Helen Flint Movies

Like most of 20th Century-Fox's "Michael Shayne"detective series, Time to Kill was based on a source other than Brett Halliday's Shayne stories. In this case, the inspiration was The High Window, a "Philip Marlowe" mystery novel by Raymond Chandler. Substituting for Marlowe, of course, is flippant private eye Mike Shayne, again played by Lloyd Nolan. Hired by wealthy Mrs. Murdock (Ethel Gryffies) to retrieve a stolen rare coin, Shayne runs up against a clever gang of counterfeiters. The film's highlight (and ultimate plot resolution) is a murder in a high-rise building, covertly captured on movie film with a telephoto lens. The final entry in Fox's "Shayne" series, Time to Kill was remade in 1947 as The Brasher Doubloon, with George Montgomery as Philip Marlowe. ~ Hal Erickson, All Movie Guide

This hard-hitting, socially conscious drama, the sort of story that Warner Bros. made their hallmark in the 1930s, concerns a factory worker named Frank Taylor (Humphrey Bogart), who is convinced that a big promotion is right around the corner for him. However, the promotion goes to a harder-working Polish immigrant named Joe Dombrowski (Henry Brandon). Angry and upset, Frank is approached by members of a secret organization called the Black Legion, who believe in "America for Americans" and want to drive away immigrants and racial minorities through violent means. Wearing black robes, Frank and the other members of the Legion go on a torchlight raid, driving Dombrowski and his family from their home. With Dombrowski gone from the plant, Frank gets the job, which means more money and a higher standard of living for him and his family. But his outlaw activities with the Legion begin taking up more of his time (and his money, as they make a healthy profit selling robes, weapons, and racist geegaws to their membership), which drives a wedge between Frank and his wife Ruth (Erin O'Brien-Moore). Frank begins drinking and starts slapping Ruth around; she leaves him, and Frank takes up with a floozie named Pearl (Helen Flint). Ed (Dick Foran), a good friend of Frank's, sees that his buddy is drinking too much and ruining his life, so he tries to step in and express his concern. His tongue loosened by alcohol, Frank tells Ed about his secret life with the violent Legion; the next morning, Frank is afraid that Ed might inform on him to the police, so he tells the Legion leadership what has happened. They subsequently order Ed to be captured and executed. While Warner Bros. attempted to avoid the wrath of Black Legion and Ku Klux Klan members by stating that all characters and institutions were entirely fictional, Black Legion was still a brave attack on hate groups, given that lynchings were not uncommon in parts of the United States in the mid-1930s. ~ Mark Deming, All Movie Guide

Johnny Downs takes a break from his usual campus musicals to play a small-town songsmith in Blonde Trouble. Attempting to make it big in New York, Downs falls victim to con artists, back-stabbing agents and vainglorious "artistes." But with the help of down-to-earth Eleanor Whitney, Downs pens a hit song that plants him firmly on Easy Street. The best lines go to seasoned comedy pros Lynne Overman and William Demarest. The music in Blonde Trouble was co-written by Burton Lane, several years removed from his Broadway hit Finian's Rainbow. ~ Hal Erickson, All Movie Guide

David O. Selznick's first independent production upheld the producer's tradition, established at Paramount, RKO and MGM, of bringing the "classics" to the screen. Adapted by Hugh Walpole from the novel by Frances Hodgson Burnett, Little Lord Fauntleroy is set in the late 19th century. After establishing Freddie Bartholomew as a likeable Brooklyn boy who can handle himself in a scrap--with the assistance of his roughneck pal Mickey Rooney, of course--the film introduces us to Bartholomew's mother, played by Dolores Costello-Barrymore (though divorced from John Barrymore, Mrs. Costello-Barrymore was still billng herself by her married name). Costello-Barrymore is the widow of a titled Englishman, whose father, the aristocratic Sir C. Aubrey Smith, detests all Americans with equal fervor. Upon discovering that Bartholomew is the rightful heir to his fortune, Smith demands that Costello-Barrymore deliver the boy to his sprawling English country estate. Now addressed by one and all as Lord Fauntleroy, Bartholomew chafes at the restrictions imposed upon him by his station in life. The boy's good nature and forthrightedness wins his grandfather's respect-and, eventually, the old man's love. When pasty-faced Jackie Searl, a false claimant to Bartholomew's title, shows up, Bartholomew's American pals, led by Rooney, set things right. His hard heart softened at last, Smith stage-manages a happy reunion between Bartholomew and Costello-Barrymore. Expertly sidestepping the "sissy" onus that has been unfairly placed upon the original Burnett novel, Little Lord Fauntleroy scored well at the box office. Other versions of this venerable tale have starred Mary Pickford (as both Fauntleroy and his mother) and Ricky Schroder. ~ Hal Erickson, All Movie Guide

