Dann Florek Movies
Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. ~ Bruce Eder, All Movie Guide- 1997
Katy Boyer stars as Sarah, a professional nurse and the grown daughter of dysfunctional couple Don and Lily Zarn (Gerald McRaney, Shelley Fabares). During a visit home, Sarah can clearly see that Lily is being abused by Don, but she cannot persuade her mother to leave her father. Subsequently, however, Lily disappears, and Don ruefully insists that his wife has finally walked out on him. But when Sarah begins enduring horrific nightmares in which her mother is brutally killed, she decides to learn the truth behind her mom's disappearance--this despite a total lack of cooperation from her family, her boyfriend and even the police. Based on fact, the made-for-TV A Nightmare Come True debuted over the CBS network on February 12, 1997. ~ Hal Erickson, All Movie Guide
- Starring:
- Gerald McRaney, Katy Boyer, (more)
- 1986
Alex: The Life of a Child is based on the true story of Sports Illustrated writer Frank Deford and his dying 8-year-old daughter Alex. Craig T. Nelson plays Deford and Gennie James is Alex, both of whom come to grips in different ways with Alex's fatal cystic fibrosis. A subplot involves the torment of Deford's wife (Bonnie Bedelia), who wonders whether she should adopt a child after Alex's death in 1980. Alex: The Life of a Child is effective, but not as well made as its subject matter deserves. Better examples of this particular TV-movie genre include Death be Not Proud (75), based on author John Gunther's recollections of his son's struggle against a degenerative brain tumor, and Mary White (77) the story of a personal tragedy in the life of Kansas journalist William Allen White. ~ Hal Erickson, All Movie Guide
The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along -- even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rourke, Robert De Niro, (more)
- 1985
This TV pilot film stars Carl Weathers as Harry Braker, an ex-Marine who is his city's only African American police lieutenant. Tough but tender, Braker bends the rules to help the helpless. Braker's team of co-workers is the usual cop-show manifest: The gonzo (Randall "Tex" Cobb), the green newcomer (Joseph Bottoms) and the drop-dead gorgeous babe (Ann Schedeen). Their assignment this time out is to find the killer of a prominent producer and director, both of whom were engaged in the manufacture of porno films. Braker was telecast back to back on April 28, 1985 with another busted pilot, Brothers in Law. ~ Hal Erickson, All Movie Guide
- 1983
- PG
The film may be called Eddie Macon's Run, but the title character (John Schneider) takes a back seat during most of the proceedings. Most of the footage is devoted to Eddie's chief nemesis, small-town lawman Marzack (Kirk Douglas). Arrested on a trumped-up charge, Eddie breaks out of prison and takes to the road, with Marzack in hot pursuit. The lion's share of the film is a tire-screeching chase through Mexico. John Goodman makes his film debut in this lively (if pointless) adaptation of James McLendon's novel. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, John Schneider, (more)
- 1998
Essentially a feature-length episode of NBC's long-running series Law & Order, this crime and courtroom drama marks the return of Chris Noth (Detective Mike Logan) to Manhattan's 27th precinct. For the past three years, Logan has been stuck on Staten Island, the result of an incident in which he lost his temper. Regretting his outburst, Logan yearns to return to his home station. A murdered hooker's body found floating in the harbor may provide the key to his return. ~ Sandra Brennan, All Movie Guide
- Starring:
- Chris Noth, Dabney Coleman, (more)
Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, All Movie Guide
- Starring:
- Jodie Foster, Tim Robbins, (more)
Originally aired on HBO and directed by Apollo 13 star and space enthusiast Tom Hanks, among others, From the Earth to the Moon explores the ups and downs of space travel, beginning with President Kennedy's famous speech before Congress on May 25, 1961, and chronicling the journey to putting the first man on the moon. This highly acclaimed, Emmy-nominated, 12-episode series is available in a six-tape VHS set and a four-disc DVD set. ~ Tracie Cooper, All Movie Guide
- Starring:
- David Andrews, Bryan Cranston, (more)
