Nina Foch Movies
Blonde, ice cool, and sophisticated actress Nina Foch has worked steadily in feature films and television since making her film debut in Return of the Vampire (1943). As a contracted starlet for Columbia Pictures, Foch spent several years appearing in many B-films before she was able to prove herself ready for bigger fare.Born to Dutch conductor/composer Dirk Fock and an American chorine/WWI-era pin-up girl, Foch was born in Holland but raised in Manhattan. Before enrolling in the American Academy of Dramatic Arts to study acting, she had briefly been a concert pianist and an amateur painter. As an actress, Foch gained experience with local theater and touring companies until signing with Columbia in 1943. In 1947, Foch made the first of many forays on Broadway. By the early '50s, she was being cast in secondary but better roles in such films as An American in Paris (1951) and Scaramouche (1952). In 1954, Foch appeared in Executive Suite for which she received an Oscar nomination for Best Supporting Actress. But for a few television appearances and some stage work, Foch took a respite from acting in 1960 that lasted over ten years. She made a comeback in Such Good Friends (1971) and continued to appear sporadically in films as a character actress. Foch also worked steadily in television, was a respected drama coach in Hollywood, and taught at UCLA's School of Cinematic Arts for 40 years before her death in late 2008. ~ Sandra Brennan, All Movie Guide
- 1953
In this musical comedy, a young woman inherits a race horse. She wants to race it but encounters difficulty with its trainer who wants to be able to buy the horse for himself. To do so, he makes sure the horse keeps losing races. The woman refuses to sell it. Later, race track con artists try to scam her. The trainer comes to her aide, and soon they fall in love. ~ Sandra Brennan, All Movie Guide
- Starring:
- Howard Keel, Polly Bergen, (more)
- 1952
The Young Man with Ideas in this MGM production is idealistic lawyer Maxwell Webster (Glenn Ford). Too self-effacing for his own good, Webster vegetates in Montana with his wife Julie (Ruth Roman) and children for nearly 10 years before starting life anew in California. Living penuriously while studying for his California bar exam, Webster tries out several moneymaking schemes, most of which come acropper. Along the way, he inadvertently gets involved with a bookie ring, culminating in a climactic courtroom scene wherein Webster defends himself -- and surprise, he doesn't have a fool for a client. In typical Hollywood fashion, the script requires the talented Ruth Roman to express jealousy when a brace of lovely females played by Nina Foch and Denise Darcel briefly set their caps for the ingenuous Glenn Ford. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Ruth Roman, (more)
This delightful adaptation of Rafael Sabatini's swashbuckling novel stars Stewart Granger as Andre Moreau, an 18th-century French nobleman who is publicly humiliated by the Marquis de Maynes (Mel Ferrer). Challenged to a sword duel by the Marquis, Andre, who knows nothing about fencing, runs away, taking refuge with a theatrical troupe. He hides behind the personality of Scaramouche, a zany clown, and in his spare time romances his sexy leading lady Lenore (Eleanor Parker). Seeking revenge against de Maynes, Andre takes fencing lessons from swordmaster Doutreval (John Dehner). It isn't long before Andre has developed a reputation as the finest swordsman in France--which, as intended, arouses the ire of de Maynes. The two opponents face off in a deserted theater; the ensuing sword duel, running nearly seven minutes, is one of the best ever committed to film. Before he can plunge his blade into de Maynes, Andre discovers that he and the Marquis are half-brothers. The two men instantly forget their differences, and Andre's honor is fully restored. He ends up not in the arms of the sensuous Lenore but with a woman of his own class, Aline de Gavrillac (Janet Leigh)--while a gag ending reveals that Lenore has found herself a new and highly influential boyfriend. Lewis Stone, star of the 1923 silent version of Scaramouche, appears in the remake in the supporting role of Georges de Valmorin. ~ Hal Erickson, All Movie Guide
- Starring:
- Stewart Granger, Eleanor Parker, (more)
