Suzanne Flon Movies

A fresh-faced orphan from the provinces labors away at the last old-fashioned café on Avenue Montaigne as the Paris theater elite prepare for the biggest night of the year in Jet Lag director Danièle Thompson's whirlwind comedy of intersecting lives. Jessica (Cécile De France) may have been orphaned at the tender age of four, but her doting grandmother (Suzanne Flon) did her best to bring the motherless girl up right. A one-time ladies' room attendant at The Ritz, Jessica's grandmother was a woman well known for her extraordinary taste. Upon arriving in Paris to work as a waitress at a modest café nestled between a renowned concert hall, a venerable theater, and a high-profile auction house, Jessica soon finds herself interacting with a curious cross section of the thriving entertainment industry. As rehearsals for the upcoming shows get under way and Jessica is assigned the task of delivering food to the hardworking actors and low-earning stagehands, she soon discovers that even the most famous of people are often forced to make difficult decisions in life.

Jean-François Lefort (Albert Dupontel) is a classical pianist whose devoted wife has him booked at venues across Europe for the next six years. As the free-spirited musician struggles to eschew the formality of his upcoming concert appearance, self-made businessman Jacques Grumberg (Claude Brasseur) takes time out from his May-December romance and his stressful medical treatment in order to auction off a collection that he has been building his entire life and reach out to his estranged intellectual son, Frédéric (Christopher Thompson). Meanwhile, back on the theater front, popular television actress Catherine Versen (Valérie Lemercier) prepares to star in a farcical play, a famous American film director (Sydney Pollack) begins auditioning actors for an upcoming film about Jean-Paul Sartre and Simone de Beauvoir, and a cheerful concierge on the verge of retirement (Dani) enjoys her final stint rubbing elbows with the biggest and brightest stars in Paris. ~ Jason Buchanan, All Movie Guide

In this erotic drama, Marcel (Ralph Michael) fantasizes about being with his daughter-in-law Simone (Beatie Edney) after the death of his wife. The woman pretends to be surprised over his attention but does nothing to discourage his advances. He promises to build her a swimming pool in order to further his fantasies. The story is taken from the novel by Junichiro Tamizaki. ~ Dan Pavlides, All Movie Guide

A doctor gains a new perspective on her life and career when she faces a life-threatening illness in this drama. Francoise (Annie Girardot) is a French physician with a very busy schedule. While she's well respected by her patients and colleagues, she has precious little time to spend with her husband Gerard (Francois Perier), her pregnant teenage daughter Elisabeth (Isabelle Huppert), or her sullen son Julien (William Coryn). She somehow manages to find time for her lover Daniel (Jean-Pierre Cassel), but Francoise's life is already starting to fray at the edges when she receives the upsetting news that she has cancer. Francoise, however, learns to put on a brave face and faces her disease and its difficult treatment with optimism and a fierce resolve. Annie Giradot's performance in Docteur Francoise Gailland earned her a Cesar (the French Academy Award). ~ Mark Deming, All Movie Guide

When Catherine (Nathalie Baye) is caught with her illicit lover by her father-in-law Paul (Michel Serrault), the concerned father leaves to tell his son Thomas (Francois Dunoyer) about the incident. Paul is injured in an auto accident and returns home in a wheelchair unable to speak. Catherine's guilt weighs heavily on her as she hopes to never let Thomas know she was unfaithful. She panics and seeks a way to eliminate Paul in this psychological thriller. ~ Dan Pavlides, All Movie Guide

Acclaimed director Tony Gatlif spins this wildly anarchic tale about three young punks, a bevy of cinematic inside jokes, and a talking stork. Otto and Louna (Romain Duris and Rona Hartner), along with their brainy pal Ali (Ouassini Embarek), rescue a wounded stork who turns out to be an illegal immigrant and a deserter from the Algerian army. The car-thieving, gun-toting crew helps the bird to freedom while rubber-stamping new films with such epithets as "tripe" and shooting someone for insulting the good name of Jean Vigo. ~ Jonathan Crow, All Movie Guide

The year is 1914, and as World War I continues to rage across the European countryside, four individuals stuck on the front lines find themselves faced with the unthinkable in director Christian Carion's Academy Award-nominated account of the true-life wartime event that would offer hope for peace in mankind's darkest hour. When the war machines began rolling in the summer of 1914, the devastation that it waged upon German, British, and French troops was palpable. As the winter winds began to blow and the soldiers sat huddled in their trenches awaiting the generous Christmas care packages sent by the families, the sounds of warfare took a momentary backseat to the yearning for brotherhood among all of mankind. It is here that the fate of a French lieutenant, a Scottish priest, a German tenor, and a Danish soprano's lives were about to be changed forever. On Christmas Eve of that year, the lonely souls of the front lines abandoned their arms to reach out to their enemies on the battlefield and greet them with not anger or hostility, but with the simple, kindly gesture of a much needed cigarette or a treasured piece of chocolate, and to put their differences aside long enough to wish their brothers a sincere "Merry Christmas!" ~ Jason Buchanan, All Movie Guide