A criminal trying to reform is forced to endure the most humiliating punishment of all -- hanging out with his son -- in this family comedy. Ray Gleason (Ted Danson) is a thief whose ambitions far outstrip both his skill and his intelligence; Ray is just bright enough to have realized this, and he's decided to go straight and open a bake shop (he learned how to decorate cakes during his last stay in prison). However, Ray needs to raise some working capital, so in association with his buddies Bobby (Saul Rubinek) and Carl (Gailard Sartain) he is planning his last heist, in which they hope to walk away with a highly valuable collection of rare coins. Ray also happens to have an 11-year-old son, Timmy (Macaulay Culkin), whose mother died several years ago; Timmy has been living with his aunt, but when she gets married and goes away on her honeymoon, Timmy ends up staying with Ray. Timmy is a lot smarter than his dad and quickly figures out what Ray and his cronies have been up to; he's long felt a great deal of resentment toward his father for not being around when he needed him, so Timmy steals the loot from the robbery and uses it to blackmail Ray into spending some quality time with him. Timmy also thinks that it's high time Ray settled down, so when he notices that Theresa (Glenne Headly), an undercover cop, has been following Ray's trail, Timmy tries to play matchmaker and bring them together. Getting Even with Dad would prove to be the next-to-last screen appearance for former pre-teen superstar Macaulay Culkin; he was 14 when this film was released, and within five years he was a married man attending the Rhode Island School of Design. ~ Mark Deming, All Movie Guide
- Starring:
- Macaulay Culkin, Ted Danson, (more)
A natural disaster breeds man-made treachery in this suspense thriller. Severe flooding threatens an Indiana town after a massive rainstorm taxes dams to the breaking point. As part of an emergency evacuation effort, armored car driver Tom (Christian Slater) and his uncle Charlie (Edward Asner) are recruited to collect cash from the town's banks and drive it to safety. However, a gang of thieves led by Jim (Morgan Freeman) plan to lay siege to the truck and steal the $3 million on board. After Jim attempts to ambush the truck, Tom hides the cash and reports the attempted theft to the local sheriff (Randy Quaid). However, the sheriff's lack of honesty soon becomes apparent; he puts Tom in a lockup and sets out to take the money for himself. As the flood waters rise, Tom has to escape from jail if he is to save both the townspeople's savings and his own life. Meanwhile, Jim and the sheriff are locked in a race to see who can find the $3 million first. Minnie Driver, Richard A. Dysart, and Betty White highlight Hard Rain's supporting cast. ~ Mark Deming, All Movie Guide
- Starring:
- Morgan Freeman, Christian Slater, (more)
- 1987
In a modern twist on the classic "old-dark house" genre, Hunter (Fred Dryer) and McCall (Stepfanie Kramer) are trapped by a raging storm in the mountain home of a murdered financier. Every member of the dead man's family had good reason to see him dead--and accordingly, every member is under suspicion. As the victim's relatives are systematically bumped off throughout the night, Hunter arrives at the conclusion that he'd better solve the mystery in a hurry lest he be the next to die! ~ Hal Erickson, All Movie Guide
- 1995
Detective Logan (Chris Noth) is forced to reveal some painful, and long-suppressed, childhood memories when a longtime friend of his commits suicide. It is possible that the victim took his own life as the result of a chance meeting with former priest Father Joe Krolinsky (Bill Raymond). As the investigation proceeds, the ugly spectre of pedophilia looms large over the proceedings -- and over Logan's own childhood experiences. This episode was directed by Dann Florek, who also briefly reprises his old Law & Order role as police captain Don Cragen. ~ Hal Erickson, All Movie Guide
- 1994
A woman is the seemingly random victim of a letter bomb. As the detectives and the D.A.'s office pursue their investigation, it becomes painfully apparent that the killing was no accident of fate. It seems that the dead woman was the estranged wife of scientist Edward Manning (Harris Yulin), and she had driven him to distraction by delaying their divorce proceedings. This episode was directed by former Law & Order regular Dann Florek. ~ Hal Erickson, All Movie Guide
"In the criminal justice system, the people are represented by two separate, yet equally important, groups: the police, who investigate crime, and the district attorneys who prosecute the offenders. These are their stories." With this pithy but all-inclusive prologue, thus began each hour-long episode of Law & Order, American network television's longest-running police drama.
This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.
The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.
Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide
This was not the first such program to equally divide its time between the arrest and the trial; indeed, there had been a series precisely titled Arrest and Trial back in 1963. But Law & Order was easily the most popular and successful of the batch, and as the series eased gracefully past its 11th, 12th, and 13th season, it was very likely that its creator and executive producer Dick Wolf would fulfill his dream of matching and even surpassing the longevity of Gunsmoke, which lasted 20 years, setting a record as American network television's most durable dramatic series. Although Law & Order boasted a large and fluid ensemble cast, there were no real "stars" per se, save for the city of New York (a point made by scores of TV historians, notably Tim Brooks and Earle Marsh). Virtually every episode starts out with the discovery of a dead body or evidence of a violent crime. A pair of NYPD detectives arrive on the scene, begin gathering evidence and eyewitnesses at the behest of their superiors, and -- generally after a handful of frustrating dead ends and false leads -- manage to collar the principal suspect. The story then shifts to the offices of the DA, where a team of brilliant prosecuting attorneys do their best to build a case against the accused, dodging the obstructive tactics of defense lawyers all along the way. Even when the case gets to court, the story is far from over, with several twists and turns -- and usually a shocking and unexpected denouement -- awaiting both the prosecutors and the viewer.
The series made its NBC network debut Thursday, September 13, 1990, moving to its originally scheduled Tuesday-night slot October 23. The original cast included, on the side of "Law," chubby, hard-boiled veteran detective Sgt. Max Greevey (George Dzundza) and his younger, more athletic partner, Mike Logan (Chris Noth). Their supervisor was Captain Donald Cragen, played by Dann Florek. Once the detectives had completed their share of the work, the scene changed to the "Order" team of District Attorney Adam Schiff (played by Steven Hill), who appeared in all but the pilot episode, and a brace of intense, dedicated assistant DAs, the Caucasian Ben Stone (Michael Moriarty) and African-American Paul Robinette (Richard Brooks). The program's first season had several distinctions: In keeping with network's promise of delivering TV's top "action series," the scenes in which Greevey and Logan track down the perp are top-heavy with noise and violence (generally implied, but not always so), vertigo-inducing handheld camerawork and punchy background music. Also, individual scenes run a bit longer than the later short-and-sweet vignettes that would become the series' stylistic trademark. And unlike the relatively dispassionate detectives seen in later seasons, Greevey and Logan tend to become emotionally involved in their work; similarly, lawyers Stone and Robinette seem to take every legal setback personally, much more so than their successors in the series' subsequent years, although DA Schiff exhibits as much calm, stoic integrity in his first appearance as he would in his last, a decade later. Even in its earliest episodes, however, the emphasis is on the story rather than personalities: All we learn of the regulars' private lives is revealed in fragmentary fashion, and only when it bears some relevance.
Fans of the latter-day Law & Order will notice that the first season lacks the gender balance of the series' later years -- or, put more bluntly, the series was pretty much an "all boys' club." Although dozens of prominent actresses appeared in supporting roles, there were no regular female characters, a fact that tended to weaken the series' ratings in its formative seasons. Still, it would not be until the fourth season began in 1993 that any distaff characters would be added to the weekly lineup. One element of the series was established early on and would remain in place forever afterward: Most of the stories on Law & Order were "ripped from today's headlines," often with only the names changed to protect the innocent (?). In season one alone, the series offers fictionalizations of the Bernard Goetz subway shootings, the Menendez killings, the Central Park "Preppie Murder," the "Mayflower Madam," the Tawana Brawley imbroglio, and the Steinberg child-murder case. So close did the last-named episode come to the actual facts that the series' producers were compelled to include a disclaimer at the beginning of several episodes, assuring viewers that, although the story was inspired by real happenings, the script itself was otherwise purely a work of fiction. The fact that Law & Order was frequently pre-empted by network specials indicated that NBC wasn't all that sure of the series' success. By the end of the first season, however, the ratings, if not spectacular, were good enough to warrant a renewal -- while backstage intrigues assured that the series would undergo the first of its many abrupt cast changes. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, George Dzundza, (more)