Filmed very cheaply in New York, St. Benny the Dip (British title: Escape Me If You Can) has a charm and appeal that transcends its modest production trappings. Dick Haymes, Roland Young and Lionel Stander star as Benny, Matthew and Monk, three confidence tricksters forced by circumstance to pose as priests, tending to a slum mission. While clerically garbed, the three sharpsters slowly but surely change their ways, to the benefit of all concerned. As a result, two of the three find honest jobs in the civilian mainstream, while the third elects to remain a man of the cloth. The handpicked supporting cast includes Nina Foch as Haymes' sweetheart, and former child-star Freddie Bartholomew, making his final film appearance as an uptight genuine priest. Devotees of director Edgar Ulmer have insisted upon finding all sorts of hidden meanings in St. Benny the Dip, though it appears that Ulmer's primary concern while making the film was keeping all three of his formidable leading men within camera range. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Haymes, Nina Foch, (more)
Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Leslie Caron, (more)
- 1949
Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide
- Starring:
- Glenn Ford, Nina Foch, (more)
- 1949
A reformed gangster, accustomed to a life of danger, finds himself dealing with a new and different threat in this adventure thriller. Johnny Allegro (George Raft) is a former mobster who has gone over to the other side and now works for the U.S. Treasury Department as an undercover agent. Allegro is asked to help get the goods on Morgan Vallin (George MacReady), a polished counterfeiter who is involved in a right-wing plot to bring down the American government by flooding the U.S. economy with bogus currency. Allegro makes his way to the island that's Vallin's base of operations, with Glenda Chapman (Nina Foch) in tow, and he convinces Vallin that he's a fugitive from American justice. Vallin takes Allegro and Glenda in, but he soon discovers Johnny's true identity, and Allegro learns that Vallin has a bizarre hobby -- he likes to hunt, but he feels that humans are a more interesting quarry than animals. Vallin gives his guests a head start, then sets out to capture them, hoping to fell Johnny and Glenda with silver-tipped arrows, while the two agents hope that their associate Schultzy (Will Geer) will arrive in time to save them. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Nina Foch, (more)
- 1948
In this faithful remake of Blind Alley (1939), psychoanalyst Andrew Collins (Lee J. Cobb), his wife, his son, and some friends are taken hostage by escaped murderer Al Walker (William Holden) and his gang, including girlfriend Betty (Nina Foch). Collins, an advocate of rehabilitating criminals through psychiatry, induces his captor to talk about himself through the course of the night. By calmly and methodically piecing together the strands of the killer's unconscious motivation, Collins rids Walker of his literally murderous rage and prevents a massacre. Shrinks who practice in the noir universe are frequently painted as absurdly omnipotent. When not using their power for evil, like Dr. Cross (Vincent Price) in Aubrey Schenck's Shock (1949), they may be capable, like the benign Dr. Collins, of miracle cures. A more complex depiction of an unrealistically powerful, but ambiguously motivated, psychiatrist can be seen in Joseph Losey's The Sleeping Tiger (1954). In that British film, Dr. Clive Esmond (Alexander Knox) cures a criminal in a few short months but destroys his own marriage in the process. ~ Steve Press, All Movie Guide
- Starring:
- William Holden, Lee J. Cobb, (more)
- 1947
In this drama, a soldier's widow, whose husband died a hero in WW II, begins a quest to find the five men whose lives were saved when her husband sacrificed his own life by taking the brunt of a hand grenade blast. Her search begins two years after the war's end, and is an attempt to see if the men were worthy of her husband's death. En route she is slightly hurt in a minor accident and becomes hysterically paralyzed and unable to walk. One of the soldiers she was looking for tries to help her overcome her hysteria by using hypnosis. While she sleeps, he allows her to "talk" to all the soldiers involved in the incident. In this way, she is able to accept her husband's death. Seeing that the hypnotist is himself filled with guilt about the death, she in turn hypnotizes him. ~ Sandra Brennan, All Movie Guide
- Starring:
- Rosalind Russell, Melvyn Douglas, (more)
- 1947
