Scott Forbes Movies

Mark L. Lester's follow-up film to his Class of 1984 is a rancidly violent peek at a near-future high school world of terror -- The Jetsons meet The Terminator. In Lester's world, total anarchy rules (at least in Seattle). Classrooms are sinkholes of violence, and around the kill-zone high schools "Free Fire Zones" are set up that look like re-creations of Dachau. Rival youth gangs roam these areas with enough artillery for a second Vietnam War. The gangs' insane violence is exacerbated by a drug called Edge. When the Department of Educational Defense needs to supply new teachers, they look to a secret government agency headed by Dr. Bob Forrest (Stacy Keach) who sends new teaching recruits (Pam Grier, John P. Ryan, Joshua Miller) to the beleaguered high school. These novice teachers are not your ordinary teaching-college graduates, however. They are "tactical education units" -- cyborgs reprogrammed to teach readin' and writin' and 'rithmetic. If the students don't learn their daily assignments, they learn an even bigger lesson -- learn or die. The strict disciplinarian robots compel the student gangs to unite and fight the new educational menace. Under the leadership of Cody Culp (Bradley Gregg), who has just gotten out of reform school and has seen that there is more to life than killin' and cuttin' and Edge, the punks take up arms against the cyborgs who are invading their high-school turf. ~ Paul Brenner, All Movie Guide

Filmed in England, Someone at the Top of the Stairs stars Donna Mills and Judy Carne as a pair of American tourists roaming at large in London. Taking rooms in a Victorian-era boarding house, Mills and Carne are terrified by the house's weird inhabits. Be assured that there's worse to come in this updated derivation of the 1944 mystery film The Night Has Eyes. Someone at the Top of the Stairs was first telecast in Great Britain in 1973, then shipped out to American television a few months later. It debuted in the US as part of ABC's Wide World Mystery anthology series. ~ Hal Erickson, All Movie Guide

CIA agent Donovan (Gene Barry) travels to Britain to untangle a web of international spies. He falls for the estranged wife of local secret agent Langley (Tom Adams). Anne (Joan Collins) starts a romance with Donovan before her son is kidnapped by rival agents. While any other mom would worry herself sick, Anne spends her time getting her hair done and selecting a fabulous gown in which she appears in the following scenes. Donovan narrows the suspects down to a trio of agents, all who may have reason to turn double agent and place their country in political turmoil with counter espionage. ~ Dan Pavlides, All Movie Guide

The British medical drama series 24 Hour Call was a spin-off of the 1961 weekly Call Oxbridge 2000, with actor Geoffrey Frederick repeating his role from the earlier series. Both programs focused on a group of doctors in private practice. Per its title, the latter series concentrated on those medicos who made themselves available on a 24-7 basis. The weekly, half-hour 24 Hour Call aired over Britain's ATV in 1963. ~ Hal Erickson, All Movie Guide

One of the first important distinctions to be made about this version of King Lear is that it is not the same version directed by Peter Brook in 1971. Brook was responsible for the staging of this 1953 version, but it was Andrew McCullough who put it to film. Orson Welles portrays the titular character, one of the most memorable and important characters from the Shakespearean canon. The story begins with the famous request Lear makes of his daughters: to express how much they love him. In exchange, Lear will divide his land and power amongst them based on the extent of their answers. Cordelia (Natasha Parry), the youngest and the one whom Lear loves the most, answers very modestly -- yet honestly --and incurs the wrath of Lear, who not only withholds his gift to her, but banishes her as well. Lear divides his lands and power between the two older daughters, Goneril (Beatrice Straight) and Regan (Margaret Phillips), who intend to take swift and complete control of their father's power almost instantaneously. Lear is reduced to an angry, bitter man who realizes too late what has happened. After a series of indignities are inflicted upon him by his daughters, he retreats into a storm, vowing revenge. This film is an above-average adaptation with a very capable cast and a well-staged presentation. The subplot of Gloucester and his sons has been removed, however, presumably in interests of time conservation, but it doesn't seriously hinder the story. ~ Ryan Shriver, All Movie Guide

James Cagney signed on to play Captain Flagg in 20th Century Fox's 1952 remake of the 1926 classic What Price Glory after being told that the old property was being converted into a musical. By the time Cagney learned that Fox had no intention of adding songs and dances to the venerable Maxwell Anderson/Laurence Stallings stage piece, it was too late to pull out, so he decided to grin (sometimes) and bear it. Under the direction of John Ford, the potent anti-war message of the original play is blunted, while the drunken rowdiness of Capt. Flagg and his friendly enemy Sergeant Quirt (Dan Dailey) was played for all it was worth and then some. Much of the brawling is over the affections of vivacious barmaid Charmaine, played by Corinne Calvet. Contrasting the rough-hewn hijinks of Flagg, Quirt and their fellow Marines on the fields and in the villages of World War I-era France is the doomed romance between private Robert Wagner and French lass Marisa Pavan. (Why does Wagner get to sing, while Cagney and Dailey do not?) Barry Norton, who played Wagner's role in the original What Price Glory? appears in the remake as a priest. Norton is unbilled, as are such familiar faces as Harry Morgan, Paul Fix, Henry Kulky, and John Ford "regulars" Dan Borzage and Bill Henry. Falling well short of classic status, the Technicolor remake of What Price Glory? is kept alive by the marvelous roughneck rapport between James Cagney and Dan Dailey. ~ Hal Erickson, All Movie Guide