Not yet a hit, though certainly sustaining decent ratings, Law & Order entered its second season with the first of its many cast changes -- and a spectacular one it was indeed, with Detective Max Greevey being shot down and killed in front of his own house. In truth, George Dzundza, who played Greevey, had already left the series, so his "death" largely occurred off-camera. Reportedly, Dzundza felt that the series' format gave his character no room to grow or develop, though some reports indicate that he was asked to leave because of his inability to get along with certain other cast members. At any rate, he was replaced by Paul Sorvino as Detective Phil Ceretta, who, likewise, departed the show early on (a few weeks into season three, in fact). As was the case in the first season, the regular Law & Order cast lineup was still all male, although a few recurring female characters were given sporadic moments to shine, notably police psychologist Dr. Elizabeth Olivet, played by Carolyn McCormick. Again, viewers were given only brief and tantalizing glimpses of the off-duty lives of the detectives and lawyers, in keeping with creator Dick Wolf's edict that the show would be story-driven rather than character-driven. Having received one Emmy nomination during the 1990-1991 season (Michael Moriarty as best leading actor), Law & Order chalked up six more nominations during season two, winning the award for Best Sound Editing (David Hankins). Also, with its move from Tuesday to Wednesday evening, the series increased its viewership, though still not enough to crack the Top Ten -- or even the Top 25. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, Dann Florek, (more)
Another major casting change occurred during the third season of Law & Order, although not until the series had offered eight episodes. In "Prince of Darkness," an undercover police operation goes tragically awry, and Detective Phil Ceretta (Paul Sorvino) ends up seriously wounded. Though Ceretta would recover sufficiently to take up a desk job, Sorvino himself decided to leave the series for good; like George Dzundza before him, the actor felt that the series' format was too confining for his talents. Brought in as Mike Logan's (Chris Noth) new partner was Jerry Orbach as laconic veteran detective Lennie Briscoe, a recovering alcoholic with a multitude of family problems (which, in fine old Law & Order tradition, were only revealed to the audience on a "need to know" basis). At the time Orbach joined the series, there was much speculation (usually tongue-in-cheek in nature) as to how long it would be before he, too, was shot down in the line of duty, just like Logan's two previous partners, Greevey and Ceretta. As it turned out, Orbach not only outlasted Noth as Logan, but by season 13, he had been on the series longer than any other regular. A few stylistic changes marked season three. The "street action" was more or less cut to the bone, as was the background music. Also, in answer to viewer demand, the handheld camerawork became more steady and less distracting. One thing still remained constant from season one: the series' lack of regular female characters. At least Carolyn McCormick, in the recurring role of police psychologist Dr. Elizabeth Olivet, was spotlighted in the compelling episode "Helpless." Once again, Law & Order was honored with several Emmy nominations during the 1992-1993 season. This time out, the series copped the Emmy twice, for Elaine Stritch's guest-star turn in "Point of View" and for Constantine Makris' photography. Ratings remained steady, if not spectacular, but things would change dramatically during the next season. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Brooks, Dann Florek, (more)
- 1999
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The first season of the popular Law & Order spin-off Law & Order: Special Victims Unit begins with the episode "Payback," with the SVU investigating the murder and sexual mutilation of a former Serbian soldier -- who also happened to be a rapist. Quickly establishing their characters, Det. Elliot Stabler (Christopher Meloni) conducts the investigation in a cool, detached manner, while Det. Olivia Benson (Mariska Hargitay), a child of rape, cannot help but sympathize with the murderer rather than the victim. Later episodes introduce new characters or further develop the personalities of the familiar regulars. In "Closure," Benson and first-year Detective Brian Cassidy (Dean Winters) spend the night together; in "Limitations," Michelle Hurd joins the cast as streetwise Detective Monique Jeffries; and in the season finale, circumstances dictate that a forensic psychologist recommends that Stabler, outwardly the most "normal" member of the team, be removed from the SVU for emotional instability. The season's most intriguing episode is the aforementioned "Closure," a two-part story which would not be resolved until season two. And finally, "Entitled" finds Law & Order: Special Victims Unit involved in a crossover plot with its parent series, Law & Order, allowing the casts of both series to work in concert. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2000
