Sam Flint Movies

Sombra, the Spider Woman is the feature-film abridgement of the 1947 Republic serial The Black Widow (which explains why a number of the listed actors had died by this film's listed year of release). The formidable Carol Forman stars as Sombra, whose fortune-telling establishment serves as a front for a vast criminal empire. Making things trickier for hero Steve Colt (Bruce Edwards) is the fact that Sombra is a master (or mistress) of disguise. Colt and plucky girl reporter Joyce Winters (Virginia Lindley) try to prevent Sombra from stealing the plans for a revolutionary atomic rocket engine. This is one serial in which the male actors are thoroughly overshadowed by the female leads. ~ Hal Erickson, Rovi

The unlikely duo of Steve McQueen and Jackie Gleason star in this military comedy-drama. Gleason is Master Sergeant Max Slaughter, a corpulent man perfectly content with his solitary life in the Army, where his room and board are paid for and free sodas are his for the taking. His comrade, the more ambitious Sergeant Eustis Clay (McQueen), looks forward to leaving the service and making a big success of himself in business. Nevertheless, Eustis worships the ground that the kindly Max walks on and introduces him to a pretty teenager, Bobby Jo Pepperdine (Tuesday Weld). This sets off the ire of Bobby Jo's would-be suitor Sergeant Fred Lenahan (Lew Gallo), a tough military policeman who's already got a bone to pick with Eustis, leading to a tragic turn of events for Eustis and Max. The script for Soldier in the Rain (1963) was co-written by Blake Edwards. ~ Karl Williams, Rovi

In this family-oriented comedy, Snow White is taken to the woods to be killed at the behest of her evil stepmother and ends up abandoned and alone. Fortunately she stumbles across a charming cottage inhabited by the Three Stooges, and comical fairy-tale chaos ensues. ~ Iotis Erlewine, Rovi

In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, Rovi

In this tearjerker, a morally disparate father and son attempt to reconcile their differences. The father is a major construction magnate who has dreamed of his son taking over the lucrative family business. The father's heart is devastated when the son decides to become a missionary after graduating with an engineering degree and a great rift is formed between them, one that does not heal until a terrible tragedy ensues. ~ Sandra Brennan, Rovi

In this dark drama, a schizophrenic is forced out of his hospital due to overcrowding, and his doctors tell him to avoid stressful situations. He goes to a beachside motel and likes both the area and the owner's daughter. Her father discovers that he is a mental patient and threatens to have him recommitted unless he leaves his daughter alone. The schizophrenic snaps momentarily, killing him, and he and the daughter flee down the beach. He tries to kill her by pushing her into the water, but comes to his senses and rescues her. He ends up turning himself in. ~ Steve Huey, Rovi

Forrest Tucker stars in this yeoman Republic actioner. A short-term railroad freight line is threatened with extinction by a swifter trucking service. Keith Larsen is Tucker's business opponent, as well his rival over the affections of the beauteous Barbara Britton. When the train service evinces signs of survival, the truckers start playing dirty. Night Freight was directed by western veteran Jean Yarborough, who proved that his many years in the TV-sitcom world had not diminished his ability to stage action sequences. ~ Hal Erickson, Rovi

Newcomer Kelly Ryan plays Kate, The Outlaw's Daughter, in this medium-scale western. Led astray by outlaw leader Jess (Bill Williams), Kate joins Jess' gang and follows in her dad's footsteps. Town marshal Dan (Jim Davis) tries his best to reform the girl, but this proves difficult inasmuch as Kate holds Dan responsible for her father's death. Only after most of the bad guys have been decimated by Dan does Kate discover the true identity of her dad's murderer. Having fallen in love with Kate, marshal Dan offers to let her escape prosecution, but she's made of sterner stuff than that. ~ Hal Erickson, Rovi

The Vanquished represented another winner from Paramount's Pine-Thomas unit. John Payne plays Rock Grayson, a Civil War POW who returns to his Southern home to find carpetbagger Roger Hale (Lyle Bettger) in charge of things. An old enemy of Grayson's, Hale has commandeered the Grayson family-mansion as his headquarters. He has also set his sights upon Grayson's girlfriend Jane Colfax (Colleen Gray) as his own. Urged by the townsfolk to spearhead a revolt against the despotic Hale, Grayson surprises everyone by agreeing to become Hale's chief tax collector. What no one knows is that Grayson is secretly planning to gather enough evidence to topple Hale through legal methods. Even so, the film is capped by a cathartic outburst of violent action. The Vanquished is based on a novel by cinematographer/screenwriter/director Karl Brown. ~ Hal Erickson, Rovi

Disreputable wanderer Wes Anderson (Fred MacMurray) has been thrown in a frontier town calaboose, accused of being a "moonlighter" -- a cowpuncher who herds cattle by day and steals them by night. When Anderson escapes from jail, another man is falsely accused of Wes' crimes and is promptly lynched. Driven by guilt and revenge, Wes is determined to punish those responsible for the hanging, and to pay for a decent funeral for the innocent victim. In doing this, however, Wes turns from moonlighting to bank robbing, and it is up to his erstwhile sweetheart, Rela (Barbara Stanwyck) to bring him to justice. Along the way, Wes' criminal tendencies have tragic consequences for his hero-worshipping brother, Tom (William Ching). Originally released in 3-D, The Moonlighter is currently available only in 2-D, its only novelty value being the re-teaming of Double Indemnity stars Fred MacMurray and Barbara Stanwyck (who would again work together three years later in the low-key domestic drama There's Always Tomorrow). ~ Hal Erickson, Rovi

By virtue of the popularity of his TV series The Range Rider, Jack (later Jock) Mahoney is afforded almost as much screen time in Hawk of the Wild River as the film's official star Charles Starrett. In fact, since Mahoney doubles for Starrett in certain sequences, it could be argued that his part is larger. This 53-minute "Durango Kid" western finds Starrett adopting his "Durango" disguise to find out who's behind a series of stagecoach holdups. The miscreant turns out to be "The Hawk" (Clayton Moore, the "Lone Ranger" himself!) Mahoney plays a deputy sheriff who helps the Durango Kid bring The Hawk to justice. ~ Hal Erickson, Rovi

The titular Lusty Men are rodeo riders in this modern-day western, assembled with a touch of the offbeat by director Nicholas Ray. Former rodeo star Robert Mitchum, disabled by a series of accidents, hobbles back to his Oklahoma hometown in hopes of replenishing his bank account. Aspiring bronco-buster Arthur Kennedy hires Mitchum to train him for an upcoming rodeo, promising that they'll split the winnings. It doesn't take a crystal ball to predict that Mitchum will soon fall hard for Kennedy's wife Susan Hayward; she can take Mitchum or leave him, but decides to take him so that he'll continue to train Kennedy. After a falling out, Mitchum quits his job and enters the rodeo himself, hoping to win the prize from the arrogant Kennedy. He proves he still has what it takes, but does so at the price of his life. The Lusty Men was co-adapted by one-time cowboy David Dotort from a Life magazine story by Claude Stannish. ~ Hal Erickson, Rovi