Nancy Fish Movies

A thesp-turned-crook gets a chance at career in movies as well as crime scene investigation in this offbeat action comedy with nods to Raymond Chandler. Harry Lockhart (Robert Downey Jr.) is a struggling New York actor who high-tails it to Los Angeles. Once there, Lockhart winds up at the posh home of the aptly-named homosexual private eye Gay Perry (Val Kilmer) amid a lavish Hollywood party, hoping to score a life-changing role in a Hollywood feature. Harry becomes reacquainted with Harmony (Michelle Monaghan), a girl he had a major crush on in his small-town Indiana high school, who may be a bit more interested in him now than she was years ago. He takes both her and her girlfriend home with him, but - in a moment of drunken stupor - accidentally sleeps with the wrong woman. Meanwhile, when a series of female bodies turns up across L.A., Harry slowly breaks into detective work, mentored by Perry. The biggest twist? Black riffs Adaptation and other films by having Harry (via satirical narration) write the movie while he is living it. Harry assures the audience that unlike Lord of the Rings, this one won't have seventeen endings. Kiss Kiss, Bang Bang marks the first directorial credit for Shane Black, who created the Lethal Weapon franchise. ~ Mark Deming, All Movie Guide

In the premiere episode of CSI: Crime Scene Investigation, Jim Brass (Paul Guilfoyle), head of the Las Vegas PD's forensic team, resents the presence of novice team member Holly Gribbs (Chandra West). Brass' efforts to scare Holly result in tragedy, but not before the unit investigates a disturbing variety of crimes: overnight-shift head man Grissom (William L. Petersen) looks into a suspicious suicide, number-two team member Catherine Willows (Marg Helgenberger) joins Warrick Brown (Gary Dourdan) in probing the death of a not-so-homeless drunk, and Warrick's friendly rival Nick Stokes (George Eads) searches for a woman who drugged and robbed a hapless tourist. ~ Hal Erickson, All Movie Guide

An afternoon of unbridled sex on the floor of the Buchmans' apartment has disastrous consequences when Jamie (Helen Hunt) throws out her back. Virtually immobile, she is at the mercy of her sister Lisa (Anne Ramsay), who enjoys nothing better than "payback time." Meanwhile, husband Paul (Paul Reiser) takes over Jamie's duties at City Hall, all the while struggling to arrange an eye examination for his father, Burt (Louis Zorich). ~ All Movie Guide

A serial killer is transformed into a computer virus out to destroy more than your hard drive in this sci-fi thriller. Terry Munroe (Karen Allen), a single mother, is looking for a gift for her boss and visits a computer store, where one of the employees demonstrates a hand-held scanner than can transfer the information from her address book into a software program that will store the information on her PC. Unknown to Terry, one of the employees of the store is Karl Hochman (Ted Marcoux), known in the press as "The Address Book Killer," who likes to steal other people's address books and murder all the people listed within, including the book's owner. Terry accidentally leaves her book behind at the store, and Karl lifts it, but as he drives to her house to strike her off the list first, he is injured in a serious accident and taken to a hospital. While Karl is being given a CAT scan, lightning strikes the building and Karl is transformed into a series of electrical impulses that can travel as computer code from one system to another, or as current through power lines. Soon Terry begins to suspect something is wrong as her friends succumb to attacks by microwave ovens, hot-air blowers, and other household objects. Terry and her computer-savvy son, Josh (Wil Horneff), realize that they're at risk after Karl appears in Josh's virtual reality games; it's up to Bram Walker (Chris Mulkey), a brilliant hacker-turned-computer maintenance technician, to isolate and destroy the Karl virus before it can kill again. The film's soundtrack features such hip-hop stars as D-Nice and Too Short, Schoolly-D, Grandmaster Slice, and Kool Moe Dee. ~ Mark Deming, All Movie Guide

Jim (Charles Kimbrough) suggest that the members of the "FYI" staff serve on the judging board for this year's Humboldt Awards. Murphy (Candice Bergen) is assigned to a relatively easy category, finishes her job in record time, and heads off to a music festival with Peter (Scott Bakula)--only to be hauled back to Humboldt headquarters to sit through a stupefyingly boring series of TV documentaries. As Murphy drives her fellow judges crazy with her grousing, Frank (Joe Regalbuto) faces a separate crisis involving his qualification for a Humboldt...or lack of same. ~ Hal Erickson, All Movie Guide

