Phil Arnold Movies

Producer and director Otto Preminger reportedly experimented with LSD in the late 60's, which inspired him to make this notorious comedy in which Jackie Gleason plays Tony, a mid-level gangster and former hired killer not very happy with his life. He bickers a lot with his wife Flo (Carol Channing) and isn't sure what to make of his daughter Darlene (Alexandra Hay), especially since she started dating a hippie named Stash (John Phillip Law). Two of Tony's superiors, Angie (Frankie Avalon) and Hechy (Cesar Romero), order him to get arrested, go to prison and once behind bars whack "Blue Chips" Packard (Mickey Rooney). Though he's not pleased with the idea, Tony grudgingly goes along, but once inside, he's accidentally dosed with LSD by counterculture activist the Professor (Austin Pendleton). His consciousness expanded by his trip, Tony leaves his violent lifestyle behind him and with the Professor's help plans an escape after turning the entire prison population on to acid. Certainly your only opportunity to see Groucho Marx play a character named "God," not to mention a supporting cast that includes Slim Pickens, Peter Lawford, George Raft, Frank Gorshin and Arnold Stang, Skidoo is also remembered as the film in which Harry Nilsson sang all the credits. ~ Mark Deming, All Movie Guide

This musical comedy pokes fun at the music industry as it tells of the romantic travails of two popular singers thrust together by an ingenious promoter/matchmaker as a publicity stunt. The young male needs to revive his flagging career while the female singer is trying to get her big break; so both of them reluctantly go along with their manager's harebrained scheme. You can guess what happens next. Songs include: "The Cool Ones," "A Bad Woman's Love," "Whiz Bam Opener," "This Town," "High," "Up Your Totem Pole with Love," "Tantrum," and ""Where Did I Go Wrong?"" ~ Sandra Brennan, All Movie Guide

Future Hill Street Blues star Dan Travanti (still billing himself as "Travanty") is cast as Barney Austin, the abrasive host of a late-night radio call-in show (one of several 1960s takeoffs of volatile talkmeister Joe Pyne). In mid-broadcast, Austin receives a note instructing him to place an on-the-air call to his boss Kevin Steele. As a result, the vast radio audience hears the sound of an argument, followed by two gunshots--and not long afterward, Holly Andrews (Myrna Fahey) is accused of Steele's murder. Normally, Perry Mason (Raymond Burr) would enter the story at this point as Holly's defense attorney; instead, because he was listening to Austin at the time of the murder, Perry is subpoenaed as a witness for the prosecution! ~ Hal Erickson, All Movie Guide

When Chris Carlyle's (Jay North) family leaves their farm for the city, Chris must give his pet puma up to the local zoo. When Chris discovers the terrible conditions that the animals are being kept in, he manages to find a way to set all of the creatures free, much to the dismay of the local residents. ~ Iotis Erlewine, All Movie Guide

One year after his financially successful Promises Promises with Jayne Mansfield, director Tommy Noonan released another nudie comedy with Three Nuts in Search of a Bolt. This time, it is Mamie Van Doren who gets to show various parts of her anatomy as she plays a stripper who collaborates with two other "nuts" seeking psychiatric help. Her partners in the fiasco are a used car salesman Paul Gilbert who gets a thrill from cheating customers and a male model John Cronin who dislikes women. Unable to afford the doctor's fees, the three set out to find a proper patient to represent each of them for the price of one. After they convince the perfect sucker, (Noonan), to play out each of their personalities, Doctor Myra Von (Ziva Rodann) inadvertently televises the sessions to several other doctors--worldwide. ~ Kristie Hassen, All Movie Guide

