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Sheila Florance Movies

1991  
PG13  
Australian director Paul Cox, skilled at intense psychological stories about lone souls looking for comfort in a cold world, was at his best with this original script co-written by the director and Barry Dickins. Martha is a 78-year-old woman living out her final days. Not a maudlin tale of a lonely woman wasting away, A Woman's Tale focuses on a human who manages to maintain an amazing vitality in the face of death. She encourages her young nurse, Anna (Gosia Doborowolska), to use her flat for romantic trysts; she looks in on Billy (Norman Kayes), an elderly neighbor, and she resists attempts by her son Johanathan (hris Haywood) to place her in a nursing home. Sheila Florance's performance as Martha is a marvel, especially given the art-imitates-life aspect of production: Florance was terminally ill, and she died soon after she was nominated for the Best Actress Award for Australia's Academy Awards. ~ Tom Wiener, Rovi

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Starring:
Sheila FloranceGosia Dobrowolska, (more)
 
1990  
 
In this tragicomedy, Luke and Boady O'Hagan (Ben Mendelsohn and Mark Little) are brothers who live together in a seedy section of Melbourne. Luke is in all respects an upstanding citizen. The only thing the least bit unusual is his clandestine romance with a Greek-Australian teacher; it's clandestine because her conservative parents would be horrified to know that she was seriously considering marriage to a non-Greek. Boady, on the other hand, is a highly exciteable fellow, given to living on the edge. When one of the drug deals he is involved with goes wrong, all three of them, along with Boady's pregnant girlfriend, must go into hiding. ~ Clarke Fountain, Rovi

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Starring:
Ben MendelsohnMark Little, (more)
 
1990  
 
Bernard (Chris Haywood) is clearly someone with an obsessive personality, as witnessed by his lifelong love affair with old-time clocks. He even earns his livelihood by finding, selling, and repairing them. However, obsessions aside, he seems a decent sort, happly involved in a relationship with Terese (Gosia Dobrowolska), the wife of a clueless Salvation Army major. When Bernard discovers a lock of golden hair in a very old cabinet, a new obsession develops: he literally falls in love with it. He talks to it, he fondles it, he even has sex (of a sort) with it. As he does, he grows every more detached from real life. However, his living girlfriend is not going to take this sort of thing lying down, and she energetically works to win him back. This tale is based on a 19th century story, Le Chevelure, by French author Guy de Maupassant. ~ Clarke Fountain, Rovi

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Starring:
Chris HaywoodGosia Dobrowolska, (more)
 
1987  
PG  
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known. ~ Hal Erickson, Rovi

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Starring:
Melita JurisicChris Haywood, (more)
 
1986  
R  
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Isabelle Huppert plays a French woman who travels to Australia after leaving her husband. Injured in an accident, Huppert is in danger of losing her sight. Her friends try to get her to "bond" with blind doctor Robert Menzies, who possesses a greenhouse full of cactus. In the big "Author's Statement" scene, Menzies likens his cactus to people who need special care, even though they seem to bloom only when neglected. The arrival of Isabelle's husband Jean-Pierre Mignon only serves to solidify the relationship between "human cacti" Huppert and Menzies. ~ Hal Erickson, Rovi

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Starring:
Isabelle HuppertRobert Menzies, (more)
 
1979  
R  
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This stunning, post-apocalyptic action thriller from director George Miller stars Mel Gibson as Max Rockatansky, a policeman in the near future who is tired of his job. Since the apocalypse, the lengthy, desolate stretches of highway in the Australian outback have become bloodstained battlegrounds. Max has seen too many innocents and fellow officers murdered by the bomb's savage offspring, bestial marauding bikers for whom killing, rape, and looting is a way of life. He just wants to retire and spend time with his wife and son but lets his boss talk him into taking a peaceful vacation and he starts to reconsider. Then his world is shattered as a gang led by the evil Toecutter (Hugh Keays-Byrne) murders his family in retaliation for the death of one of its members. Dead inside, Max straps on his helmet and climbs into a souped-up V8 racing machine to seek his bloody revenge. Despite an obviously low budget and a plot reminiscent of many spaghetti Westerns, Mad Max is tremendously exciting, thanks to some of the most spectacular road stunts ever put on film. Cinematographer David Eggby and stunt coordinator Grant Page did some of their best work under Miller's direction and crafted a gritty, gripping thrill ride which spawned two sequels, numerous imitations, and made Mel Gibson an international star. One sequence, in which a man is chained to a car and must cut off a limb before the machine explodes is one of the most tense scenes of the decade. The American version dubbed all the voices -- including Gibson's -- in a particularly cartoonish manner. Trivia buffs should note that Max's car is a 1973 Ford Falcon GT Coupe with a 300 bhp 351C V8 engine, customized with the front end of a Ford Fairmont and other modifications. ~ Robert Firsching, Rovi

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Starring:
Mel GibsonJoanne Samuel, (more)
 
1977  
 
An Australian film directed by Ken Hannam, this is one of the lesser-recognized movies of the Australian New Wave of the 1970s. It's about an urbane schoolteacher, Simon Robinson (Nick Tate), who takes a job on a small island off the Australian coast after the schoolteacher there has mysteriously vanished. It's a spooky place, and the locals are unhelpful as Robinson tries to piece together the puzzle of his predecessor's disappearance. Robinson realizes that he's in increasing danger as he begins to discover the mystery, but he feels compelled to continue his investigation. The pace is slow and the mood is haunting in this story of an outsider's attempts to break the code of a local culture. ~ Michael Betzold, Rovi

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Starring:
Nick TateJohn Waters, (more)
 
1976  
 
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Fred Schepsi wrote and directed this tense melodrama which takes place at a Roman Catholic boarding school. The film deals with the charged emotional tensions of a group of pubescent boys, who find their sexual urges stifled by the school's oppressive atmosphere. Depicting the chaste lifestyle of the religious functionaries, the burgeoning sexual desires of the young men are bottled up until they are ready to explode. ~ Paul Brenner, Rovi

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Starring:
Arthur DignamNick Tate, (more)
 
1975  
 
Several female hitchhikers have been murdered in a small Australian seacoast community. The principal suspects are brothers Robert and Mark Gifford (George Mallaby and John Waters). One is an apparently helpless paraplegic, but this doesn't necessarily mean that the filmmakers are going to cop out with the "least likely suspect" revelation. We do know, however, that each brother is covering up for the other. Director/writer Tim Burstall imbues this filming of Russell Braddon'snovel Endplay with his expected healthy vulgarity and leering voyeurism. ~ Hal Erickson, Rovi

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Starring:
George MallabyJohn Waters, (more)
 
1974  
 
This comedy follows the exploits of Tony Petersen (Jack Thompson), a mature married man with two children who decides to go back to school for an undergraduate degree. Tony has one problem, which he probably feels is only a minor complication: he is like catnip for women. Luckily for him, he likes them back. Luckier still, his wife understands this. When things on the campus get dicey for a young woman, the incredible social skills of Petersen enable him to save the day. ~ Clarke Fountain, Rovi

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Starring:
Jack ThompsonJacki Weaver, (more)
 
1964  
 
In this Australian drama, a killer on the run is found lying flat on his face in a wet clay bank. He is rescued by potters who shelter him within their community. There he falls in love with a woman. Unfortunately, another man who has been calling upon the woman gets jealous and turns the fugitive in to the cops. The woman gets revenge. ~ Sandra Brennan, Rovi

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