Dexter Fletcher Movies

Here's the basic "shtick" of Bugsy Malone: it's a gangster picture enacted by children. Acted out before scaled-down sets, the film details the career of Bugsy Malone (Scott Baio), who rises to the top of the criminal ladder in 1920s New York. Whenever gunfire is called for, the kiddie crooks substitute whipped cream for bullets. Paul Williams contributes several songs, which are performed by adult singers and lip-synched by the pint-sized actors. The cast includes John Cassisi as diminutive Capone clone Fat Sam, and then-13-year-old Jodie Foster as the sultry nightclub thrush Tallulah. ~ Hal Erickson, Rovi

John Mackenzie's masterfully directed British crime drama features a star-making performance by Bob Hoskins as Harold Shand, a successful London gangster whose world falls apart over the course of one weekend. Shand controls the London docks and is planning a big real estate deal, financed by money from the American mob and given the okay by the London organization. His world is sweet -- he lives in a fancy penthouse, he owns a yacht, and has a sensitive and intelligent mistress. But suddenly a bomb explodes inside his Rolls Royce, another bomb destroys a pub he owns, and a third is found inside his casino. Shand can't understand who would suddenly want him dead, particularly over the Easter weekend, when representatives from the American mafia are coming into town to discuss investing in Shands's real estate project. ~ Paul Brenner, All Movie Guide

This period drama about the American Revolution has an overlay of rhetoric that thwarts the action, flattening out the story about a man and his loved ones caught up in the events of the time. Tom Dobb (Al Pacino) falls in love with Daisy McConnahay (Nastassja Kinski), an aristocrat who deserts her class to fight alongside the rebels. Tom teaches his son Ned (Dexter Fletcher) everything he needs to learn, though the growing rebellion consumes most of his attention. Eventually, the Redcoats are mowed down in large battle scenes, as the ragtag Colonialists go to war. ~ Eleanor Mannikka, Rovi

Director Ken Russell applies his trademark excess to this surreal, experimental examination of the creative dementia which shaped Mary Wollstonecraft Shelley's Frankenstein. The story is embellished from events which allegedly took place at the Swiss villa of Lord Byron (Gabriel Byrne) on the night of June 16, 1816. Byron's guests include poet Percy Shelley (Julian Sands) and his future wife Mary (Natasha Richardson); Mary's half-sister Claire (Myriam Cyr) and Byron's leech-happy personal physician Dr. John Polidori (Timothy Spall). Byron promises them a night of horror like only a mad poet can deliver -- after partaking of laudanum and other hallucinogens, the guests tell ghost stories while exploring the dark corridors of his home. From here, Russell dives headlong into madness, discarding plot structure in favor of fever-dream setpieces in which the guests confront living manifestations of their own fears and insecurities -- creative, mortal and sexual, among others. The raging Romantics are also given to lengthy discourse on the nature of fear and the fine line between creative genius and insanity; by the film's end, viewers may find themselves wondering the same thing about the director. Those who may prefer a more subdued speculation on the same theme should seek out Ivan Passer's Haunted Summer. ~ Cavett Binion, Rovi

Across the Lake details the final two months in the life of British "speed king" Donald Campbell, here played by the ubiquitous Anthony Hopkins. Haunted by the spectre of his equally famous father, who years earlier had set the world land speed record, Campbell is determined to carve his own niche by challenged the water speed record in his own personal motored vessel, the Bluebeard. Alas, this undertaking proves to be the headstrong Campbell's undoing. Verteran stage and screen actress Phyllis Calvert makes a rare TV appearance as Donald's mother, Lady Campbell. Across the Lake was telecast by BBC1 in 1988. ~ Hal Erickson, Rovi

Actor Bob Hoskins made his big-screen directorial debut with the British Raggedy Rawney. The time is World War II: a band of gypsies, roaming a country that looks and sounds suspiciously like England, give shelter to Dexter Fletcher, a soldier who has deserted an army comprised of plunderers and rapists. Gypsy leader Hoskins, confused by Fletcher's seemingly lunatic behavior (which can be explained in the context of the picture) becomes convinced that the deserter is conjuring powers that will bring his tribe good luck. The exact opposite happens, leaving Hoskins and his followers at the mercy of the marauding army. The film has the logic of a horrible dream, but it isn't exactly a horror tale. It has moments of offbeat humor, but it's not a comedy. The characters and events are exaggerations of real life, but the film isn't a satire or lampoon. What, then, is Raggedy Rawny. Like we said at the beginning: Raggedy Rawny is the big-screen directorial debut of actor Bob Hoskins.... ~ Hal Erickson, Rovi

In this English drama, set during World War I, a strange, deaf man, known to all as "The Birdman" (Paul Scofield), must enlist the help of young Daniel Pender (Max Rennie) and Gracie Jenkins (Helen Pearce) to prevent the narwhal whales from suffering abuse at the hands of the local islanders. ~ Iotis Erlewine, Rovi