Three years after song-and-dance man Dick Powell reshaped his nice-guy image by playing hard-boiled gumshoe Phillip Marlowe in Murder My Sweet, he returned to film noir with this crime-based thriller. Johnny O'Clock (Dick Powell) and his partner Pete Marchettis (Thomas Gomez) operate a gambling casino that has seen better days. Chuck Blayden (Jim Bannon), a cop on the take, wants in on the casino, and he makes friends with Pete while trying to convince him that Johnny, the smarter of the two, should go. When Chuck's girlfriend Harriet (Nina Foch) is found dead, a supposed suicide, his sister Nancy (Evelyn Keyes) smells a rat, especially after Chuck skips town. Nancy is convinced that her sister was murdered, and she asks Johnny to help her prove it. Johnny, who already has a number of women in his life -- including Nelle (Ellen Drew), Pete's wife -- figures that one more can't hurt and agrees to help her. But Police Inspector Koch (Lee J. Cobb), convinced that Johnny and Pete were behind Harriet's death, is making it hard for Johnny to do much investigating, and matters get worse when Chuck's body is found floating in the river. Screenwriter Robert Rossen made his directorial debut with this film, 14 years later, he would return to this film's tough, gritty style for his best picture, The Hustler. ~ Mark Deming, All Movie Guide
- Starring:
- Dick Powell, Evelyn Keyes, (more)
- 1945
Boston Blackie's Rendezvous quite transcended its B-picture origins, and was easily the best of Columbia's "Boston Blackie" series. In this one, crook-turned-sleuth Blackie (Chester Morris) tries to track down homicidal maniac James Cook (Steve Cochran). This time it's personal: Cook has been committing a number of violent murders while posing as Blackie. Stuck in the middle is Sally Brown (Nina Foch), who is kidnapped by the villain so that Blackie will lay off. When asked in later years about Boston Blackie's Rendezvous, Nina Foch couldn't remember too many plot details, but did note with pride that costar Richard Lane (cast as Blackie's perennial nemesis Inspector Farraday) later became a prominent TV sportscaster. ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Nina Foch, (more)
- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
- 1945
In this WW II drama, American POWs aboard a Japanese ship revolt when they learn that their vessel is to used as a decoy for an American submarine. The rebellion is quite bloody and 30 women and children die before the Yankees break into the radio room and announce their presence to the oncoming submarine. Shots are fired, but at last the Americans beat the Japanese and are rescued. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nina Foch, Robert Lowery, (more)
- 1945
Cult figure and B-movie auteur Joseph H. Lewis directed this taut exercise in film noir. Julia Ross (Nina Foch), an American receiving medical treatment in London, finds herself short on money and takes a job as secretary for Mrs. Hughes (May Whitty), the matriarch of a large estate. Julie meets Mrs. Hughes' son Ralph (George Macready), a mysterious gentleman with a facial scar, shortly before eating lunch and falling into a deep sleep. When she awakes, she's in a different home with a high fence, and everyone around her insists that she's Ralph's wife, just home after a stay in a mental institution. My Name Is Julia Ross was one of Lewis' first "prestige" productions; begun as a ten-day B-picture, studio heads were so impressed with the results that they expanded the schedule by eight days to give the picture more polish. ~ Mark Deming, All Movie Guide
- Starring:
- Nina Foch, Dame May Whitty, (more)
- 1945
In this thriller, a nurse begins having strange premonitions about an impending murder. So strong is her intuition that she soon begins searching for the intended victim to try and save him. ~ Sandra Brennan, All Movie Guide
- 1945
Based on Phillips Lord's popular radio serial, I Love a Mystery centers around the exploits of two pugnacious private eyes (marked down from the radio version's three heroes). The adventuresome Jack Packard (Jack Bannon) and Doc Long (Barton Yarborough) are hired by a nervous socialite (George Macready), who lives in mortal fear of being decapitated. The man has been the recipient of strange, cryptic messages from an Oriental secret society, which predict his impending doom. The brains behind the society is the man's duplicitous wife (Nina Foch), who hopes to goad her husband into suicide and thus fall heir to his millions. A grisly little item, I Love a Mystery was the first of three Columbia "B" pictures inspired by the radio original. ~ Hal Erickson, All Movie Guide
- Starring:
- Nina Foch, Jim Bannon, (more)
- 1944
