James Flavin Movies

In one of their most genial comedies -- based on a Damon Runyon story -- Bud Abbott and Lou Costello have to help one friend (Cecil Kellaway) replace his beloved carriage horse, and another friend (Leightno Noble) put together a US Army camp show. Through a misunderstanding, they take what they think is a worthless nag from a racetrack stall, only to discover that they've actually stolen "Tea Biscuit," the world's greatest racehorse. Not only are the authorities after the pair -- who try to hide the horse in their hotel room -- but so is freelance trouble-shooter Eugene Pallette (who already has had one unrelated run-in with the boys), and complicating matters even further are three racetrack touts (led by Shemp Howard) who want to cash in on the mistake. Grace McDonald and Patsy O'Connor), along with bandleader Noble and the Step Brothers, provide the music and dancing in this wild romp, that takes us from New York's Central Park to the racetrack at Saratoga. ~ Bruce Eder, All Movie Guide

Paramount's So Proudly We Hail, like MGM's Cry Havoc, is a tribute to the Red Cross nurses trapped behind enemy lines in the early days of the Pacific war. Claudette Colbert is the self-sacrificing head nurse, struggling to minister to the wounded and to keep her staff (including Paulette Goddard, Veronica Lake and Barbara Britton, all of them giving better than usual performances) from buckling under the pressure. Taking into consideration the regular fans of the film's female cast, the producers thoughtfully include several scenes in which the ladies pursue their romantic lives. The story culminates with the fall of Bataan, ending on a resigned but optimistic note; this finale was designed to lift the spirits of the audience, which in 1943 wasn't so certain as Hollywood of final victory. So Proudly We Hail was not only effective propaganda (though not as effective as Cry Havoc), but it also enabled Paramount to introduce its new crop of male hunks--including the estimable Sonny Tufts. ~ Hal Erickson, All Movie Guide

Footlight Glamour is one of two "Blondie" series entries in which Blondie's name isn't included in the credits. Otherwise, the film adheres strictly to formula, with Dagwood Bumstead (Arthur Lake) getting into a mess and Dagwood's wife Blondie (Penny Singleton) getting him out of it. This time around, Dagwood's boss Dithers (Jonathan Hale) is hoping that wealthy tool manufacturer Randolph Wheeler (Thurston Hall) will be a war plant on some of Dithers' real estate. Wheeler's daughter Vicki (Ann Savage) wants to be an actress, but her father strongly opposes her pursuing a theatrical career. Trouble begins to brew when Vicki is cast in a community-theatre production written by Blondie, who is unaware of Wheeler's anti-showbiz stance. Poor Dagwood is forced to prevent Wheeler from seeing the play, leading to a slapsticky denouement on opening night. Many of the amateur-theatrical gags (props that don't work, actors who can't remember their lines) are straight out of George Kelly's The Torch Bearers, but they're just as funny the second time around. Particularly amusing is "Blondie" regular Irving Bacon (Mr. Crum the Postman) ineptly portraying a British butler. ~ Hal Erickson, All Movie Guide

At 49 minutes, Murder on the Waterfront was the shortest-ever Warner Bros. B picture. Alas, brevity is not the soul of wit in this updated remake of 1938's The Invisible Menace. Warren Douglas plays sailor Joe Davis, who while on leave in California gets mixed up with an enemy spy ring. The head Nazi intends to steal a top-secret thermostat. For a while, it looks as though Lt. Commander Holbrook (John Loder) is the villain, but he turns out to be a red herring before the picture is half over. In his efforts to thwart the baddies, Davis is aided and abetted by carnival performer Gloria (Joan Warfield), who wears her skimpy sideshow costume throughout the picture. ~ Hal Erickson, All Movie Guide