In one of the best Charlie Ruggles-Mary Boland vehicles of the 1930s, Ruggles plays a mild mannered husband prone to sleepwalking. His nocturnal prowlings cause no end of embarrassment for his wife (Mary Boland), especially since Ruggles is a more aggressive personality when asleep. Eventually, Ruggles' midnight wandering gets him mixed up with gangsters. It looks bad for our stars, but Ruggles and Boland manage to wriggle out of the dilemma and into a happy ending. Early to Bed was scripted by versatile character actor Lucien Littlefield, who plays a small part in this film and had previously appeared with Ruggles and Boland in the memorable Ruggles of Red Gap (36). ~ Hal Erickson, All Movie Guide

Based on a mystery novel by Mignon Eberhardt, While the Patient Slept stars Aline MacMahon as Eberhardt's middle-aged amateur sleuth, Nurse Sarah Keate. Our heroine is summoned to the home of millionaire Adolphe Federie (Robert H. Barrat), who has suffered a stroke. Federie sleeps through an incredible series of intrigues involving family secrets, stolen heirlooms, and other such niceties. When a murder occurs, it's up to the efficient Nurse Keate to solve the mystery. Still, nursie finds time to pursue a cute romance with cherubic Lance O'Leary (Guy Kibbee). While the Patient Slept was part of Warner's brief "Clue Club" series, which also included the studio's Perry Mason mysteries (Incidentally, Hollywood's subsequent "Sarah Keate" films tended not only to alter the name of the nurse protagonist, but also her age: In one picture, she was played by "oomph girl" Ann Sheridan!) ~ Hal Erickson, All Movie Guide

Warner Bros.' Devil Dogs of the Air is very much a "formula" picture -- but what a wonderful formula it is! James Cagney plays reckless stunt flyer Tommy O'Toole, who is encouraged to join the Marine Flying Corps by his old Brooklyn buddy Lt. William Brannigan (Pat O'Brien). An undeniably talented flyboy, Tommy is also brash, obnoxious and pugnacious, quickly earning the enmity of his fellow trainees. He even falls out with Brannigan over the affections of pretty waitress Betty Roberts (Margaret Lindsay). Very nearly "washing out" of the service, Tommy is eventually brought into line by the combined efforts of Brannigan, Betty, and the rest of the "devil dogs." After earning oodles of money for Warners during its first release, Devil Dogs of the Air proved equally as successful when it was reissued six years later, just before America's entry into WW II. ~ Hal Erickson, All Movie Guide

Doubting Thomas is the 1935 film version of George Kelly's satirical comedy The Torch Bearers, tailored for the talents of Will Rogers. Billie Burke, Will's wife, becomes so involved in a local amateur theatre group that she has no time for her husband. In retaliation, Will pretends to "go Hollywood," proving that he is stage-struck by doing an extended imitation of Bing Crosby. The film's highlight is the "opening night" scene, a cornucopia of missed cues, inappropriate costumes and collapsing scenery. An earlier, silent version of The Torch Bearers has unfortunately been lost to the ages. ~ Hal Erickson, All Movie Guide

Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide

Eight people, many of them strangers to one another, are summoned to a ritzy Manhattan penthouse apartment by an unidentified host. Once everyone has arrived, the servants are dismissed and all the doors and windows are automatically locked. The unseen host's voice is then heard emanating from a radio loudspeaker, explaining that all of the guests are old enemies of his, and that all are doomed to die this very evening! A couple of foolhardy souls try to escape, only to be electrocuted by one or another of the mysterious host's booby traps. Who is the "hidden" murderer --- and whoooooo will survive? Remarkably similar to Agatha Christie's Ten Little Indians (which hadn't been written yet!), Columbia's The Ninth Guest was remade -- without acknowledgment -- as the 1939 Boris Karloff vehicle The Man They Could Not Hang. ~ Hal Erickson, All Movie Guide