Charles Fleischer Movies

In this action film, a former pro skier who has become a sheriff attempts to talk daring, but unprepared teens from climbing a treacherous mountain. ~ Sandra Brennan, All Movie Guide

Oliver Stone's first directorial effort for a major studio (and his second horror film after the 1974 Seizure) came shortly after the phenomenal success of Midnight Express, which was based on Stone's Oscar-winning screenplay. The director turned to Mark Brandel's obscure thriller "The Lizard's Tail" as source material for what is essentially a silly psychosexual variant on low-budget horror films like The Crawling Hand. The title appendage belongs (for a while, anyway) to smug, conceited artist Joe Lansdale (Michael Caine), who owes his success to a popular comic strip featuring a macho, Conan-type hero. After Lansdale's drawing hand is sheared off in a grisly car accident, his career, dignity, self-control and even his sanity soon begin to abandon him as well. His tenuous relationship with his wife Anne (Andrea Marcovicci) falls apart as she takes steps to improve her own self-worth -- something she had never had the strength to do before the accident. Bitter and paranoid, Joe begins to lash out in anger at everyone around him ... and becomes convinced that his severed hand has come back, wandering in fields and dark alleys and squeezing the life out of everyone it comes in contact with. The question of whether the hand is real or merely a manifestation of Lansdale's rage is never answered, even in the film's "shock" coda. At any rate, it's impossible to take the film seriously -- the crawling-hand effects are laughably shoddy for a major studio production, reflecting none of the skills of effects wizard Carlo Rambaldi, and Caine's sweaty, pop-eyed histrionics are too goofy to be convincing. On the plus side, James Horner's score is remarkably chilling, contributing a great deal to a few effective suspense scenes -- but it belongs in a better film than this. ~ Cavett Binion, All Movie Guide

Straight-laced Henry Winkler takes a night-shift job as a morgue attendant. Winkler falls under the spell of wheeler-dealer coworker Michael Keaton, whose catchphrase "Is this a great country or what?" is the clarion call for his many get-rich-quick schemes. His latest plan is to turn the morgue into a nocturnal brothel, for the benefit of anything-goes hooker Shelley Long-and incidentally, to line their own pockets. Director Ron Howard and his frequent scripters Lowell Ganz and Babaloo Mandel turn the potentially lurid story material of Night Shift into an endearing comedy, with winning performances from its three often miscast stars. Keep an eye out during one of the party sequences for Kevin Costner as a carousing college boy. ~ Hal Erickson, All Movie Guide

Laverne (Penny Marshall) forms a rock band with her boyfriend Chuck (Charles Fleischer), who in turn recruits several of his classically-minded musician buddies. Unfortunately, it don't mean a thing if you ain't got that swing--and this bunch hasn't a swinger among them. Even so, the new band is slated to go on as a replacement act for the Rolling Stones! The fact that the "square" musicians are played by the members of the rock group Jack Mack and the Heart Attack should give the viewer a pretty good idea of the story's outcome. ~ Hal Erickson, All Movie Guide

A decade of wisecracking sequels have not diminished the power of this striking horror film from the director of Scream. Teenagers in a small town are dropping like flies, apparently in the grip of mass hysteria causing their suicides. A cop's daughter (Heather Langenkamp) traces the cause to child molester Fred Krueger (Robert Englund), who was burned alive by angry parents many years before. Krueger has now come back in the dreams of his killers' children, claiming their lives as his revenge. The teenaged leads are sympathetic and intelligent, unlike the dumb victims presented in most films of the period, and they are ably backed up by veterans like John Saxon and Ronee Blakley. Director Wes Craven creates moments of real dread by examining the line between nightmares and reality, as well as the "sins of the parents" theme, and although the film is quite gory, it never resorts to cheap bloodletting for its effect. A unique and disturbing experience, this film is highly recommended for horror buffs. ~ Robert Firsching, All Movie Guide

With the over-the-top gruesomeness of The Re-Animator to compare it to, Wes Craven's Deadly Friend limps into the second tier, coming across as a Frankenstein tale lost on Elm Street. Paul (Matthew Laborteaux) is a teen computer genius who has recently moved to a new town. The quiet and peaceful milieu permits him to continue experimenting with his life's work -- a human-like robot named Bee Bee. But Paul becomes smitten with the comely girl next door, Samantha (Kristy Swanson). For Samantha, however, the small-town life is less than quiet and peaceful; she is the victim of an abusive father, who she dreams of killing. During an argument, her father pushes her down the stairs, and she lapses into a coma. Paul, with the help of local paperboy pal Tom (Michael Sharrett), decides to implant Bee Bee's microchips into Samantha's brain to re-animate her back to life. But Samantha, restored to life and with the strength of an inhuman robot, decides to exact vengeance upon her father and the rest of the townspeople who have done her wrong. ~ Paul Brenner, All Movie Guide

The sole survivor of a psycho-led mass suicide awakens from a 13-year coma and begins having visions of the cult leader who was also killed in the fiery death scene. She resists his efforts to have her join him in the hereafter, and soon members from her therapy group start dropping like flies. ~ All Movie Guide

Gross Anatomy is to medical school what Paper Chase was to law school, with perhaps a little less sobriety. Mathew Modine plays a blue-collar kid attending a posh school of medicine, where everyone--teacher and student alike--seems to be well above Modine's social strata. Perhaps as a reaction to the snobbery all around him, Modine behaves as irreverently as possible. Neither teacher Christine Lahti nor lab partner Daphne Zuniga finds Modine's what-the-hell act appealing, but both are fully aware that he is a talented young man with a brilliant future. The climax of the film lays it on pretty thick in defining Modine as an all-around good fellow despite his cheekiness (he even delivers a baby just before taking his finals!), but Gross Anatomy strives successfully to be a "feel good" movie--albeit brought ever so slightly down to earth by the death of one of the principal characters. ~ Hal Erickson, All Movie Guide

This seven-minute short cartoon, released with Honey, I Shrunk the Kids, is the first animated short put out by Disney studios since 1965. It features the ever-ebullient Roger Rabbit of Who Framed Roger Rabbit fame. Here, he is teamed with Baby Herman, who must be rushed to the hospital after swallowing a rattle. The ever-seductive Jessica Rabbit (voice by Kathleen Turner) also puts in an appearance. While there is nothing in this cartoon that is unsuitable for children, it contains enough savvy wit to keep adult viewers' attention. ~ Clarke Fountain, All Movie Guide

In this last gasp of the "Carry On" series, minus most of the "Carry On" players, Jim Dale plays Spanish map-maker Christopher Columbus, who has a plan to navigate a new route to India, bypassing the Sultan of Turkey (Rik Mayall) and his sky-high tributes. He convinces King Ferdinand of Spain (Leslie Phillips) and Queen Isabella (June Whitfield) to finance his trip, and he sets off for points east with a cabin boy in tow. But what Columbus doesn't realize is that his cabin boy is, in fact, a cabin girl. ~ Paul Brenner, All Movie Guide

In this animated children's film from Amblin Entertainment, a group of four dinosaurs, including a tyrannosaurus rex, a triceratops, a hadrosaur, and a pterodactyl, are brought forward in time to New York City to entertain and befriend the children. However, when the dinosaurs are threatened by an evil circus owner, it is up to their young friends to save the day. ~ Iotis Erlewine, All Movie Guide