In this mystery, the artist behind a detective cartoon strip solves real police cases on the side. The police are rather irritated by him because he is better at it than they are. He does it again when the chairman of a fund-raiser suddenly dies during a benefit. The police report claims the man died of heart failure, but the cartoonist proves that he was poisoned. ~ Sandra Brennan, All Movie Guide
- Starring:
- Allyn Joslyn, Evelyn Keyes, (more)
- 1944
Nina Foch plays the title role in this rather dull horror melodrama from Columbia Pictures. Investigating his father's murder Bob Morris (Stephen Crane) and his Transylvanian girlfriend Elsa (Osa Massen) come to suspect the mysterious Celeste Latour (Foch), who calls herself a Gypsy princess. And, sure enough, when Elsa gets to close to the truth, Celeste casts a spell on her that turns the girl into a cat. But only briefly and Celeste is eventually cornered in the Latour family crypt. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Nina Foch, Stephen Crane, (more)
- 1944
In this musical drama, a woman turns her mansion into a boarding house for soldiers on furlough, providing them with room, board, and musical entertainment. She also does a little matchmaking for the lonely fighters. The fun begins when one of the lodgers falls in love with a pretty singer. At first the soldier is unsure as to whether the chanteuse returns his affections, but by the story's end he is convinced. Wedding bells ring out, songs are sung and happiness ensues. Songs include: "Who Said Dreams Can't Come True" (Benny Davis, Al Jolson, Harry Akst), "I've Waited a Lifetime" (Edward Brandt), "I Can't Remember When" (Robert Schermann, Jack Krakeur), "What the Sergeant Said" (Jackie Camp), "My Other Love" (Bob Wright, Chet Forrest), "Mom" (Saul Chaplin), and "American Prayer" (Lawrence Stock, Vincent Rose, Al Stillman). ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Frazee, Larry Parks, (more)
- 1944
In this drama, a female taxi driver takes pity on a soldier who has come to search for his estranged son and decides to help him. ~ Sandra Brennan, All Movie Guide
- 1944
Shadows in the Night was the third entry in Columbia's Crime Doctor series, starring Warner Baxter as crook-turned-criminologist Dr. Robert Ordway. Nina Foch delivers a superb performance as Lois Garland, a beautiful young heiress being driven to insanity and possible suicide. Poor Lois resides in a house seemingly festooned with malevolent ghosts; Ordway suspects that her tormentors are of the human variety. With George Zucco on hand as the sinister Frank Swift, can there be any doubt as to the identity of the perpetrator? Well, actually, there can, but it's best to see the film to find out for sure. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Nina Foch, (more)
- 1944
Nine Girls stars several of Columbia's loveliest contract actresses as sorority sisters at an exclusive California college. None of the girls is fond of nasty student Anita Louise--in fact, sometime dislikes her enough to kill her. Police detectives William Demarest and Willard Robertson are called in to solve the mystery, and as in most films of this type, there are plenty of suspects to choose from. The solution of the crime will be obvious to hardened movie buffs, simply by checking out the name of the film's top-billed actress. For the record, the Nine Girls of the title are Anita Louise, Evelyn Keyes, Jinx Falkenberg, Leslie Brooks, Lynn Merrick, Miss Jeff Donnell (as she was usually billed), Nina Foch, Marcia Mae Jones, and Shirley Mills. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Harding, Evelyn Keyes, (more)
He looks like Dracula, talks like Dracula and dresses like Dracula; but since the movie rights to Dracula were controlled by Universal, Bela Lugosi's character name is Armand Tesla in Columbia's Return of the Vampire. Bringing the Old Legend up to date, the film contrives to have the blood-sucking Tesla rise from his coffin when his tomb is blasted open during the London Blitz. Making up for lost time (he's been interred since WW1), Tesla enlists the aid of talking werewolf Andreas (Matt Willis), who brings him provisions and seeks out new victims. The next soft white neck on Tesla's list belongs to the lovely Nicki Saunders (Nina Foch), but not if Lady Jane Ainsley (Frieda Inescort), who knows what the mysterious stranger is really up to, has anything to say about it. Incidentally, the girl playing Tesla's victim in the opening credits is an unbilled Jeanne Bates. ~ Hal Erickson, All Movie Guide
- Starring:
- Bela Lugosi, Frieda Inescort, (more)