In her seventh outing as irrepressible vaudeville entertainer Maisie Revere, Ann Sothern aided the war effort by working the swing shift in an airplane factory. Taking in a seemingly suicidal co-worker, Iris (Jean Rogers), Maisie can only watch as the girl steals her beau, handsome pilot James McLaughlin (James Craig). Promising to be faithful to James, who is going away on a training course, Iris promptly flirts with everyone in pants, much to chaperone Maisie's chagrin. When Maisie catches the selfish Iris in the middle of staging yet another "suicide," the vaudeville trouper turned everyone's favorite riveter threatens to spill the beans to Lieutenant James. In retaliation, Iris accuses Maisie of spying for the Nazis but everything is cleared up before the fadeout. MGM had at first assigned the male lead to newcomer Jim Davis, but he proved too inexperienced and the role eventually went to Craig, the studio's all-purpose Clark Gable lookalike. (As a consolation, Davis played a G.I. instead.) Starlet Jean Rogers, formerly Dale Arden in Flash Gordon (1936), does surprisingly well in her unsympathetic part and, doubled only partially by Jacqueline Wiere, performs a funny acrobatic number with the Wiere Brothers. Sothern leads a rousing chorus of the morale-boosting "There's a Girl Behind the Boy Behind the Gun" and remains her usual delightful self throughout what is one of MGM's better wartime potboilers. ~ Hans J. Wollstein, All Movie Guide

Though a lesser 20th Century-Fox musical, Hello, Frisco, Hello was one of the studio's most successful wartime efforts. John Payne plays Johnny Cornell, a sharp wheeler-dealer operating on the Barbary Coast at the turn of the century. With the help of his songstress girlfriend Trudy Evans (Alice Faye), Johnny gains a reputation as a first-class showman. Soon, however, success goes to Johnny's head, and he deserts Trudy in favor of Nob Hill socialite Bernice Croft (Lynn Bari). The disheartened Trudy heads to England, where she becomes the toast of London's theatrical set. Meanwhile, Johnny marries Bernice, who talks him into a series of money-losing "artistic" theatrical ventures. Learning of the reversal in Johnny's fortunes, Trudy secretly finances his comeback, leading to a happy ending for everyone except the pretentious Bernice. A loose reworking of 1936's King of Burlesque, Hello, Frisco Hello benefits from the comedy relief of Jack Oakie and from a string of enjoyable tunes, including the Oscar-winning "You'll Never Know." ~ Hal Erickson, All Movie Guide

In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

When the US marines land in Iceland during WW2, camp lothario John Payne wastes no time scoping out the local female population. He makes a casual pass at skating champ Sonja Henie, only to discover that she has taken his attentions as a marriage proposal! Unable to weasel out of his situation thanks to the rigidity of Icelandic customs, Payne conspires with his buddy Jack Oakie to discourage Henie from making any further wedding plans. By the film's 70-minute mark, of course, our hero is madly in love with our heroine and wants to skate down the aisle with her. Curiously, given the fact that there is plenty of natural ice in Iceland, most of Sonja Henie's musical numbers take place in a lavish Reykjavik nightclub. The tuneful Harry Warren-Mack Gordon musical score includes the popular "There Will Never Be Another You". ~ Hal Erickson, All Movie Guide

This historical drama tells the story of the first class to graduate from the U.S. Military Academy at West Point. In the early 19th Century, Congress appropriated the money to build the school, but opponents who believed it to be an illegitimate expansion of the powers of the federal government decided to sabotage the school. They put the hard-as-nails Major Sam Carter (Laird Cregar) in charge of the academy, and he ruthlessly put the recruits through grueling training -- until only ten prospective soldiers remained. They include Dawson (George Montgomery), a patriotic farm boy and Howard Shelton (John Sutton), a selfish playboy who has come to West Point only because of its prestige. The two vie for Carolyn Bainbridge (Maureen O'Hara), while they, along with the other eight, try convince Carter that the school is worth keeping. ~ Michael Betzold, All Movie Guide

Aircraft plant worker Robert Cummings is accused of sabotaging his factory and causing the death of a co-worker. Actually, Cummings is the fall guy for a clever ring of Nazi spies, headed by above-suspicion American philanthropist Otto Kruger. Our hero goes on a cross-country chase after genuine saboteur Norman Lloyd, all the while pursued himself by the police. Along the way, he acquires a reluctant "travelling companion" in the form of Priscilla Lane, who at first despises Cummings and intends to turn him over to the authorities at the first opportunity, but who gradually comes to realize that the boy is innocent. Alfred Hitchcock intended Saboteur to be the American equivalent to his British The 39 Steps, employing such details as the solid-citizen villain, the handcuffed hero, the unwilling blonde heroine, and any number of stopovers with a variety of offbeat characters (a travelling "freak" show, a compassionate blind man, a grizzled old prospector who turns out to be one of the spies, etc.) ~ Hal Erickson, All Movie Guide

