Robert Flemyng Movies

Based on a novel by Muriel Spark (The Prime of Miss Jean Brodie), the British TV drama Memento Mori boasts an impressive cast of veterans, including Maurice Denham, Cyril Cusack, Sir Michael Hordern, Renee Ashershon, and Maggie Smith. The story concerns an eccentric group of senior citizens who are being plagued by a cryptic phone caller. The mystery man (or woman) says only "Remember, you must die!" before hanging up. For a while, it seems as though the domineering Ms. Smith is the instigator of the crank calls, but don't be too sure. Memento Muri premiered in the US as a two-part installment of Masterpiece Theatre, telecast October 25 and November 1, 1992. ~ Hal Erickson, All Movie Guide

British playwright David Hare both wrote and directed the complicated political melodrama Paris By Night. Charlotte Rampling plays a Tory member of the European parliament, who lets absolutely nothing get in way of her ambitions. At present, Rampling is convinced that she is being blackmailed by her ex-business partner Andrew Ray. Upon accidentally meeting Ray, Rampling impulsively murders the man. In a deliciously ironic turn of events, she is approached by Ray's daughter Sinead Cusack, who hopes that Rampling will help her locate her missing dad. Rampling eventually finds out Ray had been innocent all along-but a greater shock awaits her at home, at the hands of her long-neglected husband Michael Gambon. Paris By Night contains far too many cute coincidences to be credible, but this fact doesn't immediately sink in as the audience revels in the film's superlative performances and David Hare's adroit manipulation of people, places and events. ~ Hal Erickson, All Movie Guide

This 1978 re-remake of The 39 Steps adheres more closely to the source novel by John Buchan than Alfred Hitchcock's better-known original, restoring the pre-World War I time frame of the Buchan story. Hannay (Robert Powell) is an innocent bystander, suspected by enemy agents of having intercepted their secret war plans. Pursued by both the spies and the police, Hannay runs for his life in the company of Alex (Karen Dotrice). The Thirty-Nine Steps ends with a "high and dizzy" sequence on the face of Big Ben, borrowed from the 1942 Will Hay comedy My Learned Friend. ~ Hal Erickson, All Movie Guide

Richard Harris dodges bullets from stem to stern in this middling thriller, based on a novel by Alistair MacLean. The plot concerns high-sea hijinks aboard the Caribbean Star, a combination cargo ship and floating casino. In the midst of the high rollers and spinning roulette wheels appears Luis Carreras (John Vernon), an amoral mercenary who hijacks the ship. Taking his marching orders from a mysterious mastermind, he installs an atomic device mid-ship, holding both the passengers and the bomb hostage, hoping to exchange them for the gold bullion of an U.S. Treasury ship. All seems to be going according to Luis's plan until First Officer John Carter (Richard Harris), the attractive Susan Beresford (Ann Turkel), and Dr. Marston (Gordon Jackson) arrive to put a crimp in Luis's escapade. ~ Paul Brenner, All Movie Guide

This historical drama is an account of the early life of Winston Churchill (Simon Ward), including his childhood years, his time as a war correspondent in Africa, and culminating with his first election to Parliament. ~ Linda Rasmussen, All Movie Guide

The Firechasers, a British film, was given what was assumed to be an added boxoffice boost by having an American star, Chad Everett, in the lead. Everett is a journalist who is on the trail of the Persons Unknown who set fire to a warehouse. The newspapermen and insurance investigators who work together to find the arsonist are the "firechasers" of the title, rather than the firefighters. Barely released in the US, The Firechasers was given a network TV slot in the Spring of 1972 thanks to the popularity of Chad Everett's Medical Center series. The film was easily bested in the ratings by a repeat showing of Spartacus on a rival network. ~ Hal Erickson, All Movie Guide

Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the "new attraction" at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?). ~ Hal Erickson, All Movie Guide

John LeCarre's Call for the Dead was the basis for this gloomy, complex spy story. James Mason plays a British secret agent puzzled by the sudden suicide of Foreign Office higher-up Robert Flemyng. Mason had worked on Flemyng's security clearance himself, and can't fathom what personality quirk he might have missed. The agent suspects that the dead man's wife (Simone Signoret), a concentration camp survivor, may hold the answer to Flemyng's despair, but the Foreign Office wants Mason to drop the case. Mason hires retiring Inspector Harry Andrews to do some private detective work. What Mason and Andrews find out is more insidious than they've imagined; worse, Mason is saddled with a new dilemma--his wife (Harriet Andersson) has been unfaithful with a colleague (Maximillian Schell). ~ Hal Erickson, All Movie Guide

Previously adapted for British television in 1957, William Makepeace Thackeray's satirical novel Vanity Fair underwent the miniseries treatment for a second time in 1967 as the first BBC drama filmed in color. Susan Hampshire headed the cast as the vixenish Becky Sharp, a poor farm girl who rose to the upper ranks of British aristocracy during the Napoleonic wars. Alas, Becky's manipulative way with her friends and especially the men in her life eventually brought about her downfall, though she managed to "see the light" in her declining years. Originally telecast in four 50-minute segments, Vanity Fair was reedited as a five-parter when it aired in America as part of PBS Masterpiece Theatre anthology beginning October 1, 1972. This telecast earned Susan Hampshire a belated Emmy award for best actress. ~ Hal Erickson, All Movie Guide

This spy saga differs from the usual Bond-styled fare that was popular at the time. There are plenty of gadgets but the hero Quiller (George Segal) never once uses a gun. Quiller is called on by his superior Pol (Alec Guinness) to infiltrate a Neo-Nazi gang in Berlin after two British agents have been killed on the same mission. After a teacher at a school has hanged himself when he is accused of being a war criminal, Quiller meets the late teachers replacement, the lovely Inge (Senta Berger). He willingly goes home with her before being beaten, drugged, and kidnapped by Nazi thugs, but the head Nazi Oktober (Max Von Sydow) allows Quiller to escape in hopes he will lead them to Pol. Quiller is captured again and given until morning to reveal information or he and Inge will die. George Sanders and Edith Schneider make the most of their limited screen time with fine performances. ~ Dan Pavlides, All Movie Guide

This routine wartime drama is set at sea and involves a British convoy trying to elude a group of German U-Boats. After one of the U-Boats is singled out and captured, the British admiral in charge of the current operation hits upon an ingenious but almost suicidal way of defeating the Nazi boats. He orders Lt. Commander Tarlton (Edward Judd) and a group of men to get in the captured U-Boat and then join the other U-Boats as though they had simply wandered off course for awhile. If done quickly and efficiently, Tarlton should be able to radio back the position of the enemy for a fast British offensive. Not an easy task in itself, and made much worse considering that the RAF and other British ships are going to consider the decoy U-Boat to be the enemy. ~ Eleanor Mannikka, All Movie Guide

Italian director Mario Bava took a brief hiatus from horror films to make this fairly interesting Viking-themed adventure. Iron (Cameron Mitchell) is a Viking leader whose long-lost brother Erik (Giorgio Ardisson) was raised by Queen Alice of England. Alice's counselor, Gunnar (Andrea Checchi) betrays her and helps the Vikings take over, while the shipwrecked Erik is nursed back to health by Rama (Alice Kessleri), the twin sister of Iron's wife Daja (Ellen Kessleri). Naturally, Erik returns home and must fight Iron and defeat Gunnar in order to save the country. It doesn't quite work out that way, however, as the ruthless counselor kills Iron, leading the Vikings and British to join forces with Erik and take Gunnar down. ~ Robert Firsching, All Movie Guide