The material is better than the execution in the French La Belle Image. The story concerns a plain-looking young man named Raoul (Frank Villard). Ignored by the "beautiful people," Raoul resigns himself to a lonely existence. After surviving an accident, however, his face is restructured by plastic surgery. The "new," handsomer Raoul suddenly finds himself a much-sought-after commodity--though, deep down inside, he still regards himself as inferior. Curiously, director Claude Heymann seems to believe that his story and characters will take care of themselves, without such frivolities as timing and pacing. ~ Hal Erickson, All Movie Guide

Albert (Hardy Kruger) is a Franciscan monk and a medical orderly at a monastery in France. Although he is German, the kindly monk helps hide French resistance members and gives medical treatment to anyone who needs it. Albert helps two Frenchmen who escape from a Nazi prison, and he tries to maintain the delicate balance between the warring factions by helping out the afflicted and not getting involved in political ideology. This film, based on a true story from the novel by Marc Toledano, was released nearly 23 years after the end of World War II. Some students of history allege that the French resistance was a much more insignificant affair than is shown in post-war films and express great bitterness about all Franco-German collaboration during the war. ~ Dan Pavlides, All Movie Guide

This poetic French drama about the inner experience of a returning World War I soldier, is based on the much-loved and highly regarded novel La Vouivre by Marcel Ayme. Georges Wilson, a well-established presence on the French stage, makes his filmmaking debut as a screenwriter and director. A "vouivre" is a wood-nymph, beautiful but completely lacking in human sensibilities. At the start of the film, Arsene (Lambert Wilson), a discharged soldier, returns to his family's farm. His return provokes quite a reaction, as he had been presumed dead. He is tormented by memories of the war, and finds brief consolation in his experiences with the wood-nymph (Laurent Treil). However, despite her magical qualities, it becomes clear that even a peasant farmer has more richness and depth to his character than the soulless "vouivre" can ever attain. In the novel, it's not clear whether the wood-nymph is real or the product of hallucinations caused by a head injury Arsene sustained in the war. In this movie version, the reality of the "vouivre" is never questioned. ~ Clarke Fountain, All Movie Guide

Originally titled Le Soleil des Voyous, Action Man teams two veteran international film stars: France's Jean Gabin and America's Robert Stack. Gabin plays an ex-criminal, now reformed and ensconsed in a respectable executive job. Stack plays an unreconstituted crook who wants to inveigle Gabin into one last caper. The crime goes off like clockwork, but drug dealers who want a piece of the action kidnap Gabin's wife Suzanne Flon and hold her for ransom. Stack ends up sacrificing his own life to save those of Gabin and Flon. Based on a novel by J. M. Flynn Action Man is the sort of bread-and-butter fare that director Jean Delannoy, famed for his earlier spiritual classics La Symphonie Pastorale (1946), Le Jeux Sons Faits (1947) and Diary of a Country Priest (1950), dealt with in his twilight years. In certain gamier markets, Action Man was released as Leather and Nylon. ~ Hal Erickson, All Movie Guide

A lighthearted and nostalgic drama about life among a group of close-knit friends, Les Enfants du Marais/Children of the Marshland tells the tale of a girl named Cri-Cri, who in flashback recalls growing up in a community along a quiet marsh in France. Her father, Riton (Jacques Villeret), has a good heart but a weakness for wine, and has never entirely gotten over being left by his wife (and Cri-Cri's mother), even though he's since remarried. His best friend is Garris (Jacques Gamblin), a laborer who lives in a cabin left to him by an old friend (Jacques Dufilho) and finds himself infatuated with Marie (Isabelle Carre), who works as a domestic in a nearby town. Both men are still dealing with their experiences from World War I, as is their friend Mr. Richard (Michel Serrault), who turned a junk business into a successful metal foundry but still visits his old pals at the marsh, because he feels they're the only ones who understand him. Despite lukewarm reviews, Les Enfants Du Marais/Children of the Marshland proved to be a significant box office success on its initial release in France. ~ Mark Deming, All Movie Guide

In this poetic slice-of-life film that reveals the problems and needs of a group of lowlife characters, unwed mother Vivaine (Dominique Labourier) falls in love with working-class youth Francois (Patrick Chesnais) who has a shady past. Albert (Philippe Noiret), a no-good insurance con-artist, poses for many years as Francois' friend, but tragedy ensues when Albert comes between the lovers, and Francois and Albert resort to physical violence to settle their differences ~ Clarke Fountain, All Movie Guide