Bruce M. Fischer Movies

Ordered to enroll in an anger management group, Roz (Marsha Warfield) is joined by the Night Court staff for her first session. Things take a surprising turn when the group is invaded by a gun-wielding teenaged thief--who is even more frightened than his hostages. The youthful perpetrator is played by 24-year-old Don Cheadle, later the star of such prestigious films as Crash and Hotel Rwanda. ~ Hal Erickson, Rovi

This crime drama tells the story of the man behind the terrible Kansas City massacre, Verne Miller. Miller started out as a South Dakota sheriff and during the 1920s became a notorious gangster hit man. He started out doing jobs for Al Capone in Chicago and was so good at his job that Capone appointed him head of his Kansas City operation. The trouble begins when Miller thinks he has more power than he actually does and defies his boss to save two captured gangsters. ~ Sandra Brennan, Rovi

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, Rovi

Boss Hogg (Sorrell Booke) taps into the Dukes' phone line in order to take bets for his horse-betting salon in Rapahoe County. That county's tough female boss, Big Billie Tucker (Joy Garrett) doesn't cotton to Hogg syphoning off her own ill-gotten gains, and threatens dire consequences. To save his own neck, Boss does what he always does under these circumstances: He frames the Duke boys for his own misdeeds! ~ Hal Erickson, Rovi

Inspired by Johnny Paycheck's song of the same name, Take This Job and Shove It is a comedy/drama of big business vs. little guys. His corporate employers put Frank Maclin in charge of a project to shape up a newly acquired brewery. It just so happens that this places him back in his Iowa hometown after ten years of being away. He soon is faced with a dilemma and he must consider both his position with the company and the interests of the blue-collar employees. ~ Kristie Hassen, Rovi

A trio of Texas con artists, claiming to have $3,000,000 in gold bullion, store their treasure in Boss Hogg's bank. Boss (Sorrell Booke) immediately formulates a scheme to steal the gold and collect the insurance, little realizing that the bullion is fake and that he himself will be out the three million! Needless to say, it is up to Luke (Tom Wopat) and Bo (John Schneider) to simultaneously thwart and rescue the billious Boss. Originally slated to air on December 14, 1979, this episode was moved forward as replacement for another second-season installment, "Uncle Boss"--which ended up on the shelf until November of 1980. ~ Hal Erickson, Rovi

No one can escape from Alcatraz, right? Try telling that to lifer Frank Morris (Clint Eastwood). This Donald Siegel-directed nailbiter is a reenactment of Frank Morris' 1962 attempt to bust himself and two other cons out of The Rock. Eastwood, as Morris, tilts with nasty warden Patrick McGoohan for a while, befriends several fellow prisoners, and picks the guys with whom he'll make his escape. Among his break-out buddies are the Anglin Brothers (Fred Ward and Jack Thibeau), with whom he'd served in other lockups, and several others who've got their own special reasons to despise the sadistic McGoohan. Filmed on location at the newly renovated Alcatraz, Escape From Alcatraz was another box-office winner for the Eastwood/Siegel combo. ~ Hal Erickson, Rovi

Clint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (Bill McKinney), Confederate Josey Wales (Eastwood) refuses to join his captain Fletcher (John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (Chief Dan George) and the pretty Laura Lee (Sondra Locke) and her vigorous Grandma Sarah (Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles Eastwood's previous Western heroes in Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed, Josey Wales would be Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released, Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, Rovi

The Man Called Noon is a western about a man who is called "Noon" (Richard Crenna) because he has amnesia and has no other name. As he searches for his identity, it becomes clear that he is on a mission to avenge the deaths of his wife and child. His quest is furthered by the outlaw Rimes (Stephen Boyd) and he receives comfort from a lady named Fan (Rosanna Schiaffino). The villain proves to be Judge Niland (Farley Granger), and the trio go to extraordinary lengths to put him out of action. ~ Clarke Fountain, Rovi

A priest--a former revolutionary--finds himself the target of a manhunt in a small Mexican town. ~ Kristie Hassen, Rovi