Mick Ford Movies

After years of capitalizing on the weaknesses of a gullible public, a London advertising executive finds that his worst qualities have literally taken on a life of their own in this scathing satire. Successful copywriter Dennis Bagley (Richard E. Grant) lives a posh life with his lovely wife, Julia (Rachel Ward), in the London suburbs. Pushed to distraction by a bothersome new pimple-ointment account, he flirts with renouncing his career and becoming socially aware. Immediately thereafter, Bagley discovers that he's developed a zit of his own -- a monstrous boil on his neck that begins whispering evil things in his ear. Convinced that he's being taken over by his dark half, Bagley soon finds his "good" self relegated to the boil while his malevolent alter ego returns to the world of advertising with a vengeance. At first, Julia is relieved that her husband seems to have bounced back from the abyss of mental illness, but soon she realizes that she prefers the gentle but crazy Dennis to the poisonous professional. Written and directed by Withnail & I's Bruce Robinson, How to Get Ahead in Advertising reunites the director with that film's leading man Richard E. Grant. ~ Brian J. Dillard, Rovi

Sylvestra Le Touzel stars in Naming the Names. Le Touzel portrays Finn McQuillen, a political activist at large in contemporary Belfast. Her devotion to her nationalistic cause results in betrayal and tragedy. Though described tersely as a "crime drama" in most TV listings, the film is thought-provoking enough to transcend its genre. Made for British TV in 1987, Naming the Names premiered in America in March of 1988 through the facilities of the A&E cable network. ~ Hal Erickson, Rovi

Cristina Raines plays a pro golfer in The Late Nancy Irving. She's not "late" at the beginning of the film, but it sure looks that she will be ere long. Abducted by dying millionaire Marius Goring, Nancy Irving (Raines) is forced to be an unwilling blood donor. Will she escape while she can still stand up by herself? The Late Nancy Irving premiered in America over the USA network on March 2, 1985, in tandem with another British made-for-TV movie, Czech Mate. ~ Hal Erickson, Rovi

In this routine drama, two men (a crass Brit and a slow Frenchman) decide to evade the war in 1917, but their flight on a stolen boat goes awry and they end up on the coast of France, close to the fighting they wanted to leave behind. Once on shore, they make the acquaintance of a like-minded young widow who begins an affair with both men (she just wants to have a child by each) -- but their unusually idyllic existence is threatened with imminent tragedy as the French army advances ever closer. ~ Eleanor Mannikka, Rovi

Scum refers to the label slapped upon reform-school inmate Ray Winstone. Such reformatories are called "borstals" by the British. When he isn't being beaten up by the other boys, Ray is being beaten down by The System. He rebels against this treatment and "wins" by becoming more vicious than any of his oppressors. Scum was originally filmed for British television, but rejected because of the bleakness of its outlook. In America, it went straight into theatres, where audiences had to strain to comprehend the "punk" jargon and thick provincial accents. ~ Hal Erickson, Rovi

Based on a novel by David Garnett, Sailor's Return is a British Victorian-era domestic drama, with plenty of domesticity and precious little drama. Tom Bell stars as a sailor who returns to his home village with his new bride (Shope Soleinde). The bride is black; the village is aghast. Struggling against the prejudice of the townsfolk and his own doubts about the wisdom of his union, Bell opens a pub. No distributor wanted to have anything to do with Sailor's Return, a dilemma due less to the film's subject matter than to its production ineptitudes. The film finally got its first showing on British television, two years after its completion. ~ Hal Erickson, Rovi