Jacqueline Fontaine Movies

Based on the prize-winning novel by Elvire Mural, the French Escalier C (Staircase C) stars Robin Renucci as a cynical, spiteful art critic. The critic learns the error of his ways through the catharsis of disturbing life experiences. Though many of his friends and neighbors try to crack the shell he has built around himself, his eyes are opened to the importance of human compassion only after the suicide of his neighbor. In the original novel, the critic finds fulfillment through homosexuality; this element is removed from the film version, though the gay subtext is still very much in evidence. Escalier C was directed by Jean Tacchella, best known internationally for his earlier Cousin Cousine. ~ Hal Erickson, All Movie Guide

Old-line liberals Matt and Christina Drayton (Spencer Tracy and Katharine Hepburn) have raised their daughter Joey (Katharine Houghton) to think for herself and not blindly conform to the conventional. Still, they aren't prepared for the shock when she returns home from a vacation with a new fiancé: African-American doctor John Prentice (Sidney Poitier). While they come to grips with whatever prejudices they might still harbor, the younger folks must also contend with John's parents (Roy Glenn Sr. and Beah Richards), who are dead-set against the union. To complicate matters, the older couple's disapproving maid (Isabel Sanford) and Christina's bigoted business associate (Virginia Christine) put in their two cents' worth. While Joey is determined to go ahead with the wedding no matter what people think, John refuses to consider marriage until he receives the unqualified approval of all concerned. The closing monologue delivered by Spencer Tracy turned out to be the last scene ever played by the veteran film luminary, who died not long after the production. The film was a success in the racially volatile year of 1967 and was nominated for 10 Academy Awards, including Best Picture, and won for Hepburn and screenwriter William Rose. ~ Hal Erickson, All Movie Guide

Comedian Jerry Lewis began directing movies in 1960, and this often unkind satire on the nature of American womanhood is one of his early efforts in that regard. The rubber-legged, rubber-faced Lewis plays Herbert, a man who is despondent over the break-up of his romance. While looking for a job, he comes across an impressive mansion (built as a set at the cost of $350,000) filled with women of all types -- and lo and behold -- they need a handyman. So Herbert gets to reside with a bevy of women of various types, all under the supervision of Mrs. Wellenmelon (Helen Traubel). In the end, the set itself outtrumps them all. ~ Eleanor Mannikka, All Movie Guide

Ron Ormond (The Exotic Ones) directed this jungle exploitation film about a man who falls in love with beautiful Velda (Jacqueline Fontaine), who was raised by gorillas. Despite its clearly fictional framework, much of the film consists of real and staged documentary footage, all the better to display numerous topless native women (many of them clearly American) and "thrilling" wild animal scenes. A great deal of the footage was taken from other films, notably Ormond's own Black Panther, and there are many people jumping around in gorilla costumes. Ormond and his family made exploitation features throughout the next decade before turning out some of the most bizarre religious films ever produced. ~ Robert Firsching, All Movie Guide

Bing Crosby does the Academy Award-bid bit in the atypical role of a self-pitying alcoholic, but it was his co-star, a deglamorized Grace Kelly, who won the Oscar for her performance in The Country Girl. This adaptation of Clifford Odets' play stars Crosby as Frank Elgin, a once-famous Broadway star who's hit the skids. Hotshot young director Bernie Dodd (William Holden), a longtime admirer of Elgin, tries to get the old-timer back on his feet with a starring role in a new play. But Dodd must contend with Elgin's hard, suspicious wife Georgie, who seemingly runs roughshod over her husband. Dodd holds Georgie responsible for Elgin's lack of self-confidence and his reliance upon the bottle--a suspicion fueled by Elgin himself, who insists that Georgie has been suicidal ever since the death of their son. When Elgin goes on a monumental bender during the play's out-of-town tryouts, the truth comes out: it is Elgin who is suicidal, and Georgie has been the glue that has held him together. Adopting a now-or-never stance, Dodd forces Elgin to stay off the sauce long enough for the play to open--and, in spite of himself, falls in love with Georgie. A few Hollywood liberties were taken with the Odets original, including a slightly altered ending. ~ Hal Erickson, All Movie Guide

Mickey Rooney returned to his "home" studio MGM, after a three-year absence, in the location-filmed melodrama The Strip. Rooney is cast as Stanley Maxton, an aspiring drummer who has the misfortune to fall within the orbit of bookie Sunny Johnson (James Craig). Out of the goodness of his heart, Stanley introduces aspiring actress June Tafford (Sally Forrest) to Johnson, hoping that the latter's Hollywood connections will help the girl find success. Stanley also quits the rackets to play drums at a nightclub owned by his pal Fluff (William Demarest). Things take a sorry turn when Johnson decides to make a play for June; Stanley interferes and gets beaten up by the bookie's goons. June's response to this outrage results in tragedy for everyone. The Strip is a surprisingly downbeat effort for producer Joe Pasternak, a man usually associated with happy, wholesome Technicolor musicals. The film is highlighted by jazz performances from Louis Armstrong, Jack Teagarden, Earl "Fatha" Hines and Barney Bigard. ~ Hal Erickson, All Movie Guide

The plot for this Western involves the wives and girlfriends of the Dalton gang, who decide to carry on the gang's criminal activities after the menfolk were either gunned down or locked up. Old-time B-Western star Lash LaRue shows up to take care of them. ~ Hal Erickson, All Movie Guide