In this made-for-cable thriller an unemployed actor makes a little cash running acting classes. His troubles begin when the student he has been sleeping with calls him one day and says that she has been kidnapped. The next thing he knows, he is being framed for embezzlement and murder. ~ Sandra Brennan, All Movie Guide

High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, All Movie Guide

Jumping fairly late on the slasher-movie bandwagon, this stylish but hollow effort from director Manny Coto stars L.A. Law's Larry Drake as the psychopathic Evan Rendell, who fancies himself a misunderstood medical genius. In an inventive opening scene, Rendell performs a bit of impromptu surgery on his keepers at the asylum (who had given him the title nickname due to his fits of nervous laughter) and escapes to his hometown to set up his "practice." This medical mania seems to run in the family, as we are shown in flashback: Evan's daddy once butchered several local women in his search for a replacement heart for his wife, and although he was unable to save her, Pops managed to spirit away young Evan and keep him safe (in a very, very nasty hiding place) before being lynched by the locals. Hiding out in the abandoned family home, "Dr. Giggles" begins a random killing spree in town with his bag of medieval-looking surgical instruments... but he finds new purpose when he sees the medical records of young Jennifer (Holly Marie Combs), who is in line for a heart transplant, and vows to "cure" her himself. This film eschews the possibilities of its demented premise, choosing instead to serve up a flavorless hash of '80s slasher clichés (wisecracking killer, stupid teenage victims, virginal heroine, 20-years-later motif, etc.). The only truly inspired moment occurs in flashback, when we discover the actual hiding place the elder Dr. Rendell chose for his son. ~ Cavett Binion, All Movie Guide

Shelly Long stars in this comedy as a spoiled Beverly Hills wife who decides--wanting to prove her husband's accusation of her selfishness wrong--to become the leader of her daughter's wilderness group. Though taking them on outings at the mall rather than in the woods, she later must prove her worth as a legitimate troop leader. After some zany incidents, all parties learn lessons of teamwork and selflessness. ~ Kristie Hassen, All Movie Guide

This reject from slasher-movie remedial school -- featuring copious amounts of teen sex and the usual unimaginative gore murders -- involves the return of a problem teen (Donovan Leitch) to high school after his release from an institution. After essentially pinning the "Red Herring" sign on the main character, the filmmakers then pander what passes for suspense as Leitch's classmates head for that big D-hall in the sky. Not even a supporting performance by then-unknown Brad Pitt managed to rescue this lackluster thriller, which arrived far too late in the game to appeal to the teen-horror crowd -- an audience which by then had already migrated from Halloween clones and Friday the 13th sequels to Freddy Krueger territory after Wes Craven's crafty A Nightmare on Elm Street. ~ Cavett Binion, All Movie Guide

It's triple trouble in this, the third entry in the Parent Trap series. It all begins as teen-age triplets attempt to get their father to dump his fiancee in favor of a lovely interior decorator. ~ Sandra Brennan, All Movie Guide

If it is possible for a film to be "in heat", then Zalman King's Wildfire is that film. Teenagers Steven Bauer and Linda Fiorentino have their wedding plans shelved indefinitely when Bauer is imprisoned for bank robbery. Upon his release, Bauer learns that Linda is a wife and mother, with no intention of reverting to her previous lifestyle. All this changes when Bauer breaks parole and goes on a crime spree. Turned on by danger, Linda becomes Bonnie to Bauer's Clyde. Maurice Jarre's orgasmic musical score enhances the steamy eroticism of this typical Zalman King wet dream. ~ Hal Erickson, All Movie Guide

After promising a rock star he would find a particular guitar-maker to procure his valuable products, a musician takes a road trip in search of the legend. On his way, he meets various people who have--at one time or another-- been involved with the elusive guru. After he finally meets the man, he realizes that there is much more to one's art than financial reward. ~ Kristie Hassen, All Movie Guide