Toward the end of Jerry Lewis's Paramount studio period, Lewis slapped together this bitter comedy about Hollywood phoniness and fame that has to be the most rancid portrait of the Hollywood star system in the Rat Pack era this side of Clifford Odets. When a famous entertainer suddenly is killed in an airplane crash, his team of flunkies -- producer Caryl Fergusson (Everett Sloane), writer Chic Wymore (Phil Harris), press agent Harry Silver (Keenan Wynn), director Morgan Heywood (Peter Lorre in his final film role), valet Bruce Alden (John Carradine), and secretary Ellen Betz (Ina Balin) -- decide to continue their life style by finding a complete unknown and manufacturing him into a Hollywood star. That unknown turns out to be the nervous and inept bellboy Stanley Belt (Jerry Lewis). They train Stanley to become an over-night singing sensation, and despite a disastrous recording session and a failed nightclub performance, the public relations blitz makes Stanley's recording of "I Lost My Heart in a Drive-In Movie" a smash single. So much so that Stanley is given a shot at appearing on "The Ed Sullivan Show." Expecting the worst, Stanley's management team abandons him right before his performance. But Stanley musters up enough confidence to go on the live program alone and manages to surprise his pessimistic ex-staff. A collection of Hollywood celebrities circa 1964 --George Raft, Ed Wynn, Ed Sullivan, Mel Torme, Rhonda Fleming and Hedda Hopper -- make cameo appearances. High spots include an apocalyptic music lesson with voice teacher Dr. Mule-rrr (Hans Conried), Ed Sullivan performing a bizarre impersonation of himself, and an ending that would make even Jean-Luc Godard blush. ~ Paul Brenner, All Movie Guide

This slapstick comedy is a hilarious spoof on "Around The World In 80 Days." The grandson of the celebrated Phinius Fogg makes a bet with his cohorts at the London Explorers Club that he can complete the journey. Moe, Larry, and Curly Joe are the dedicated servants who accompany the explorer along with his pretty girlfriend Amelia (Joan Freeman). The group must earn money to live on along the way as the wager was made with the provision young Fogg bring no money. Curly Joe fights a Sumo wrestler in Japan for prize money. In a hilarious scene, the Stooges observe a Japanese trio of Stooges acting like their American counterparts and walk away shaking their heads in disbelief over the slapstick behavior. The group races against time to complete the journey and collect on the bet. Longtime Stooge associate Emil Sitka appears as a butler in the exclusive blue blooded club. Directed by Moe's son-in-law Norman Maurer, this may be the funniest of all the Stooges films from the 1960s. ~ Dan Pavlides, All Movie Guide

Jack Lemmon stars as Hogan, who lives a bachelor's dream as the manager of an apartment building that caters only to single women. Hogan likes to romance his tenants, and he sets his sights on a newcomer named Robin (Carol Lynley). Robin and her boyfriend David (Dean Jones) have moved in together, intending to see how compatible they are while maintaining a platonic relationship. This arrangement is the result of a suggestion from Irene (Edie Adams), a marriage counselor who is subletting her apartment to Robin while living with her own boyfriend, Charles (Robert Lansing). Irene thinks that Robin and David need to discover whether they are suitable as marriage partners without letting sex cloud their judgment. Hogan finds out about the arrangement and schemes to get David away so he can seduce Robin. The film is based on a hit stage play by Lawrence Roman. ~ Michael Betzold, All Movie Guide

Rob (Dick Van Dyke) can't understand why Buddy (Morey Amsterdam) and Sally (Rose Marie) have of late been making themselves scarce on weekends. All he can determine is that his fellow writers are working on a "secret project." Concern turns into mortal fear when Rob concludes that Buddy and Sally have accepted an independent gag-writing assignment -- which of course would spell the end of their contracts with "The Alan Brady Show." The solution to the mystery is not quite so cataclysmic, but it is immensely enjoyable! ~ Hal Erickson, All Movie Guide

