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Yevgeny Dvorzhetsky Movies

1999  
 
Love blooms amidst the backdrop of czarist Russia in Nikita Mikhalkov's The Barber of Siberia. The story opens in 1905 Springfield, MA, when a woman writes a letter to a young man in a military summer-training camp. He is currently being punished by one of his superiors, who forces him to wear a gas mask until he acknowledges that Mozart was a worthless composer. The woman has an important story to tell her addressee, and our story flashes back 20 years to Russia, where American Jane Callahan (Julia Ormond) is traveling to Moscow. A man who may or may not be Jane's father, Douglas McCracken (Richard Harris), is trying to perfect a machine, christened "The Barber of Siberia," that will harvest trees from the vast Siberian forests. Douglas hopes Jane can charm Gen. Radlov (Alexei Petrenko), the head of a Russian military academy, into arranging the financing that will enable him to complete his work on the harvester. En route, Jane meets a friendly Russian soldier, Andrei Tolstoy (Oleg Menshikov), and the two soon fall in love. Jane then meets and flirts with Radlov, who grows reciprocally fond of her -- enough so that he asks her to marry him. When it becomes evident she'd rather be with Tolstoy, he finds himself shipped off to Siberia after allegedly attacking a grand duke. Merging romance, costume drama, and slapstick comedy, The Barber of Siberia was screened at the 1999 Cannes Film Festival. ~ Mark Deming, Rovi

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Starring:
Oleg MenshikovJulia Ormond, (more)
 
1986  
 
In an unconvincing, politically slanted adventure nuanced with a slight sci-fi underpinning, a Soviet television journalist is hot on the trail of some strange mystery imbedded in a mountainous region of the U.S. The reporter picks up a trail guide and the two hike off into the high mountains in search of one particular site. They eventually find it -- a small village in which everyone seems sullen and withdrawn. In spite of their unusual attitudes, the villagers are also math whizzes, even the young kids. Searching a bit further, the journalist and the guide discover the explanation, but it will not be easy to get out of there and tell the rest of the world about it. ~ Eleanor Mannikka, Rovi

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Starring:
Juozas BudraitisAlexei Petrenko, (more)
 
1981  
 
Twenty-Six Days in the Life of Dostoyevsky was entered on February 16th at the 1981 Berlin Film Festival to commemorate the 100th anniversary of Dostoyevsky's death on February 9th, 1881, and won a "Best Actor" award for Anatoly Solonitsyn as Dostoyevsky. Solonitsyn was a favorite actor in Andrei Tarkovsky's films, and this was to be his penultimate role. This brief imaginary period in the famed Russian writer's life encapsulates one of his darker moments in 1866. At that time he was still a relatively unknown writer whose first widely acclaimed work, Crime and Punishment, was just on the horizon. His life was at a very low ebb as he struggled with debts he could not pay, and as he fought depression over the loss of his wife to tuberculosis, and the death of his brother, who was very close to him. His first literary journal had to be scrapped because of political reasons, and the second venture needed funding. The police come to see him, sent by his publisher who is demanding recompense for debts overdue. Desperate to escape the pressure on all sides, Dostoyevsky decides to undertake the impossible and write the story of The Gambler in 26 days, thereby satisfying the debt to the publisher at least. The secretary who takes down the dictation for the book slowly becomes enamored of Dostoyevsky, whose foibles and passions are revealed in the autobiographical tale she is transcribing. As "The Gambler" himself, Dostoyevsky traveled through Europe in 1862, deeply involved in two disparate loves: gambling and Polina Suslova Ewa Szykulska. Before long, the secretary becomes more and more entwined in Dostoyevsky's life as their relationship begins to blossom and the basis of a mutual love is formed. ~ Eleanor Mannikka, Rovi

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Starring:
Anatoli SolonitsinYevgeniya Simonova, (more)