Jo Van Fleet Movies

Wayne Newton is the hero of the warm-hearted family feature 80 Steps to Jonah. The piping-voiced Newton is accused of car thievery, but who could doubt the sincerity of that angelic face? On the lam from the cops, he takes a job at a summer camp for blind children. Passing himself off as the new handyman the camp is expecting, the fugitive quickly ingratiates himself with the kids. Soon the cops come calling, but the falsely accused man is rescued by a last-minute confession. Veteran producer/director Gerd Oswald, previously a specialist in taut crime mellers, unexpectedly goes "cute" on 80 Steps to Jonah, though the end result is better than it deserves to be. ~ Hal Erickson, All Movie Guide

Just before he is to hold a very important party, successful novelist Kerwin Drake (John Emery) is confronted by his alcoholic wife, Molly (Jo Van Fleet), whom he hasn't seen for 23 years. To avoid public embarrassment, Kerwin tells his guests that Molly is his new cook. Somehow or other this situation leads to murder -- and a remarkable statement from one of Kerwin's A-list guests. ~ Hal Erickson, All Movie Guide

An overbearing woman is determined to force her two kids to turn her struggling rice plantation into a success. Unfortunately, it is located on the Indochinese coast and is being threatened by rough seas; all that stands between the paddies and the ocean is a small seawall. More trouble comes in the form of a government agent who tries to get them to abandon the land. After falling in love with the beautiful daughter, the agent abandons his mission. But then her brother tires of his mother's constant harping and flees to Bangkok and this leads to more problems. Featuring an international cast, much of the film was shot on location in Thailand. ~ Sandra Brennan, All Movie Guide

Jo Van Fleet guest-stars as Amy Wilder, one of those peppery old eccentrics who loves animals but despises people. Coveting Amy's property, land developer Barton Roberts (John Crawford) hauls her into court to prove that she is mentally incompetent. Ben Cartwright invites Amy's long-estranged sister Margaret (Linda Watkins) to testify in the old woman's behalf-but Ben is for more than a few surprises. Written by Jack Miller and John Hawkins, "The Trouble with Amy" was originally telecast on January 25, 1970. ~ Hal Erickson, All Movie Guide

Paul Newman was nominated for an Oscar and George Kennedy received one for his work in this allegorical prison drama. Luke Jackson (Paul Newman) is sentenced to a stretch on a southern chain gang after he's arrested for drunkenly decapitating parking meters. While the avowed ambition of the captain (Strother Martin) is for each prisoner to "get their mind right," it soon becomes obvious that Luke is not about to kowtow to anybody. When challenged to a fistfight by fellow inmate Dragline (George Kennedy), Luke simply refuses to give up, even though he's brutally beaten. Luke knows how to win at poker, even with bad cards, by using his smarts and playing it cool. Luke also figures out a way for the men to get their work done in half the usual time, giving them the afternoon off. Finally, when Luke finds out his mother has died, he plots his escape; when he's caught, he simply escapes again. Soon, Luke becomes a symbol of hope and resilience to the other men in the prison camp -- and a symbol of rebelliousness that must be stamped out to the guards and the captain. Along with stellar performances by Newman, Kennedy, and Martin, Cool Hand Luke features a superb supporting cast, including Ralph Waite, Harry Dean Stanton, Dennis Hopper, Wayne Rogers, and Joe Don Baker as members of the chain gang. ~ Mark Deming, All Movie Guide

Of the many filmed versions of the October 26, 1881, O.K. Corral shootout in Tombstone, Arizona, Gunfight at the O.K. Corral was one of the most elaborate and star-studded. Burt Lancaster plays Wyatt Earp, the renowned lawman, while Kirk Douglas is consumptive gambler (and gunfighter) Doc Holliday -- the two meet in difficult circumstances, as Earp discovers that Holiday, for whom he initially feels little but loathing, is being held on a trumped up murder charge and being set up for a lynching, and intercedes on his behalf. The action shifts to Dodge City, Kansas, where Earp is marshal and Holiday, hardly grateful for the good turn, shows up right in the middle of all kinds of trouble, this time mostly on Earp's side of the ledger. And, finally, the two turn up in Tombstone, Arizona, where Wyatt's brother Virgil is city marshal, and where Wyatt finally gets to confront the Clanton/McLowery outlaw gang (led by Lyle Bettger as Ike Clanton). Since the time-span of the actual gunfight was at most 90 seconds, the bulk of the film concerns the tensions across many months leading up to the famous battle. As scripted by Leon Uris (from a magazine story by George Scullin), the story involves two unrelated but parallel plot-lines -- a long-standing vendetta against Holliday and the efforts of Earp to bring the Clanton/McLowery gang to justice -- that are eventually drawn together on the streets of Tombstone. Woven into these proceedings are Earp's and Holliday's romantic dalliances with lady gambler Laura Denbow (Rhonda Fleming) and Kate Fisher (Jo Van Fleet), whose switch in affections from Holiday to outlaw fast-gun Johnny Ringo (John Ireland) only rachets up gambler's rage and the reasons behind the bloody climax. There are plenty of bribery attempts, terse dialogue exchanges and "Mexican standoffs" before the inevitable gunfight takes place. Director John Sturges takes some dramatic license with this confrontation, as well, stretching things out to nearly six minutes, but this is after all an "A" production, and a minute-and-a-half of gunfire just wouldn't cut it. The huge cast of western veterans includes Earl Holliman as Charles Bassett, Dennis Hopper as Billy Clanton, Kenneth Tobey as Bat Masterson, Lee Van Cleef as Ed Bailey, Jack Elam as Tom McLowery, and John Hudson, DeForest Kelley and Martin Milner as Virgil, Morgan, and James Earp, respectively. And there's that Dimitri Tiomkin score, pushing the movie's momentum as relentlessly as the two driven heroes, complete with a song (sung by Frankie Laine) underscoring the major transitions of scenes that's impossible to forget, once heard. Sturges himself would produce and direct a more fact-based and realistic version of the story -- focusing mostly on its aftermath -- a decade later, entitled Hour of the Gun, starring James Garner, Jason Robards, Jr., and Robert Ryan, which wasn't nearly as attractive or successful. But after Gunfight At The OK Corral, there would not be so impressive a lineup of talent at the OK Corral again until the twin Earp biopics of 1994, Wyatt Earp and Tombstone.
~ Hal Erickson, All Movie Guide