A prison guard at one of California's most notoriously brutal correctional facilities during the 1920s attempts to enact more humane ways of controlling the inmates in this drama. Much of the story was filmed on location and centers the relationships between the steel-tough inmate, Steve Cochran, the ruthless, sadistic warden de Ted de Corsia and his thuggish guards and David Brian, the caring captain of the guard who to enact prison reform and promote rehabilitation programs rather than senseless violence. Steve Cochran and his followers are constantly scheming to escape while de Corsia and crew are trying to beat them into submission. To make things better, Brian, constantly defies de Corsia and as a result gets fired. This infuriates Cochran and the others and a bloody riot ensues. Though many die in the desperate melee, something good comes out of it all. ~ Sandra Brennan, All Movie Guide

The Reluctant Widow in this muted British comedy is young 19th-century governess Elinor, played by Jean Kent. Inadvertently inheriting a vast estate, Elinor is bedeviled by both British turncoats and French espionage agents, who hide out in the mansion while preparing to steal Lord Wellington's battle plans for Waterloo. One of the British traitors is played by Julian Dallas, who as "Scott Forbes" would later star on TV's Jim Bowie. For reasons unknown, the film was heavily re-edited and restructured before its general release, making certain portions of the storyline incomprehensible. Through it all, however, Jean Kent maintains her dignity and charm as she quietly outwits the many villains. ~ Hal Erickson, All Movie Guide

The Highwayman is based on the famous narrative poem by Alfred Noyes. The title character, played by Philip Friend, is a bold masked bandit of 18th-century England, who robs from the rich and gives (a little) to the poor. He is loved by Bess (Wanda Hendrix), the lovely daughter of an innkeeper. The film doesn't pick up the plotline of the Noyes poem until some ten minutes before the end. Everyone who read The Highwayman in high school will recall that King George's men camp themselves in the inn awaiting the Highwayman's appearance--and so that Bess won't tip off her lover, they tie her up with a musket aimed at her heart. Bess courageously manages to fire the musket just as the Highwayman approaches, saving his life at the cost of her own. Upon the subsequent death of the Highwayman, he and Bess are reunited in the Hereafter. Fairly pedestrian for the most part, The Highwayman comes to a poignant climax, but it still pales beside the Alfred Noyes original. ~ Hal Erickson, All Movie Guide

Rocky Mountain was planned as a big budget western, but Warner Bros. pared down both its budget and its length to "programmer" dimensions. Errol Flynn plays a Confederate officer trying to recruit troops in California. Unfortunately the only folks interested in the Southern cause are bandits and drifters, so Flynn has to watch his back. The fiancee (Patrice Wymore) of a Union Army officer (Scott Forbes) is rescued from an Indian attack by Flynn's men, but they are reluctant to release her lest she tip off their whereabouts. A Yankee patrol headed by the girl's fiance is captured by Flynn, but he eventually allows the Yanks and the girl safe passage in order to save them from an Indian massacre. Rocky Mountain was no great advance in cinematic art, but it did serve to introduce Errol Flynn to Patrice Wymore, who became his third (and last) wife. ~ Hal Erickson, All Movie Guide

A play by Ben Van Eeslyn served as the basis for But Not in Vain. Raymond Lovell plays a Dutch farmer during World War II. A strong opponent of the occupying Nazi regime, Lovell does his patriotic duty by hiding resistance leaders in his barn. His activities are threatened by his own son, an avaricious type who threatens to notify the Nazi authorities if Lovell doesn't fork over the resistance members' valuables. While most of the cast is English, But Not in Vain is convincingly Dutch in atmosphere and point of view. ~ Hal Erickson, All Movie Guide

If nothing else, the British melodrama Night Boat to Dublin had topicality going for it. As Captain David Grant, Robert Newton heads the cast of this spy-hunt caper. The plot concerns the efforts to rescue a Swedish scientist from the clutches of Nazi ringleader Keitel (Herbert Lom) and his minions. The scientist is of course of the "atomic" variety, meaning that it's crucial to smuggle him to safety before the Germans can learn his secrets. The authentic Dublin dialects heard throughout the film add charm and authenticity to the proceedings, though they are a bit hard to understand at times. ~ Hal Erickson, All Movie Guide