Louise Fletcher Movies

Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide

In this made-for-cable television horror thriller, a travel writer visits a historic hotel to write a story about it and inadvertently finds herself on the 13th floor where she witnesses a Satanic rite and tangles with an axe-wielding killer. She escapes, but no one believes her story because the hotel has no 13th floor. ~ Sandra Brennan, All Movie Guide

Megan Turner (Jamie Lee Curtis) is a rookie cop who witnesses a robbery in progress on her first night on the job. With her more experienced partner using the men's room, Megan decides to take action on her own. She creeps into the supermarket where a man (Tom Sizemore in a small role) is holding the clerk at gunpoint. Megan gets close enough to shoot the gunman, and calls out for him to drop his weapon. He spins the gun toward her, and she unloads her service revolver into his chest. His gun goes flying, and a bystander, Eugene Hunt (Ron Silver), surreptitiously picks it up and takes it home. Megan's superiors, unable to confirm that the man she shot was armed, suspend her. Eugene, a wealthy commodities broker, becomes obsessed with Megan. He sets up an "accidental" meeting between them and begins dating her, romancing her with fancy restaurants and helicopter rides over Manhattan. He also carves her name into the bullets he uses to gun down strangers in the street. A tough homicide detective, Nick Mann (Clancy Brown of The Shawshank Redemption), gets Megan's gun and badge back so she can help him track down the psycho killer. Eventually, Megan realizes that Eugene is the killer, but he uses his money and influence to elude the law, and he starts coming after Megan's friends and family. Megan's determination to bring Eugene to justice quickly becomes a very personal obsession. This intense cop drama, Blue Steel, was director Kathryn Bigelow's major studio follow-up to her well-received indie vampire flick, Near Dark. Bigelow co-wrote both films with Eric Red (The Hitcher). ~ Josh Ralske, All Movie Guide

In this thriller, a cool detective and a fussy librarian team up to solve the mystery of a killer who hacks up both art books and his beautiful victims. The story is based on a novel by Jonathan Valin and was made as a cable television pilot. ~ Sandra Brennan, All Movie Guide

Zalman King wrote and directed this soft-core Harlequinesque Romance that plays like Tennessee Williams meets Fredericks of Hollywood. April Delongpre (Sherilyn Fenn) is the daughter of a powerful senator and heiress to an old and respectable Southern family. April is engaged to marry the granite-handsome Chad Douglas Fairchild (Martin Hewitt) within a few days. But Chad has gone to Tuscaloosa to sign papers for their condo and the rest of the family has headed off to the lake, leaving April in the house alone with nothing to do except take long and languid showers--until she sets her eyes on the pecs of carnival roustabout Perry (Richard Tyson). Soon the two are making tasteful love in every nook and cranny of April's mansion. Unfortunately for the two sexual athletes, April's grandmother (Louise Fletcher) has assigned the local sheriff (Burl Ives) to keep an eye on her. And an eye on her he keeps, so that during the wedding ceremony, he has quite a story to tell. ~ Paul Brenner, All Movie Guide

Based on the popular novel by V. C. Andrews, Flowers in the Attic centers on such chancy topics as incest and misguided religiosity. When their father is killed, teenagers Cathy (Kristy Swanson) and Chris (Jeb Stuart Adams), together with their preteen siblings Cory (Ben Ganger) and Carrie (Lindsay Parker), are put in the care of their religious-zealot grandmother (Louise Fletcher). Grandma has never approved of the wanton lifestyle of the kids' mother Corinne (Victoria Tennant), and she has no intention of extending her love to the children. Even worse, Corinne is anxious to win back the love of her estranged father, who, knowing that Corinne and her late husband were cousins and thus incestuously linked, would never approve of any children from this union. Thus, the four children are locked in their grandmother's attic, far from the view of their unforgiving grandfather. How the kids cope with their imprisonment is the heart of the film. ~ Hal Erickson, All Movie Guide

Jay Underwood plays an autistic boy who provides a source of fascination to a new family in town. Never uttering a sound, Underwood spends hours in his backyard, attempting to fly like the birds. Lucy Deakins, the daughter of the new family, befriends Underwood; she is encouraged by teacher Colleen Dewhurst to try to draw the boy out of his shell, and to keep a journal on the subject. Rendered unconscious in a fall, Deakins dreams that Underwood can fly. The boy is suddenly whisked away to an institution, and Deakins despairs that she'll never see him again. ~ Hal Erickson, All Movie Guide

Invaders from Mars, horror-film director Tobe Hooper's remake of the classic 1950's science fiction film, directed by William Cameron Menzies, centers on a young boy named David (Hunter Carson) who tries to stop an invasion of his town as aliens take over the minds of his parents George (Timothy Bottoms) and Ellen (Laraine Newman), his teachers and the townspeople. With the help of the school nurse (Karen Black), the boy enlists the aid of the U.S. Army to help save the world. With makeup effects supplied by Stan Winston and visual effects by John Dykstra, Invaders From Mars is a wild sci-fi feast that hearkens back to the 1950's invasion films, made popular by the original film and others like Invasion of the Body Snatchers. ~ Linda Rasmussen, All Movie Guide

The friendship between a deaf boy and an orangutan skilled in sign language provides the basis of this heartwarming made-for-TV drama. ~ Sandra Brennan, All Movie Guide

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, All Movie Guide

While staying at the Hollins Communication Institute, a stuttering accountant fittingly falls for a squirrel huntress who has a similar speech impediment. ~ Kristie Hassen, All Movie Guide

In this parody on vampire movies, a countess must bathe in virgin blood to keep her youthful appearance. Unfortunately, a good virgin is hard to find these days as her sons, who kidnap prospects from a local fashion boutique, soon discover. She also has a doctor working on developing synthetic blood. ~ Sandra Brennan, All Movie Guide

This expensive production attempts to bring Nobel Prize-winning author Isaac Bashevis Singer's subtle philosophical novel The Magician of Lublin to the screen. In the story, Yasha Mazur (Alan Arkin) is a perfectionistic turn-of-the-century Jewish stage magician, con-man and mystic, who is touring through eastern Europe, at the same time managing to progressively sabotage his own career. In nearly every town Yasha has a girlfriend, from the youthful Zeftel (Valerie Perrine), to the feisty Elizabeta (Shelly Winters). His harassed manager/impressario Wolsky (Lou Jacobi) arranges for him to have one more chance at theatrical success, which requires that he pull off the trick of a lifetime in a Warsaw theater. Reviewers, fans of Singer's works, and ordinary filmgoers all expressed disappointment in this beautifully filmed and ambitious movie, which was a box-office failure. ~ Clarke Fountain, All Movie Guide