Susan Hayward pulls out all the stops, and then some, in this cinemadaptation of singer Lillian Roth's autobiography I'll Cry Tomorrow. In as harshly realistic a manner as possible in the still censor-dominated Hollywood of 1955, the film recounts Roth's rise to fame, her precipitous fall and her tearful comeback. The fact that Roth loves not wisely but too well is only part of the problem (only two of her eight husbands are portrayed in the film); contributing factors to her self-destruction also included her witchlike "stage mother" (Jo Van Fleet) and the pressures of fame and fortune. The principal reason for Roth's fall from the height of fame to the depths of squalor and despair is booze -- at least until she begins to pull herself together with the help of Alcoholics-Anonymous representative Burt McGuire (Eddie Albert). The story concludes with a testimonial staged in Roth's honor on the TV series This is Your Life (the original of which still exists in kinescope form). Having been personally coached by the real Lillian Roth, Susan Hayward does an excellent job of copying the singer's unique style. Though Hayward did not win an Oscar for her performance, she did cop the "Best Actress" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide

Produced and directed by Glenn Jordan, this 1971 made-for-television movie features a performance of Clifford Odets' depression-era drama, Paradise Lost. Starring Eli Wallach, the play is a character study focusing on the lives of Leo and Clara Gordon, a middle-class husband and wife living in 1932 America. Also starring Bernadette Peters, Fred Gwynne, and Jo Van Fleet, the program was released as part of Kultur's Broadway Theatre Archive series. ~ Matthew Tobey, All Movie Guide

One of the most memorable made-for-TV horror films of the 1970s, Satan's School for Girls is set an exclusive institution of learning in Salem, MA, where students have been committing suicide at an alarming rate. A young woman named Elizabeth Sayres (Pamela Franklin) enrolls at the all-girl's school under an assumed name, hoping to find out why her sister felt compelled to kill herself. Slowly and deliberately, Elizabeth is drawn into a coven of Satan worshipers -- and soon she realizes that she herself has demonic potential. Of special interest is the presence in the cast of two future Charlie's Angels regulars, Kate Jackson and Cheryl Ladd (here billed under her maiden name, Cheryl Jean Stoppelmoor). Originally broadcast by ABC on September 19, 1973, Satan's School for Girls was remade for television in 2000, with Kate Jackson assaying the role of the school's sinister headmistress (originally played by Jo Van Fleet). ~ Hal Erickson, All Movie Guide

Made for television, The Family Rico was adapted from the same Georges Simenon novel that served as the basis of the 1958 Columbia theatrical feature The Brothers Rico. Ben Gazzara plays a powerful mobster put in an embarrassing position by younger brother Sal Mineo. When Mineo refuses to carry out a contract killing, Gazzara is ordered to rub out his own brother. Eventually he ascertains the identity of Mineo's "hit" and realizes that his brother was acting more out of loyalty than cowardice. While the original Brothers Rico concentrates on the one honest member of the Rico brood, The Family Rico adheres to Godfather tradition by dealing solely with the criminals in the family. ~ Hal Erickson, All Movie Guide

The King and Four Queens was the first (and last) project from Clark Gable's own production company, GABCO. Gable stars as Western fugitive Dan Kehoe, who hides out in a small ghost town. Here he whiles away his time with the town's only inhabitants: Ma MacDade (Jo Van Fleet), matriarch of the outlaw McDade family, and the four wives (Eleanor Parker, Jean Willes, Barbara Nichols, and Sara Shane) of Mrs. McDade's gunslinging sons. Three of the four McDade boys are dead; the fourth is expected to return at any minute with the loot from a recent stagecoach robbery. Since no one knows which of the McDades is dead, all four wives make a play for the bemused Kehoe; he in turn responds to their advances, hoping to get a share of the gold. The fur really begins to fly when it turns out that one of the wives is a phony who intends to double-cross the other three and ride off into the sunset with Kehoe. When The King and Four Queens proved a box-office disappointment, Clark Gable gave up the notion of producing his own films and returned to freelancing at the major studios. ~ Hal Erickson, All Movie Guide

Director Roman Polanski casts himself in the lead of the psychological thriller The Tenant. Trelkovsky (Polanski) rents an apartment in a spooky old residential building, where his neighbors -- mostly old recluses -- eye him with suspicious contempt. Upon discovering that the apartment's previous tenant, a beautiful young woman, jumped from the window in a suicide attempt, Trelkovsky begins obsessing over the dead woman. Growing increasingly paranoid, Trelkovsky convinces himself that his neighbors plan to kill him. He even comes to the conclusion that Stella (Isabel Adjani), the woman he has fallen in love with, is in on the "plot." Ultimately, Polanski assumes the identity of the suicide victim -- and inherits her self-destructive urges. Some critics found the movie tedious and overdone; others compared it to Polanski's early breakthrough, Repulsion. The film was based on Le Locataire Chimerique, a novel by Roland Topor. ~ Hal Erickson, All Movie Guide