Rhonda Fleming Movies

Maxwell Smart, the infamous Agent 86 from the '60s television sitcom Get Smart makes his feature-film debut in this goofy espionage spoof. This time, Smart and his cohorts must stop enemy spies from detonating a bomb that would destroy all the world's clothing. On television, the film was renamed The Return of Maxwell Smart. ~ Sandra Brennan, All Movie Guide

Prolific character actor Ed Lauter enjoys one of his few starring roles in this made-for-TV mystery yarn. Set in the 1940s, the film casts Lauter as Bud Delaney, a former policeman who was bounced from the force after being framed by a mysterious higher-up. As he tries to track down the person responsible for his firing, Delaney keeps food on the table by working as a house detective in a seedy Hollywood hotel, moonlighting as a private eye. Along the way, he gets mixed up in the theft of a movie star's jewelry and the murder of a pompous gambler--two seemingly diverse crimes that are actually, and inextricably, linked together. Originally telecast April 19, 1975 by NBC, Last Hours Before Morning was the pilot film for the unsold weekly series Delaney. ~Saw Film/TV Guide/Goldberg/Marrill/Internet ~ Hal Erickson, All Movie Guide

Ugo Tagnazzi and Rhonda Fleming co-star in this situation comedy that spoofs the lifestyles of wealthy American women. Ricardo (Tognazzi) is a teacher who accompanies an American businessman to act as an interpreter. Soon he is off on a series of adventures that brings him into the jet-set social life of the idle rich females of New York, Miami, and Texas. ~ Dan Pavlides, All Movie Guide

A navy jet piloted by Captain Dale Heath (Efrem Zimbalist Jr.) and carrying a junior officer (Troy Donahue), making a quick hop across country on leave, has already taken off when Heath realizes that both his radio and his navigation equipment have malfunctioned. They might be on the right course, but he can't tell if they're at the right altitude -- 500 feet too high or too low would put him in the path of a plane headed in the opposite direction -- and he can't get through to ground control to get a fix or to request clearance to a new course, or to send out a mayday call. Heath is quietly terrified at the prospect of what may happen, not just for the obvious reason but also because he's experienced this situation once before and saved himself at the cost of the other plane and its pilot. Meanwhile, flying in the opposite direction on the same course is a commercial airliner piloted by Dana Andrews and carrying a full load of passengers, each with their own worries. Much of the first 85 minutes of this thriller is devoted to the passengers and crew of the airliner struggling with their personal problems, never knowing the danger they're in, while Heath (and the audience) grow increasingly tense trying to solve his problem and prevent a tragedy. In the end, his best efforts are to no avail, and he faces the choice of saving his plane and dooming the airliner, or sacrificing himself and his passengers. ~ Bruce Eder, All Movie Guide

Victor Mature, in one of his last leading man performances, plays Hank Whirling, the owner of a financially shaky circus who is trying to get back on his feet, despite cutthroat competition from a rival organization. He also has a younger sister (Kathryn Grant) to watch out for. After arranging for a bank loan, he discovers that he's got two new members of "management" to contend with: persnickety bank officer Randy Sherman (Red Buttons), who is put there to safeguard the loan, and press agent Helen Harrison (Rhonda Fleming), who is hired by Sherman to help get the Whirling Circus some publicity. Hank can't abide the presence of either of them, or, more to the point, the idea of sharing his authority, though Randy means well and Helen is very good to look at and does know her job. The circus owner can barely take the time to deal with either of them, however, with shows to give and an apparent saboteur at work, who grows bolder with each passing day and finally starts getting people killed. In the course of trying to save the show, aerialist Zack Colino (Gilbert Roland) commits himself to a headline-making publicity stunt -- covered heavily by television news as well -- that Helen merely rattles off without thinking, of walking a wire across Niagara Falls. Colino also figures heavily in the denouement, a tense chase under the big top that develops as the man responsible for the train wrecks, escaped animals, fires, and other sabotage is identified and goes on the run. ~ Bruce Eder, All Movie Guide

