Michael Flanagan Movies

Yes, there are commies under the bed. But are there Nazis there too? Emily Crane (Kelly McGillis) is a modestly successful Life photo editor living in 1950s New York, until she is called before the Senate Un-American Activities Committee to testify about her "communist" associations. When she refuses to divulge the names of friends in her civil liberties group, she loses her employment and her friends. In desperation, she takes a job reading books for Miss Venable, a somewhat crotchety lady (Jessica Tandy) who lives in a quiet residential neighborhood. Then, while taking a break in Miss Venable's back yard, Emily overhears something from the house behind that compels her to investigate and leads her eventually to conclude that it is the headquarters of a group smuggling in ex-Nazi scientists for some mysterious purpose. Meanwhile, she is being harassed by two FBI men, on behalf of the Senate Committee, as well as by a sinister, McCarthyite, Senate investigator named Salwen (Mandy Patinkin). One of the FBI men, Cochran (Jeff Daniels), takes a liking to Emily and humors her by agreeing to investigate her suspicions. This quiet mystery is a nostalgia piece. It's '50s backgrounds are authentic and the plot device -- an innocent becoming entangled in an unbelievable conspiracy -- is closer to one of Hitchcock's masterpieces of that period (e.g., North by Northwest) than to Reservoir Dogs or Speed. The people seem to be from a simpler time, too, when the distinction between good and evil was clearer. Emily shines with idealistic integrity and the naive Cochran is so honest that he finds it impossible to deceive the target of his investigation. There is even a terrifying, "acrophobe's nightmare" scene played out in a dome high above Grand Central Station. For those tired of endless shoot-em-ups and car chases, this is the mystery to choose. ~ Michael P. Rogers, All Movie Guide

In this excellent thriller, crisply directed by Sidney Lumet, Alex Sternbergen (Jane Fonda), a washed-up, alcoholic actress who never quite made it, wakes up one morning in an unfamiliar, luxurious loft apartment, only to find the corpse of a stranger next to her in bed. Alex can remember nothing of the night before. In a panic, she tries to flee but is unable to get a flight out of Los Angeles, and short of cash, she hitches a ride with Turner Kendall (Jeff Bridges), a disabled former policeman who happens to be fixing his car in the airport parking lot. Alex tries to get rid of Turner and returns to the loft which she cleans in a futile attempt to get rid of her finger prints. Turner continues to take an unappreciated interest in Alex and keeps turning up unexpectedly, much to her annoyance. Finally, desperate and on the run, and never sure that she didn't commit the murder, Alex allows Turner to help her. Alex also confides in and is helped by her ex-husband and friend Joaquin Manero (Raul Julia), the only man she completely trusts. Despite Alex's suspicion of Turner, she slowly falls in love with him. The movie quickly moves to a surprising conclusion, and creates a good deal of suspense, particularly when Alex is confronted with a corpse that just won't stay put. The highlight of the film is the performance by Jane Fonda reminiscent of her magnificent performance as Bree Daniels in Klute. The Morning After never rises to the quality of Klute, but Fonda's performance was strong enough to earn her an Oscar nomination. ~ Linda Rasmussen, All Movie Guide

The always-touchy issue of euthanasia has provided source material for films since the silent era. 1980's Act of Love stars Ron Howard as the brother of Mickey Rourke, who has been left paralyzed by a motorcycle accident. Howard kills Rourke with a shotgun, claiming his brother begged him to do it. He willingly gives himself up to the authorities and stands trial, hoping more for understanding than exoneration. Made for television, Act of Love was based on a true story, chronicled by author Paige Mitchell. ~ Hal Erickson, All Movie Guide

A lonely young single mom, who has formed a spiritual bond with her favorite deejay Dr. Johnny Fever (Howard Hesseman), leaves her baby in a basket at the doorstep of WKRP. Taking charge of the baby, Johnny becomes quite attached to the kid, so much so that he refuses to turn it over for adoption. Instead, Johnny takes it upon himself to locate the baby's mother and try to convince her to give motherhood a second chance. ~ Hal Erickson, All Movie Guide

Eleven years after the network cancellation of Gilligan's Island, the crew and passengers of the ill-fated S. S. Minnow returned to the small screen in Rescue from Gilligan's Island. The cast remains the same, with one significant change. Bob Denver plays inveterate bumbler Gilligan, Alan Hale is the long-suffering Skipper, Jim Backus and Natalie Schafer are the fabulously wealthy Mr. and Mrs. Thurston Howell III, Russell Johnson is the resourceful Professor, and Dawn Wells, as perky as ever, is Mary Ann. Tina Louise wanted no part of any Gilligan's Island reunion, so her role-perennial starlet Ginger Grant-is filled by Judith Baldwyn. The premise: a huge tidal wave transports the seven castaways back to civilization. While they're thrilled to be back in the real world, none of the seven are able to adjust to life outside the island....least of all Gilligan, who on top of all his other problems must contend with a pair of enemy agents (Vincent Schiavelli and Art LeFleur). Conceived as a two-hour pilot film for a weekly revival that never materialized, Rescue from Gilligan's Island was originally telecast in two ratings-grabbing 60 minute installments, shown on October 14 and 21, 1978. ~ Hal Erickson, All Movie Guide