Benson Fong Movies

Edward Dmytryk's Back to Bataan stars John Wayne as Colonel Joe Madden. After General MacArthur decides to follow his order and leave the Philippines, Madden agrees to stay behind and organize an underground resistance movement. Anthony Quinn plays Andres Bonifacio, a captain who falls in love with a local woman (Fely Franquelli) who helps the army keep their rag-tag forces as organized as possible. Bonifacio must also deal with the pressure of being the grandson of a beloved Filipino leader. ~ Perry Seibert, All Movie Guide

Birmingham Brown joins pal Charlie Chan (Sidney Toler) in solving this missing government documents mystery, set at a New York City radio station. Various media types are satirized in this unorthodox entry in the Monogram Pictures series. ~ Michael Hastings, All Movie Guide

More tightly scripted than most of the Monogram Charlie Chan whodunits, The Scarlet Clue is set in a radio station that, rather fortuitously, is located in the same building as a government research lab. It's wartime, and the Chinese master detective (Sidney Toler) is searching for the killer of an enemy agent. The trail leads to the aforementioned radio station, where the owner of a soap opera, Mrs. Marsh (Virginia Brissac), is terrorizing her hard-working actors. The sneaky-looking station manager, Ralph Brett (I. Stanford Jolley), is reporting back to an unknown boss; a blackmailing actress (Janet Shaw) is poisoned; and the halls are haunted by a former Shakespearean star turned horror actor, Horace Carlos (Leonard Mudie, whose character is obviously patterned after Boris Karloff), and a Swedish char woman (Victoria Faust), who, so help her, says "yumpin' yimini!" As always, Chan's detective work is interrupted on occasion by the antics of manservant Birmingham Brown (Mantan Moreland) and dense Number Three Son, Tommy Chan (Benson Fong). One of the villains literally "gets the shaft" and Monogram fearlessly flirts with a potential new media rival: television. The pièce de résistance is a couple of very funny vaudeville turns by African-American comedians Mantan Moreland and Ben Carter. All in all, The Scarlet Clue makes for an entertaining enough hour or so. ~ Hans J. Wollstein, All Movie Guide

This lavish, 145-minute cinemadaptation of the Pearl Buck best-seller Dragon Seed was intended by MGM as a followup to the studio's successful film version of Buck's The Good Earth. In true Hollywood fashion, the Chinese protagonists are all played by Caucasian actors, with fascinating if not always convincing results. When a peaceful Chinese village is invaded by the Japanese prior to WW2, the men elect to adopt a peaceful, don't-rock-the-boat attitude towards their conquerors-and it is understood that the women will stoically acquiesce as well. But Jade (Katharine Hepburn), a headstrong young woman, intends to stand up to the Japanese whether her husband Lao Er (Turhan Bey) approves or not. She even goes so far as to learn to read and to handle a weapon, so that she may properly equipped for both psychological and physical combat. Jade's attitude spreads to the rest of the village, convincing even the staunchest of male traditional that the Japanese can be defeated only by offering a strong united front-male and female. Alas, there are a few Quislings in their midst, notably avaricious merchant Wu Lien (Akim Tamiroff), who learns all too late the terrible cost of collaboration. While it seems odd to see so many non-Orientals-Walter Huston, Agnes Moorehead, Hurd Hatfield, J. Carroll Naish-in the major roles, Dragon Seed manages to retain its power and entertainment value even 50 years after the fact (Incidentally, there are a few genuine Chinese in the cast-most of them playing Japanese!) ~ Hal Erickson, All Movie Guide

The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, All Movie Guide

Charlie Chan's second mystery for Poverty Row company Monogram, The Chinese Cat is one of the inscrutable detective's better efforts. Director Phil Rosen keeps things moving at a reasonably expedient pace -- especially for a Monogram programmer -- and although the denouement is no big surprise, armchair detectives at least have no trouble keeping up with the redoubtable sleuth (Sidney Toler). Leah Manning (Joan Woodbury), of the San Francisco Mannings, enlists Chan's help in solving the murder of her stepfather (Sam Flint), whose slain body was found in his hermetically sealed study. The police have given up and only Charlie's deducing can refute a scurrilous book that blames Mrs. Manning (Betty Blythe), Leah's mother, for the crime. There are, of course, several worthy suspects, including a gang of diamond thieves lead by Catlen (Anthony Warde), the dead man's business partner (Cy Kendall), and even a "ghost" who isn't quite what he appears (John Davidson). A poisonous gas attack and the less than helpful efforts of Number Three Son (Benson Fong) complicate matters briefly, but Chan is, as always, on top of things all of the time and can soon reveal the identity of the guilty party. Comic sidekick Mantan Moreland has fun in a fun house, Fong is a worthy addition to Charlie's less than brainy brood (Number Three Son is, as Chan points out, "weak limb to which no family tree may point with pride"), and silent screen veterans Betty Blythe and Ian Keith do well enough with their limited assignments. ~ Hans J. Wollstein, All Movie Guide

Behind the Rising Sun is a rarity: a WW2 film with a handful of sympathetic Japanese characters. His eyes slanted by the RKO makeup department, Tom Neal plays Taro, the Americanized son of a Japanese diplomat (J. Carroll Naish). During the Sino-Japanese war, Taro's father insists that the boy leave the US and join the Japanese army. Indoctrinated in the "Banzai" mentality of the empirical government, Taro is transformed into an enemy of the West, going so far as to betray his best friend ly inebriated millionaire. ~ Hal Erickson, All Movie Guide