When seen today, Bullwhip seems to be a dry run for the 1975 Jack Nicholson-Mary Steenburgen western Goin' South. To save himself from being hanged on a trumped-up murder charge, frontiersman Guy Madison agrees to marry whip-wielding spitfire Rhonda Fleming. Once the ceremony is over, Fleming wants nothing to do with her new husband, but he insists upon insinuating himself in her burgeoning fur-trading business. How long will it be before the heroine succumbs to Madison's rakish charms? When Shakespeare wrote this story, he called it Taming of the Shrew. ~ Hal Erickson, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

This little film noir is freely adapted from James M. Cain's novel Love's Lovely Counterfeit, the story of a gangster working for a powerful Don who is fighting to retain control of the city's criminal activities when an honest mayoral candidate launches a strong anti-crime campaign. In a desperate attempt to derail his career, the Don assigns the hood to go digging for any dirt that can be used against the troublesome candidate. He finds some, but during the investigation he has fallen in love with the candidate's beautiful red-headed secretary and ends up double-crossing his boss. ~ Sandra Brennan, All Movie Guide

In this jungle adventure a Great White Hunter travels to Africa to capture exotic animals and sell them to zoos and circuses. This disgusts a lovely veterinarian who thinks the animals should run free. To assist with the capture and care of the animals, the hunter hires natives. One day the hunter fires one of the locals. To get revenge, the former employee frees the animals just before a wealthy buyer is to arrive. Unfortunately, the hunter blames an innocent young boy for the crime. Heretofore, the boy believed the hunter cared for him. Distraught he runs off into the dangerous wilds leaving the vet and the hunter to put aside their differences and search for him. ~ Sandra Brennan, All Movie Guide

In this Biblical epic, a brave Chaldean rebel takes on his evil nemesis, a cruel Assyrian king. En route to his fateful meeting, the rebel hides in the humble hut of a luscious peasant girl. She is found by the king's passing troops; when the king sees the lass he is immediately smitten and makes her a part of his court. Unfortunately, when the king is suddenly poisoned, she is blamed. Later it is revealed that the real killer is the king's corrupt advisor who wants the kingdom for himself. Meanwhile, the rebel continues to fight his way to the palace so he can liberate the people and save the girl. ~ Sandra Brennan, All Movie Guide

Another winning collaboration between producer Benedict Bogeaus and director Allan Dwan, Tennessee's Partner is the third film version of the same-named Bret Harte story. The plotline is motivated by the curious friendship between slick gambler Tennessee (John Payne) and gunslinging Cowpoke (Ronald Reagan). Setting up shop in California gold-rush town, Tennessee spends most of his time getting Cowpoke out of trouble--specifically female trouble. The two friends fall out when Tennessee tries to prevent Cowpoke from falling for bewitching gold-digger Goldie (Colleen Gray), but Cowpoke proves to be true-blue when Tennessee is framed on a false murder rap. Rhonda Fleming costars as The Duchess, proprietress of the gambling establishment where Tennessee makes his headquarters. The film's best moment belongs to Colleen Gray, as she deftly switches allegiance from one man to another at fadeout time. ~ Hal Erickson, All Movie Guide

Filmed on sets left over from the Columbia superfeature Salome (and also using generous chunks of stock footage from that film), Serpent of the Nile is a quickie retelling of the Cleopatra-Mark Antony story. The Queen of Egypt is played by Rhonda Fleming, while Antony is essayed by Raymond Burr. Much of the crucial plot information is conveyed by dialogue (we never see Caesar's assassination, for example). As for the Cleopatra-Antony scenes, she is clearly the aggressor, while he comes off as a namby-pamby alcoholic who succumbs all too easily to Cleopatra's synthetic charms. Listed at the bottom of the cast is one "Julie Newmeyer" as a gold-painted exotic dancer: she later gained famed as Julie Newmar. Serpent of the Nile enjoyed a great deal of TV play in 1963, when the Elizabeth Taylor version of Cleopatra was all the rage. ~ Hal Erickson, All Movie Guide

The action in this loose adaptation of a popular 1925 silent tells the galloping (and largely untrue) tale if the formation of the U.S. rapid transcontinental mail system with a focus on the adventures of Buffalo Bill Cody (Charlton Heston) and Wild Bill Hickock (Forrest Tucker). ~ Sandra Brennan, All Movie Guide