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The second-season opener of Law & Order: Special Victims Unit is the episode "Wrong Is Right," in which the efforts by SVU detective Elliot Stabler (Christopher Meloni) to shelter his family from the sordid details of his work are shattered when his daughter Maureen (Erin Broderick) witnesses a horrific crime. Also in this episode, Michelle Hurd makes her final appearance as Detective Monique Jeffries, the partner of the deliciously cynical and paranoid Det. John Munch (Richard Belzer). Recurring character Det. Fin Tutuola (Ice-T) is elevated to regular status by becoming Munch's new partner. Two weeks later, in the episode "Honor," Stephanie March joins the cast as dedicated Assistant District Attorney Alexandra Cabot, as she and the SVU team investigate a sex murder that is somehow tied in with the Taliban (and this was still during the pre-9/11 era!). Of the remaining episodes, "Closure" is a true curiosity: the concluding half of a two-part story that began in the middle of season one, this episode focuses on a rape victim who relentlessly stalks her recently released attacker. The season ends with "Scourge," the riveting story of a man driven to serial murder by a freak medical condition. Law & Order: Special Victims Unit closed out its second year on NBC as America's 25th most popular program. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2001
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The so-called "repressed memory syndrome" figures heavily into "Repression," the opening episode of Law & Order: Special Victims Unit's third season. Subsequent episodes worth noting include "Wrath," in which Detective Benson's (Mariska Hargitay) relentless pursuit of rapists (motivated, in part, by the fact that she herself was conceived in rape) may bring about her death at the hands of one whom she'd sent to prison. Similarly character-driven are such episodes as "Stolen," in which Captain Cragen (Dann Florek), skipper of the SVU unit, takes it upon himself to reopen a illegal-adoption case he'd worked on a dozen years earlier; "Redemption," wherein Det. Elliot Stabler (Christopher Meloni) is partnered with a detective whose professional zeal sends him spiralling into depression and public humiliation; "Execution," a story built around the recurring character of forensic psychiatrist Dr. George Huang (B.D. Wong), who races against the clock to determine if a condemned murderer is responsible for an unsolved crime; "Guilt," wherein Assistant DA Alex Cabot (Stephanie March) puts her career on the line by covertly enlisting the aid of the SVU team to trap a child molester; and "Denial," in which Det. Fin Tutuola takes a special interest in a heroin addicted rape victim. The season concludes with "Silence," a timely story about a pedophilic priest. Having ended its second season as the 25th highest-rated network program in the U.S., Law & Order: Special Victims Unit enjoyed a healthy influx of new viewers during season three, skyrocketing to 12th place in the ratings. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2002
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Formerly appearing on a recurring basis as forensic psychologist Dr. George Huang, B.D. Wong graduates to full series regular in "Chameleon," the opening episode of Law & Order: Special Victims Unit's fourth season. Among the year's best episodes are "Vulnerable," guest-starring former musical comedy ingenue Jane Powell as an elderly Alzheimer's victim who is misused by both a sexual predator and her own caregiver; "Disappearing Acts," in which the SVU team runs smack against the stone wall of the Witness Protection Program while tracking down a brutal rapist; "Waste," a compelling exploration of the dark side of stem-cell research; and "Risk," wherein the team must expose the rotten apples in their own police ranks to find out who caused the cocaine-related death of a baby. As in previous seasons, many of the plotlines are driven by the unique personalities of the principal characters. In "Mercy," for example, Assistant DA Alex Cabot (Stephanie March) finds herself sympathetic to a mother who euthanized her desperately ill daughter, and in "Pandora," Det. Elliot Stabler (Christopher Meloni) travels all the way to Prague to crack a difficult kidnapping case. Other episodes emulate the Law & Order "ripped from today's headlines" formula. Case in point: "Appearances," which is clearly inspired by the still-unsolved murder of JonBenet Ramsey. Season four ends with "Soulless," chronicling the frustrations of using the juvenile record of a suspect to arrest him for sex crimes committed as an adult. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2003