Yankee Doodle Dandy is no more the true-life story of George M. Cohan than The Jolson Story was the unvarnished truth about Al Jolson -- but who the heck cares? Dandy has song, dance, pathos, pageantry, uproarious comedy, and, best of all, James Cagney at his Oscar-winning best. After several failed attempts to bring the life of legendary, flag-waving song-and-dance man Cohan to the screen, Warners scenarist Robert Buckner opted for the anecdotal approach, unifying the film's largely unrelated episodes with a flashback framework. Summoned to the White House by President Roosevelt, the aging Cohan is encouraged to relate the events leading up to this momentous occasion. He recalls his birth on the Fourth of July, 1878; his early years as a cocky child performer in his family's vaudeville act; his decision to go out as a "single"; his sealed-with-a-handshake partnership with writer/producer Sam Harris (Richard Whorf); his first Broadway success, 1903's Little Johnny Jones; his blissful marriage to winsome wife Mary (a fictional amalgam of Cohan's two wives, played by Joan Leslie -- who, incredibly, was only 17 at the time); his patriotic civilian activities during World War I, culminating with his writing of that conflict's unofficial anthem "Over There" (performed by Nora Bayes, as played by Frances Langford); the deaths of his sister, Josie (played by Cagney's real-life sister Jeanne), his mother, Nellie (Rosemary DeCamp), and his father, Jerry (Walter Huston); his abortive attempt to retire; and his triumphant return to Broadway in Rodgers & Hart's I'd Rather Be Right.

His story told, Cohan is surprised -- and profoundly moved -- when FDR presents him with the Congressional Medal of Honor, the first such honor bestowed upon an entertainer. His eyes welling up with tears, Cohan expresses his gratitude by invoking his old vaudeville curtain speech: "My mother thanks you, my father thanks you, my sister thanks you, and I thank you." Glossing over such unsavory moments in Cohan's life as his bitter opposition of the formation of Actor's Equity -- not to mention George M.'s intense hatred of FDR! -- Yankee Doodle Dandy offers the George M. Cohan that people in 1942 wanted to see (proof of the pudding was the film's five-million-dollar gross). And besides, the plot and its fabrications were secondary to those marvelous Cohan melodies -- "Give My Regards to Broadway," "Harrigan," "Mary," "You're a Grand Old Flag," "45 Minutes from Broadway," and the title tune -- performed with brio by Cagney (who modifies his own loose-limbed dancing style in order to imitate Cohan's inimitable stiff-legged technique) and the rest of the spirited cast. Beyond its leading players, movie buffs will have a ball spotting the myriad of familiar character actors parading before the screen: S.Z. Sakall, George Tobias, Walter Catlett, George Barbier, Eddie Foy Jr. (playing his own father), Frank Faylen, Minor Watson, Tom Dugan, John Hamilton, and on and on and on. In addition to Cagney, music directors Ray Heindorf and Heinz Roemheld also won Oscars for their efforts. ~ Hal Erickson, All Movie Guide

One of the first big-studio productions to acknowledge America's entry into WW2, 20th Century-Fox's To the Shores of Tripoli was filmed with full the cooperation of the US Marine Corps. John Payne plays Chris Winters, a wealthy, wise-lipped young Marine recruit who learns the true meaning of "Semper Fidelis" the hard way, courtesy of tough-as-nails drill sergeant Dixie Smith (Randolph Scott). Chris also falls in love with Navy nurse Mary Carter (Maureen O'Hara in her first Technicolor appearance), which leaves his poor hometown sweetheart Helene Hunt (Nancy Kelly) in the lurch. By film's end, Chris is one of the Few and the Proud as he and his buddies are shipped off to combat overseas. Portions of To the Shores of Tripoli were filmed in Hawaii just before the Pearl Harbor attack; according to studio publicity, some of the cameramen managed to capture portions of the Japanese raid on film, though none of these scenes seem to have made their way into the final release print. ~ Hal Erickson, All Movie Guide