel by John Burress. ~ Hal Erickson, Rovi

Marlon Brando went out on yet another creative limb when he insisted upon playing sly, philosophical Okinawan interpreter Sakima in the 1956 filmization of John Patrick's Broadway play Teahouse of the August Moon. While he occasionally lapses into "flied lice" stereotyping, for the most part Brando is quite effective and amusing, especially when facing up to the difficult task of speaking directly to the audience. The story is set in Okinawa in the months following V-J Day. Paul Ford (repeating his Broadway role - and replacing Louis Calhern, who died at the start of production) plays an American colonel in charge of the occupation troops. Determined to bring Western civilization to the Okinawans, the colonel assigns captain Glenn Ford to do his bidding. A habitual screw-up, Captain Ford hopes to make good by organizing the Okinawan women into a social club and by building a schoolhouse. But the villagers would rather erect a teahouse, serviced by pretty geisha girls. The ever-resourceful Sakima (Brando) does his manipulative best to curry favor with the Americans while still mollifying his own people. Co-starring in Teahouse of the August Moon is Machiko Kyo, leading lady of such Japanese film classics as Rashomon and Gate of Hell. ~ Hal Erickson, Rovi

If ever there was an actor born to play Billy the Kid, it was the combustible Audie Murphy. In Kid from Texas, Murphy is cast as a relatively benign Billy. Hoping to put down his guns and go straight, the Kid takes a job as a ranchhand. When his kindly boss is murdered, however, all bets are off, and Billy goes on a killing spree. By the time he's reached the age of 21, he's killed 21 men -- and that's when sheriff Pat Garrett (Frank Wilcox) enters the scene. There's no romance to speak of, though Billy does develop a fondness for Irene Kain (Gale Storm), the wife of fair-minded attorney (Albert Dekker). While Kid from Texas scores as a character study (albeit none too accurate), it falls surprisingly short in terms of action content. ~ Hal Erickson, Rovi

Based on the Pulitzer Prize-winning novel by Robert Penn Warren, All the King's Men is a roman à clef inspired by the career of Louisiana governor Huey Long. Broderick Crawford won an Academy Award for his portrayal of Willie Stark, a backwoods Southern lawyer who wins the hearts of his constituents by bucking the corrupt state government. Journalist Jack Burden (John Ireland) is impressed by Willie's seeming sincerity, and aids Stark on the road to political power. Once he's reached the governor's mansion, however, Willie proves himself to be as dishonest and despotic as the crooks whom he's replaced. He also cheats shamelessly on his wife with both his campaign manager (Mercedes McCambridge, another Oscar winner) and with Anne Stanton (Joanne Dru), the sister of idealistic doctor Adam Stanton (Sheppard Strudwick). Fiercely protective of his power, Willie organizes a fascistic police force and arranges for "accidents" to befall those who oppose him; even so, he retains the love of the voters by lowering the poverty level, improving the school system, and financing building projects. Even when Willie all but orchestrates the suicide of Anne's uncle, a highly respected judge (Raymond Greenleaf), those closest to him are unable to escape his power and the charismatic hold he has over people. Stockton, CA, stands in for the unnamed state capitol where most of the film's action occurs. In addition to its Oscars for Crawford and McCambridge, All the King's Men won the Best Picture prize. Warren's novel would later be adapted into a stage play, a TV special, and even an opera. ~ Hal Erickson, Rovi

Young model Jean Dexter is knocked unconscious and drowned in her own bathtub in her Manhattan apartment, and a lot of jewelry that she supposedly owned is missing. The Naked City is actually about six days in the life of New York City that coincide with the murder and the subsequent investigation by Lt. Dan Muldoon (Barry Fitzgerald) and Detective James Halloran (Don Taylor). The account of their work, and the workings of the New York City police department, is interspersed with brief vignettes about the life of the city around them, and, especially, the reaction of residents to the murder and the newspaper reports of the progress of the case. Muldoon and Halloran first must determine why she was killed, which may (or may not) have to do with how a woman with a minimal income came by the jewelry -- was it a love affair gone bad (and if so, with whom?), or something more complex and sinister? Retracing the final 18 months of the victim's life, their investigation reaches out to a mysterious "Philip Henderson" with whom she was supposedly linked romantically, and to Frank Niles (Howard Duff), who's a little too fast-and-loose with the truth when he doesn't have to be to make Muldoon comfortable; to make things more complicated, Muldoon determines that there were at least two men involved with the actual commission of the murder. The victim turns out to have led a wild life, filled with men and parties, and was tied up with several sordid figures. Their investigation carries them into the highest and lowest ends of New York's social strata to find the killer, and it turns out there are a lot of interlocking reasons why at least three men might've wanted her dead. In the process, we get glimpses of the private lives of the detectives, which was something new in movies at this time; in the midst of all of this activity, the writers set up a fascinating contrast, in adjacent scenes, between Halloran, his wife, and their young son looking toward the future, with the parents of the dead woman, looking back with bitter regret and recriminations -- no movie ever presented in more subtle fashion the contrast between the zeitgeist of the 1930s and that of the postwar era. The final chase on the Williamsburg Bridge is one of the classic pieces of suspense cinema, as the armed and desperate killer races up the walkway past children playing and adults strolling, while detectives close in on foot from behind and patrol cars come up from ahead, with crowded subways rolling past, and then into the superstructure of the bridge for a stand-off and shootout. Sharp-eyed viewers will spot future character leads Paul Ford, James Gregory, John Marley, Kathleen Freeman, and Arthur O'Connell as well as familiar faces Tom Pedi, John Randolph, Molly Picon, and Walter Burke in the supporting cast. Cinematographer William Daniels and editor Paul Weatherwax won Oscars for their work, but awards might just as easily have been presented to director Jules Dassin, writers Albert Maltz and Malvin Wald, composers Miklos Rozsa and Frank Skinner, and, most notably, to producer/narrator Mark Hellinger, who intoned the closing monologue, which opens with one of the most famous tag lines in movie history: "There are eight million stories in the Naked City." ~ Bruce Eder, Rovi