Alfred Adam Movies

In this French drama, when magazine journalist Juliette (Annie Giradot) goes to work on a story, she gets serious. This gets her into trouble when she interviews the other Juliette (Marlene Jobert), the winner of her magazine's contest, and she discovers a real person with a job instead of a housewife or a mini-celebrity. Her interview with Juliette has inspired her to write about "real" women, and this determination gets her fired from her job. Undaunted, she starts a women's liberation magazine. ~ Clarke Fountain, Rovi

Benjamin (Jacques Brel) is a country doctor who has a way with women with the exception of his fianceé. While other women yearn to play doctor with the handsome physician, his intended intends on saving herself for their wedding night. When the local Marquis feels he is snubbed by the wise cracking medico, he demands revenge. Benjamin is forced to place his puckered lips on the posterior of the pompous Marquis (Bernard Blier). He gets revenge by making love to the Marquis' wife. Benjamin even saves the choking nobleman, but not before he plants a kiss on the doctor's derriere. Swashbuckling swordplay and nudity appear throughout the film. ~ Dan Pavlides, Rovi

The Stranger is a literal (but still very cinematic) adaptation of the novel by Albert Camus. Marcello Mastrioanni stars as Meursault, a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder. The subsequent trial of Meursault manages to convey the oppressive heat of its Algerian setting with director Luchino Visconti's usual veneer of elegant decadence. Though set in the 1930s, the sensibilities of the film were very much attuned to the 1960s: the problem was that Camus' sentiments had been adopted by so many other filmmakers of the period that The Stranger seemed rather commonplace. The film was originally released in Italy as Lo Staniero. ~ Hal Erickson, Rovi

In this French variation on Mark Twain's Man with a Million story, a man's life is completely changed by the acquisition of a new car. Marcel, a Chaplainesque factory worker, sets out to buy an old motorcycle and ends up getting a new Cadillac convertible (the "beautiful American" of the title) for $100. He loses his job and suffers other misadventures, but is then amazed at how people treat him when they learn he owns the prestigious vehicle. Amusing little farce makes a few telling points about the pretensions of the very rich. ~ Michael P. Rogers, Rovi

Love and the Frenchwoman (La Francaise et L'Amour) concentrates on the nature of love by illustrating seven separate aspects of the emotion. In "Childhood," 9-year old Pierre-Jean Vaillard suffers a traumatic experience when he takes his parents' "cabbage patch" theory of conception too literally. In "Adolescence," a little girl (Annie Sinigalla) constructs an elaborate fantasy world on the occasion of her first kiss. "Virginity" is a study in frustration, as betrothed couple Valerie Lagrange and Pierre Michel agonizingly await their wedding-night consummation of their ardor. "Marriage" finds a union ending almost before it begins as a pair of newlyweds (Marie-Jose Nat and Claude Rich) bicker all the way to their honeymoon rendezvous. "Adultery" allows husband Paul Meurisse the opportunity to calmly provide an object lesson to his wife's lover Jean-Paul Belmondo. In "Divorce", a couple (Annie Girardot and Francois Pierer) find that it's impossible to have a "civilized" breakup. And in "A Woman Alone," bigamist Robert Lamoreaux meets his Waterloo in the forms of Martine Carol and Sylvia Montfort. ~ Hal Erickson, Rovi

This popular, standard French spy drama is the second in a series that stars tough guy Lino Ventura as Paul, a man who really would like to come in from the cold. Paul has established himself in the ordinary world with an on-going, successful business and has settled down with his wife Nadine (Estella Blain) and their two children. Thanks to his former chief and the fact that some sensitive plans have been stolen, Paul is coerced to going back to work undercover to retrieve the plans, knowing that the assignment is dangerous. ~ Eleanor Mannikka, Rovi

The French-made Inspector Maigret offers one of the best-ever Maigrets in the form of veteran tough guy Jean Gabin, who played the character three times throughout the 1950s. In Maigret Sets a Trap, the inspector tackles the case of a psychopathic serial killer. The female victims have all been stripped and stabbed but none of the women was raped. Putting two and two together, Maigret determines that the killer was motivated by rage and frustration rather than sex. Maigret Sets a Trap avoids sensationalism in favor of slow-building suspense. Originally released in the U.S. as Inspector Maigret, the movie was retitled Woman-Bait. ~ Hal Erickson, Rovi

Lantern-jawed French comedian Fernandel plays a dual role in Most Wanted Man. He stars as an ordinary Joe (or ordinary Pierre, perhaps) who is the exact double of a notorious gangster. In the tradition of Edward G. Robinson's The Whole Town's Talking, Fernandel must take the place of the criminal, and vice versa. The toughest hurdle in the charade is fooling the gangster's mistress "Mademoiselle", played by Zsa Zsa Gabor (who unlike Fernandel has trouble playing one role). Eventually Zsa Zsa takes a liking to the "nice" Fernandel and helps him collar the rest of the crooks. Most Wanted Man was first released in the U.S. as Most Wanted Man in the World; it was initially screened in France in 1953 as L'Ennemi Public No. 1. ~ Hal Erickson, Rovi

Fernard Gravet may look like a natural-born philanderer in Ma Femma est Formidable, but appearances are deceiving. Condemned without evidence as a "rake" by his dimwitted wife Sylvia (Sophie Desmarets) and his monstrous in-laws, Raymond Corbier (Gravet) is further bedeviled by the unwarranted advances of man-chasing Marguerite Rival (Simone Valere). Before long, the whole melange looks like a Leon Errol 2-reeler, complete with fake suicides, slapstick and a wisecracking parrot. While it may not seem like such a much to American viewers, Ma Femme est Formidable was a hit in France; in fact, it won several awards at various French film festivals. The film was directed by Andre Hunebelle, who was undoubtedly gratified that he gave up his previous occupation of glassmaker when the box-office take began rolling in. ~ Hal Erickson, Rovi