Dann Florek Movies
Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. ~ Bruce Eder, All Movie Guide
Another major casting change occurred during the third season of Law & Order, although not until the series had offered eight episodes. In "Prince of Darkness," an undercover police operation goes tragically awry, and Detective Phil Ceretta (Paul Sorvino) ends up seriously wounded. Though Ceretta would recover sufficiently to take up a desk job, Sorvino himself decided to leave the series for good; like George Dzundza before him, the actor felt that the series' format was too confining for his talents. Brought in as Mike Logan's (Chris Noth) new partner was Jerry Orbach as laconic veteran detective Lennie Briscoe, a recovering alcoholic with a multitude of family problems (which, in fine old Law & Order tradition, were only revealed to the audience on a "need to know" basis). At the time Orbach joined the series, there was much speculation (usually tongue-in-cheek in nature) as to how long it would be before he, too, was shot down in the line of duty, just like Logan's two previous partners, Greevey and Ceretta. As it turned out, Orbach not only outlasted Noth as Logan, but by season 13, he had been on the series longer than any other regular. A few stylistic changes marked season three. The "street action" was more or less cut to the bone, as was the background music. Also, in answer to viewer demand, the handheld camerawork became more steady and less distracting. One thing still remained constant from season one: the series' lack of regular female characters. At least Carolyn McCormick, in the recurring role of police psychologist Dr. Elizabeth Olivet, was spotlighted in the compelling episode "Helpless." Once again, Law & Order was honored with several Emmy nominations during the 1992-1993 season. This time out, the series copped the Emmy twice, for Elaine Stritch's guest-star turn in "Point of View" and for Constantine Makris' photography. Ratings remained steady, if not spectacular, but things would change dramatically during the next season. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, Dann Florek, (more)
Not yet a hit, though certainly sustaining decent ratings, Law & Order entered its second season with the first of its many cast changes -- and a spectacular one it was indeed, with Detective Max Greevey being shot down and killed in front of his own house. In truth, George Dzundza, who played Greevey, had already left the series, so his "death" largely occurred off-camera. Reportedly, Dzundza felt that the series' format gave his character no room to grow or develop, though some reports indicate that he was asked to leave because of his inability to get along with certain other cast members. At any rate, he was replaced by Paul Sorvino as Detective Phil Ceretta, who, likewise, departed the show early on (a few weeks into season three, in fact). As was the case in the first season, the regular Law & Order cast lineup was still all male, although a few recurring female characters were given sporadic moments to shine, notably police psychologist Dr. Elizabeth Olivet, played by Carolyn McCormick. Again, viewers were given only brief and tantalizing glimpses of the off-duty lives of the detectives and lawyers, in keeping with creator Dick Wolf's edict that the show would be story-driven rather than character-driven. Having received one Emmy nomination during the 1990-1991 season (Michael Moriarty as best leading actor), Law & Order chalked up six more nominations during season two, winning the award for Best Sound Editing (David Hankins). Also, with its move from Tuesday to Wednesday evening, the series increased its viewership, though still not enough to crack the Top Ten -- or even the Top 25. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, Dann Florek, (more)
Two pilots go against the rule book in a bid to win the war in Viet Nam in this speculative military drama. Lieutenant Jake Grafton (Brad Johnson) is a U.S. Navy pilot stationed aboard an aircraft carrier after the death of his one-time flying partner Morgan McPherson (Christopher Rich), who perished during a recent, ill-advised mission. Lt. Grafton, who has become cynical about the current state of military affairs, is convinced that if the war were left to the soldiers rather than the politicians overseeing the Pentagon, United States victory would be swift and assured. Grafton shares this opinion with Virgil Cole (Willem Dafoe), a supremely confident new pilot under his command, and together they commandeer an A-6 Bomber, known as The Intruder, for an unauthorized bombing raid against Hanoi. The city had been declared off-limits because it was believed that it would have a negative impact on the Paris peace talks, so the raid lands Grafton and Cole in hot water. However, when the talks break down, President Richard Nixon authorizes the pilots to lead a new strike against Hanoi with everything they've got. Ving Rhames and David Schwimmer both appear in small roles that predated their respective rises to fame (in fact, this was Schwimmer's first movie). ~ Mark Deming, All Movie Guide
- Starring:
- Danny Glover, Willem Dafoe, (more)
"In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories." With this pithy but all-inclusive prologue, thus began each hour-long episode of Law & Order, American network television's longest-running police drama.
This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.
The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.
Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide
This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.
The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.
Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, George Dzundza, (more)
- 1990
Becky becomes popular when it appears that she is flashing her middle finger in her class picture. Roseanne has to get involved when Becky gets in trouble with Principal Hiller (Dann Florek). ~ Andrea LeVasseur, All Movie Guide
Director Blake Edwards departed from his customary sex farces to direct an unusual satirical Western comedy-thriller. In 1927, legendary lawman Wyatt Earp (James Garner) comes to Hollywood to serve as an advisor to a film studio making a movie about Earp's life. He meets silent screen cowboy star Tom Mix (Bruce Willis). The two stumble upon a murder that has apparently occurred on the set but is linked to a renowned bordello. The aging cowboy and the young actor set off on a series of time-warp misadventures to try to solve the mystery. Along the way, they encounter the shady Alfie Alperin (Malcom McDowell) and the intriguing Cheryl King (Mariel Hemingway). ~ Michael Betzold, All Movie Guide
- Starring:
- Bruce Willis, James Garner, (more)
Jack Noah (Richard Dreyfuss) is all actor: Self-possessed, obsessive, vulnerable, and an addict for praise, his soul burns with "the craft." Having just finished a grade-Z straight-to-cable crime thriller in the fictional South American country of Parador, he gets the ultimate acting challenge (though it's more like an offer he can't refuse) from Roberto Strausman (Raul Julia), the Paradorian dictator's chief advisor. The challenge: impersonate the country's dictator, whose just died. Strausman knows just how to manipulate Noah: He takes him to a meat locker, shows him the director's body (actually Dreyfuss' brother, Lorin), threatens to kill him, and he brings clips of Noah's best reviews. Thus enticed, and bearing a striking resemblance to the man, Noah accepts the job. Under the exacting direction of Strausman, he follows the script precisely. Noah immediately enjoys the job's perks, not least of which is the dictator's scorching mistress, Madonna (Sonia Braga), but of course cannot conceal his real identity to her. A close call with Parador's revolutionaries and Madonna's brimming social conscience push Noah to take command of the role. He starts pushing a kinder, gentler social agenda, and incurs Strausman's wrath. It begins to look like Noah will play the dictator's last act, but a chance meeting with a stunt man friend (Michael Greene) inspires a caper that will change all of the characters' fates. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Richard Dreyfuss, Raul Julia, (more)
- 1988
This docudrama reenacts the famous 1987 trial of New York vigilante Bernhard Goetz who was tried for shooting four young African-American men on a subway train. Though the trial is enacted by actors, the dialogue was taken verbatim from the actual court transcripts. ~ Sandra Brennan, All Movie Guide
The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along -- even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rourke, Robert De Niro, (more)
Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, All Movie Guide
- Starring:
- Jodie Foster, Tim Robbins, (more)
- 1987
In a modern twist on the classic "old-dark house" genre, Hunter (Fred Dryer) and McCall (Stepfanie Kramer) are trapped by a raging storm in the mountain home of a murdered financier. Every member of the dead man's family had good reason to see him dead--and accordingly, every member is under suspicion. As the victim's relatives are systematically bumped off throughout the night, Hunter arrives at the conclusion that he'd better solve the mystery in a hurry lest he be the next to die! ~ Hal Erickson, All Movie Guide
- 1986
Alex: The Life of a Child is based on the true story of Sports Illustrated writer Frank Deford and his dying 8-year-old daughter Alex. Craig T. Nelson plays Deford and Gennie James is Alex, both of whom come to grips in different ways with Alex's fatal cystic fibrosis. A subplot involves the torment of Deford's wife (Bonnie Bedelia), who wonders whether she should adopt a child after Alex's death in 1980. Alex: The Life of a Child is effective, but not as well made as its subject matter deserves. Better examples of this particular TV-movie genre include Death be Not Proud (75), based on author John Gunther's recollections of his son's struggle against a degenerative brain tumor, and Mary White (77) the story of a personal tragedy in the life of Kansas journalist William Allen White. ~ Hal Erickson, All Movie Guide
Alan Alda wrote, directed, and starred in this satirical film about the corruption of the film industry's approach to history. Alda plays Michael Burgess, a college professor who has written a historical novel about the American Revolution. The book has been turned into a script, and a Hollywood film crew descends on his North Carolina hometown to make the movie. Predictably, the director and actors make a mess of his concept, and Burgess becomes frustrated as the town is turned upside down. Desperately, he tries to salvage his concept with some last-minute script changes. To make things more complicated, Burgess falls in love with the glamorous female lead in the film, Faith Healy (Michelle Pfeiffer). Meanwhile, his long-time girlfriend, Gretchen (Lise Hilboldt) is pressuring him to get married. The film's male star, Elliott James (Michael Caine), finally shows up in town and becomes Burgess's rival for Faith's affections. Silent film star Lillian Gish appears as Burgess's smother. ~ Michael Betzold, All Movie Guide
- Starring:
- Alan Alda, Michael Caine, (more)
- 1985
This TV pilot film stars Carl Weathers as Harry Braker, an ex-Marine who is his city's only African American police lieutenant. Tough but tender, Braker bends the rules to help the helpless. Braker's team of co-workers is the usual cop-show manifest: The gonzo (Randall "Tex" Cobb), the green newcomer (Joseph Bottoms) and the drop-dead gorgeous babe (Ann Schedeen). Their assignment this time out is to find the killer of a prominent producer and director, both of whom were engaged in the manufacture of porno films. Braker was telecast back to back on April 28, 1985 with another busted pilot, Brothers in Law. ~ Hal Erickson, All Movie Guide
- 1983
- PG
The film may be called Eddie Macon's Run, but the title character (John Schneider) takes a back seat during most of the proceedings. Most of the footage is devoted to Eddie's chief nemesis, small-town lawman Marzack (Kirk Douglas). Arrested on a trumped-up charge, Eddie breaks out of prison and takes to the road, with Marzack in hot pursuit. The lion's share of the film is a tire-screeching chase through Mexico. John Goodman makes his film debut in this lively (if pointless) adaptation of James McLendon's novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, John Schneider, (more)