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The SVU unit is confronted with a murder case yielding too many suspects and too many confessions in "Tragedy," the opening episode of Law & Order: Special Victims Unit's fifth season. Things take a truly disturbing turn a few episodes later in "Loss," wherein Assistant DA Alexandra Cabot's (Stephanie March) relentless prosecution of a murder tied in with a Colombian drug cartel results in her death -- or so it appears to the world. The next episode, "Serendipity," introduces Diane Neal as Cabot's replacement, ADA Casey Novak, who immediately develops an adversarial relationship with detectives Benson (Mariska Hargitay) and Stabler (Christopher Meloni). Novak's professional zeal is admirable, but she proves to have as many human flaws as anyone else in the series -- notably in the season finale, "Head," in which she lives to regret allowing a child molester to cop a plea and win a lighter sentence. Season five marks the series' 100th episode, "Control," about a mutilation victim who turns out to be a sexual predator and kidnapper -- leading to Benson being raked over the coals in court because she'd refused to heed the warnings of one of the predator's potential captives. Benson is also the focus of attention in "Escape"; trying to defuse a hostage situation involving an escaped convicted pedophile, the detective ends up concluding that the man was the innocent victim of widespread political and departmental corruption. In a similar vein, the SVU unit's skipper, Captain Cragen (Dann Florek), faces the grim possibility that he may have unwittingly railroaded a guiltless criminology professor on a rape-murder charge in the episode "Criminal." And like Cragen, Det. Munch (Richard Belzer) is forced to confront the demons of his own past while handling an assisted-suicide case in "Painless." ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2004
- Add Law & Order: Special Victims Unit: Season 06 to QueueAdd Law & Order: Special Victims Unit: Season 06 to top of Queue
Season six of Law & Order: Special Victims Unit, gets off to a powerful (and timely) start with the episode "Birthright," about a disreputable fertility doctor who plans to rob an embryo bank for his own purposes. Several subsequent episodes likewise showcase "respectable" authority figures who are anything but: "Debt" finds the SVU unit exposing a crooked immigration attorney who is involved in a prostitution ring, and "Obscene" features two teenagers whose lives are destroyed by publicity-hungry adults. This season also offers a number of personal shakeups for several familiar characters. For starters, Det. Elliot Stabler (Christopher Meloni) is bluntly informed that his wife has left him and taken the children in "Doubt." And former Assistant DA Alexandra Cabot (Stephanie March), presumed murdered by Colombian drug lords during the previous season, emerges from the Witness Protection Program to confront her enemies in "Ghost" -- thereby forcing Stabler and Det. Olivia Benson (Mariska Hargitay) to perjure themselves by claiming they were unaware that Cabot was still alive. In the season's most talked-about development, former Murder, She Wrote star Angela Lansbury is cast as the stern, cold-blooded mother of a rape suspect in "Night" -- the first episode of a two-part story which would be concluded on another branch of the Law & Order family tree, Law & Order: Trial by Jury. ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
- 2007
- Add Law & Order: Special Victims Unit: Season 09 to QueueAdd Law & Order: Special Victims Unit: Season 09 to top of Queue
Changes greet the SVU gang at the outset of the ninth season: Munch (Richard Belzer) is put in charge of the department after Capt. Cragen (Dann Florek) is temporarily removed from duty, and Det. Lake (Adam Beach) is now a full-time member of the squad. In Alternate, the season's first episode, Benson (Mariska Hargitay) and Stabler (Christopher Meloni) investigate a case involving a woman (guest star Cynthia Nixon) with multiple personalities. Before long Cragen is back in command, but the themes of people taking on new roles and different personalities continue in Avatar, which focuses on the case of a missing woman who portrayed an underage prostitute in an online video game. In Undercover, Fin (Ice-T) poses as a corrections officer while Benson poses as a prison inmate and has an eye-opening new experience. Benson then finds herself in another precarious situation when she is kidnapped in the series' 200th episode, Authority. This milestone episode features guest star Robin Williams as a man with an antiauthority agenda who attempts to trick people into committing criminal acts. When Williams' character abducts Benson, he uses mind games to try to get Stabler to inflict pain on her. Stabler is also no stranger to pain this season: In Blinded, he temporarily loses his sight after suffering a head injury courtesy of a suspect. That same episode finds ADA Novak (Diane Neal) confronting a dark part of her personal history as she attempts to convict a schizophrenic artist. While Novak faces her past, Stabler worries about his family's future in Paternity, which finds his wife, Kathy (Isabel Gillies), and their unborn child in jeopardy after being hurt in a car accident. An unconventional family of homeless children are at the center of Streetwise, which features guest star Mae Whitman as the clan's pseudo-mother. Other notable Season 9 guest stars include Aidan Quinn, Erika Christensen, and Melissa Joan Hart. ~ Jennifer Sankowski, All Movie Guide
- Starring:
- Christopher Meloni, Mariska Hargitay, (more)