British writer Guy Ritchie made his feature directorial debut with this crime-caper comedy-drama set in London's East End and heavy on the Cockney dialogue (with one scene in subtitled Cockney rhyming slang). A big-bucks scheme goes awry: Cardsharp Eddy (Nick Moran) and pals Bacon (Jason Statham), Tom (Jason Flemyng), and Soap (Dexter Fletcher) scuffle to pile up enough money to put Eddy at the card table opposite gangland porn lord Hatchet Harry (P.H. Moriarty). Unfortunately, the whole plan backfires, leaving Eddy owing Harry a huge sum, payable within the week. In truth, Harry hopes to acquire the bar run by his rival, J.D. (Sting), who is Eddy's father. To raise the cash, Eddy sets out to steal from a marijuana business run by Winston (Steven Mackintosh), but the inevitable gunplay doesn't make for an easy heist. World premiere at the 1998 Edinburgh Film Festival (Focus on British Cinema). ~ Bhob Stewart, Rovi

The troubled friendship and occasional rivalry between two of England's greatest poets, Samuel Taylor Coleridge and William Wordsworth, is explored in an unorthodox light in this historical drama from renegade director Julian Temple. As Coleridge (Linus Roache), Wordsworth (John Hannah), and Lord Byron (Guy Lankester) await the news of who will be Great Britain's new poet laureate in 1816, Coleridge finds himself thinking back to 1795, when he and Wordsworth were two struggling writers involved in radical politics. Embracing the ideal of an agrarian society, Coleridge moves to the country, accompanied by his wife Sarah (Samantha Morton) and their infant son. Wordsworth soon follows, joined by his often argumentative sister Dorothy (Emily Woof). However, the two writers discover the hard work of maintaining a farm is not as conducive to their literary endeavors as they might have imagined, despite taking most available opportunities to shock the local bourgeoisie. It's not until Coleridge discovers laudanum (a tincture of alcohol and opium) that he finds the inspiration to create his first masterpiece, The Rime of the Ancient Mariner. Wordsworth soon finds his friend's fame is far surpassing his own, which brings an uncomfortable jealousy into their relationship; Coleridge, meanwhile, has developed a dangerous fondness for opium, which threatens to drown the creative spirit that it once sparked within him. Pandaemonium received its North American premiere at the 2000 Toronto Film Festival. ~ Mark Deming, Rovi

British director Stephen Frears' political docudrama The Deal was originally broadcast on Channel 4. The film is based on the real-life events that elevated Tony Blair to the seat of Prime Minister. The film shows how the hard-working, but not head-turning, Gordon Brown (David Morrissey) and the flashy Blair (Michael Sheen), two very opposite personalities, forged a working relationship while opposing Margaret Thatcher's government. When the Labor leader, John Smith, dies of a heart attack, on May 13, 1994, everyone believes Brown will ascend to the top of the party. But that isn't what happens.
The film supposes what happened at a historic dinner meeting between Brown and Blair, at Islington, that led directly to Blair's appointment. This film is loosely based on The Rivals, written by James Naughtie. ~ Perry Seibert, Rovi

A mechanic in the British drug trade finds himself caught in the middle of some dangerous circumstances in this crime thriller. XXXX (Daniel Craig) is a nameless go-between in the British mob who buys drugs from underground wholesalers and them sells them to street dealers, keeping the system flowing and making a tidy profit in the process. XXXX is looking forward to getting out of the game, and has displayed both smarts and caution in how he's handled his business, but before his overseer Jimmy Price (Kenneth Cranham) will let him go, he has a couple of favors that need to be done. First, Eddie Temple (Michael Gambon) is a mob boss whose daughter has gotten hooked on hard drugs and run away from home; Jimmy needs XXXX to find them girl and bring her to him before Eddie's men can get hold of her. Second, Dragan (Dragan Micanovic) is a Ecstasy wholesaler who has had a large shipment stolen by Duke (Jamie Foreman); Jimmy wants XXXX to get the Ecstasy back to Dragan, but Duke isn't eager to sell and Dragan is becoming impatient. Between these two matters, XXXX isn't so sure he'll get out of the business alive, especially after he finds himself falling for Duke's nephew's girlfriend, Tammy (Sienna Miller). Layer Cake marked the directorial debut for Matthew Vaughn, best known as a producer for Guy Ritchie's lad-centric crime movies. ~ Mark Deming, Rovi

One of the great stories of doomed love is given a new screen interpretation in this historical drama. After the collapse of the Roman Empire, King Donnchadh (David O'Hara) of Ireland has become the de facto ruler of England, but one of his underlings, Lord Marke (Rufus Sewell), dreams of uniting British forces with an eye toward self-rule. One of Marke's most valuable allies is Tristan (James Franco), Marke's protégé, who has become a brave warrior since he was rescued by the lord after his parents were murdered by Irish forces during a battle. While Marke and Tristan dream of banishing Ireland's presence in England, Tristan has a secret he's been hiding from Marke -- after suffering serious wounds during a hard-fought battle, he was rescued and nursed back to health by Isolde (Sophia Myles), King Donnchadh's daughter, and the two fell deeply in love. But the couple were separated after Tristan returned to England, and when Donnchadh attempts to quell the British uprising by staging a tournament among the nation's greatest warriors, an extreme and rather personal surprise is in store for Tristan. Tristan & Isolde was directed by Kevin Reynolds and produced in part by Ridley Scott, who attempted to bring the story to the screen back in the 1970s. ~ Mark Deming, Rovi