Michael Curtiz's The Comancheros was a deceptively complex movie -- so enjoyable, that it masked some of the best character development seen in a John Wayne vehicle that was not directed by John Ford or Howard Hawks, and so well made that it got by with some of the most violent action seen in a major studio release of the era. It also bridged the gap between Ford's The Searchers and the upbeat buddy movies of the late '60s and '70s (The Sting, Butch Cassidy and the Sundance Kid, etc.). It's 1843 in the Republic of Texas, and Jake Cutter (John Wayne) is a two-fisted Texas Ranger who runs across a gang of white renegades, called the Comancheros, who are trading guns and other contraband with marauding Comanches from a secret hideout in Mexico. Substituting for a repentant gun-runner, he goes undercover as a partner with Crow (Lee Marvin), a vicious half-breed who is a contact man with the Comancheros and knows the whereabouts of their hideout in Mexico. But Crow manages to get himself killed, and Cutter is forced to throw in with Paul Regret (Stuart Whitman), a bystander who also happens to be an itinerant gambler wanted for killing a man in a duel in New Orleans, to complete his mission. It turns out that Regret is a more decent man than most, and he and Cutter, despite some different outlooks on right and wrong, take a liking to each other. Their quest eventually takes them south of the border, where they find the Comancheros and their leader, Graile (Nehemiah Persoff), a bitter, brilliant cripple -- think of The Sea Wolf's Wolf Larsen in a wheelchair -- who has established a landlocked pirate society, and his daughter Pilar (Ina Balin). The only thing that keeps Cutter and Regret alive when they enter the camp is that Pilar and Regret have a history, and she still has feelings for him, enough so that she won't tell what she knows about Cutter and who he is. The two men must play on Graile's greed and Pilar's love in the explosive surroundings of the Comancheros' camp, while figuring out a way to stay alive long enough to get word to the rangers about where they are -- and to survive the attack that must inevitably follow.

Director Michael Curtiz was ill for part of the shoot, and Wayne took up the slack, but The Comancheros displays some of the same freewheeling charm and deep passions that informed classic films of his such as Captain Blood, The Adventures of Robin Hood, and The Sea Hawk. Wayne and Whitman between them manage to evoke some of the rambunctiousness of Errol Flynn, and when Balin (one of the sexiest leading ladies ever to grace a John Wayne movie) arrives onscreen, the testosterone level shoots up even higher and the sexual sparks fly. The film's 105 minutes go by very fast, and this is a movie whose ending comes almost too soon. Curtiz's final film is one that leaves audiences with a smile, but also wanting more, which was a pretty good way to go out. John Wayne's daughter, Aissa Wayne (who subsequently went into a law career) appears in a small role. ~ Bruce Eder, All Movie Guide

First telecast March 3, 1961, this is a deft reworking of the first-season Twilight Zone episode "Mr. Bevis." Making his second appearance on the series, Burgess Meredith stars as Luther Dingle, a mild-mannered salesman whom a pair of Martians select for a most unusual experiment. The aliens endow Dingle with the strength of 300 men, a gift which he eventually abuses and loses. The ending of this one is a beaut. Don Rickles costars as an obnoxious horse player, displaying the same comic invective with which he infested his nightlclub act. Written by Rod Serling, "Mr. Dingle, the Strong" would be remade, after a fashion, as the third-season Twilight Zone entry "Cavender Is Coming." ~ Hal Erickson, All Movie Guide

This filmed episode of The Red Skelton Show stars Frank Lovejoy as a gangster boss. Hiding from the cops, Lovejoy takes refuge in the City Dump shack of Freddie the Freeloader (Skelton), convincing Freddie's that he's merely a professional exterminator who uses bullets instead of bug spray. It isn't long before the rest of Lovejoy's gang shows up, whereupon Freddie is forced to drive the getaway car during their next bank heist. Typical gags include Freddie chewing off the barrel of Lovejoy's gun and commenting "It tastes good-like a .38 should!" Also appearing are James Flavin as a cop and Phil Arnold as the man in the trunk. This episode first aired March 24, 1959; selected highlights have since popped up in several Red Skelton video collections. ~ Hal Erickson, All Movie Guide