Lois Foraker Movies

When Larry (Garry Shandling) takes two weeks off from the show to recover from plastic surgery, Sandra Bernhard fills in as guest host for The Larry Sanders Show. Despite Bernhard and her manager Ellen's (Lois Foraker) suggestions to Artie (Rip Torn) as to how the show might be improved, the reluctant producer politely declines. Angered at having their ideas rejected by Artie, the fill-in host and her wrangler leak a story to the press concerning Bernhard replacing Larry, prompting the angered host to cut his leave short and return to the show in hopes of clearing the air. Despite his initial enthusiasm at being back on the soundstage, Larry's parade is dampened when the network brass express interest in replacing the high-salaried host and retaining their high ratings on the cheap. ~ Jason Buchanan, All Movie Guide

Several years have passed since the events of the previous film, and yet again the makers of Good Guys dolls -- a line which included the homicidal Chucky -- decide to reinstate their product line. Unfortunately, some of the materials used are still imbued with the evil spirit of serial killer Charles Lee Ray (voice of Brad Dourif), whose soul once inhabited the Chucky doll... and who returns to action in a spanking new Good Guy body. Determined at first to finish the job he started by swapping bodies with young Andy (Justin Whalin) -- who is now a teenager in military school -- Chucky decides to change tactics, setting his sights on a much younger boy. When Andy becomes aware of the situation, he is compelled to put a stop to Chucky's Satanic antics once and for all. The signs of a creatively-depleted horror franchise are evident (they had already shown themselves in the previous installment), but there is still enough juice left for the spooky climax, which borrows a riff from Tobe Hooper's The Funhouse. ~ Cavett Binion, All Movie Guide

Sandy Duncan, Judith Light, and Jill Eikenberry star in director Paul Schneider's made-for-television musical comedy about a 1960s-era female singing trio that reunites to take part in a television special produced to pay tribute to the pop superstars of yesteryear. Back in the 1960s, pop was king and the Bouffants were at the top of the charts thanks to their catchy hit single "My Boyfriend's Back." Two decades later, an ambitious NBC producer begins planning a television special dedicated to honoring pre-Beatles pop acts, and he wants to name it after the Bouffants' biggest hit. Now in order to make that happen, he sets out to find all three of the original Bouffants and offer them a chance to reunite on stage. But The Bouffants broke up for a reason, and convincing sarcastic bowling alley queen Vicki (Light), high-profile cosmetics executive Deborah (Eikenberry), and downhome housewife Chris (Duncan) to put aside their differences for the sake of the special will prove a more daunting task than he ever anticipated. Additional appearances by such notable '60s-era singing icons as Gary Lewis, the Penguins, Peggy March, and Mary Wells ensure that music lovers are not only in for a few nostalgic laughs, but a toe-tapping trip back to the time when everyone tuned into their radios eager to discover the next great hit. ~ Jason Buchanan, All Movie Guide

The frontier of the title is Australia, the locale for this sprawling four-hour TV movie. Linda Evans stars as an American divorcee who marries an Australian cattleman (Tony Bonner). He dies in a plane crash, leaving Evans and her two teenaged stepchildren stranded on a drought- and debt-ridden ranch. She finds herself smack-dab in the middle of a feud between a covetous land baron (Jason Robards) and his idealistic son (Jack Thompson). With problems of her own, Evans refuses to take sides...until she falls in love with the son. The Last Frontier was filmed on location in Australia's Northern Territory and Barossa Valley. ~ Hal Erickson, All Movie Guide

In this drama, a lady lawyer's campaign to become state attorney general is jeopardized by a scandal involving a gigolo, extortion and even murder. ~ Sandra Brennan, All Movie Guide

The made-for-TV Shattered Vows stars Valerie Bertinelli as a young nun named Mary Gilligan. Though she tries to honor the edicts of her calling, Mary falls in love with a handsome priest (David Morse). Her overwhelming desire to marry and raise a family culminates in her leaving her order before taking final vows. The real-life Mary Gilligan Wong eventually became a clinical psychologist. Her autobiography Nun: A Memoir served as the basis for Shattered Vows, which first aired October 29, 1984 ~ Hal Erickson, All Movie Guide

Sorely annoyed when Charles (David Ogden Stiers) insists upon playing his French horn incessantly, Hawkeye (Alan Alda) and B.J. (Mike Farrell) issue an ultimatum: Either Charles ceases and desists, or they will refuse to take showers. Before long, the unbathed Hawk and Beej have become so intolerable that they have been "exiled" from the 4077th's mess hall--and practically everywhere else. Ultimately, the feud is settled with a torrent of cold water and a well-calculated "traffic accident", but not before Col. Potter (Harry Morgan) has tackled the more serious issue of a suicidal patient. With this episode, M*A*S*H settled into its fabled Monday-night timeslot, where it would play to spectacular ratings for the next five years. ~ Hal Erickson, All Movie Guide

The title of this episode is a gross understatement. Actually the 4077th is plagued with three deluges: rain, fire, and an overabundance of incoming wounded. An unexpected enemy offensive has exarcerbated the situation--and as the men and women of M*A*S*H go to work, it is with the realization that things could become far worse at any minute. ~ Hal Erickson, All Movie Guide

"You've got to ask yourself a question: 'do I feel lucky?' Well, do ya, punk?" Dirty Harry provoked a critical uproar in 1971 for its "fascist" message about the power of one, as it also elevated Clint Eastwood to superstar status through his most enduring screen persona. Harry Callahan (Eastwood, in a role meant for Frank Sinatra) is a sardonic, hard-working San Francisco cop who can't finish his lunch without having to foil a bank robbery with his 44 Magnum, "the most powerful handgun in the world." When hippie-esque psycho Scorpio (Andy Robinson) goes on a killing spree, Harry and new partner Chico (Reni Santoni) are assigned to hunt him down, but not before the Mayor (John Vernon) and Lt. Bressler (Harry Guardino) admonish Callahan about his heavy-handed tactics. Racing against a deadline to save a kidnap victim from suffocating to death and unbothered by the niceties of Miranda rights and search warrants, Callahan brings in Scorpio, only to see him released on technicalities. "The law's crazy," opines Harry in disgust, before taking it upon himself to ensure that Scorpio doesn't kill again. Directed in violent and efficient fashion by Don Siegel, with a propulsive score by Lalo Schifrin, Dirty Harry was the fourth Siegel-Eastwood collaboration after Coogan's Bluff (1968), Two Mules for Sister Sara (1970), and The Beguiled (1970). Critics at the time strongly objected to the heroic image of a cop's violations of a suspect's Miranda rights, forcing Siegel and Eastwood to deny that they were right-wing reactionaries. All the same, Dirty Harry proved to be highly popular and spawned four sequels: Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983), and The Dead Pool (1988). ~ Lucia Bozzola, All Movie Guide