Jake Abraham Movies

Frank Langella (Dracula, Good Night, and Good Luck.) stars in Andrew Wagner's independent drama Starting Out in the Evening, an adaptation of the acclaimed 1999 best-seller by Brian Morton. Langella plays Leonard Schiller, a once-celebrated author whose first four novels inspired Heather Wolfe (Lauren Ambrose) to pursue a career as a writer. These days, Leonard is still working toward completion of the novel that has occupied his life for nearly a decade. On the surface, Leonard has removed himself completely from the deep-seated need for success that characterized his life at an earlier point in time; but on a more buried level, he still longs for his fiction to be rediscovered and re-acclaimed. Now an eager graduate student in the throes of her thesis, Heather is writing her dissertation on Schiller, and promptly convinces him that she can use the thesis to regenerate popularity and discovery of his work. Heather also projects personal interest in Leonard, however, which cuts straight through to the core of his loneliness and brings him in touch with his need for a meaningful relationship even as it leaves him feeling shaken and increasingly uncertain. Meanwhile, Leonard finds that his relationship with his daughter, Ariel (Lili Taylor), is challenged, both by Heather's presence and by Ariel's decision to begin dating her former boyfriend Casey (Adrian Lester) once again -- a fact that Leonard finds most upsetting thanks to his disapproval of Casey. Suddenly, Leonard feels his entire world turned upside down, from his familial relationships to the security of his writing to his own physical vitality -- but he is also taking risks and plunging headfirst into the core of life for the first time, thus living out the principles long celebrated and upheld in his fiction and giving himself the capacity to grow. ~ Nathan Southern, All Movie Guide

Zooey Deschanel, Aaron Stanford, Izabella Miko, and Christopher Lloyd star in director Michael Lehmann's comedy concerning a New Orleans cereal bar manager whose slacker lifestyle is turned upside down when a rival cereal shop threatens both his livelihood and his love life. ~ Jason Buchanan, All Movie Guide

An embittered television executive working for a hip-hop-oriented music channel finds her fate intricately tied with a New York City taxi driver after hailing his cab for questionable purposes in director Jeff Stanzler's intimate look at the tenuous relationship between Caucasians and Muslims in post-9/11 America. Phoebe (Robin Wright Penn) hates her job at Q Dog TV, and focuses the brunt of her disgruntled rage squarely on co-worker Phyllis MacIntyre (Sandra Oh). During the course of their extended journey to Phoebe's suburban destination, troubled Muslim cab driver Ashade (Abdel Kechiche) confides to his passenger that the arrest of his brother on charges of suspected terrorism has thrown his family into chaos. Though the increasingly unstable Phoebe listens diligently to Ashade's tragic confession -- even offering to help the distraught Syrian chemist-turned-cab driver's struggling family -- it's only after arriving at his fare's destination that Ashade truly begins to grasp Phoebe's true nature and realize that he has made a grave mistake in placing his trust in her. ~ Jason Buchanan, All Movie Guide

A woman who loves opera finds herself playing a romantic version of musical chairs in this independent comedy from writer and director Maria Maggenti. Allegra (Elizabeth Reaser) is a writer who has been involved with Samantha (Julianne Nicholson) for some time, but Allegra just isn't willing to make a commitment. Eventually, Samantha decides she's had enough, and she not only leaves Allegra, she jumps to the other side of the gender divide and starts dating a man. While Allegra is none too pleased with Samantha's actions, she unwittingly finds herself following suit when she meets Philip (Justin Kirk), a college professor, at a party. After a few cocktails, Allegra and Philip end up in bed, and while Allegra is content to leave it as a one-night stand, Philip has different ideas, and goes so far as to dump his girlfriend to pursue a relationship with Allegra, even though she's made it clear to him she's not at all serious about him. At the same time, Allegra strikes up a new romance with Grace (Gretchen Mol), but she doesn't know all that much about Grace's previous lovers -- who happen to include Philip. Puccini for Beginners was screened in competition at the 2006 Sundance Film Festival. ~ Mark Deming, All Movie Guide

From a script by first-time screenwriter Benjamin Brand, filmmaker Greg Harrison helmed this fantastical, psychological drama, the follow-up to his 2000 Independent Spirit-award nominated debut, Groove. Courteney Cox Arquette (TV's Friends) stars as Sophie Jacobs, a photographer who is stricken with feelings of guilt and sadness when her boyfriend is murdered during a robbery. Haunted by a belief that she could have somehow prevented the death, Sophie soon begins to see things that ought not be there and is forced to question the reality around her. Also starring James LeGros and Anne Archer, November had its premiere at the 2004 Sundance Film Festival. ~ Matthew Tobey, All Movie Guide

Most 15-year-old boys are obsessed with the opposite sex, but this may be the only area in which Oscar Grubman (Aaron Stanford) could be called typical. An honor student at an exclusive prep school, Oscar is confident, keenly intelligent, speaks fluent French, and is well versed in the work of a number of French authors, particularly his favorite, Voltaire. Oscar seems to have gotten his fascination with French culture from his mother, who several years ago divorced his father Stanley (John Ritter), a college professor, and moved to Paris. Stanley has recently remarried, taking an attractive woman in her mid-forties, Eve (Sigourney Weaver), as his new wife. Oscar, however, senses that Eve isn't happy in their marriage; certain he can give Eve the affection (both physical and emotional) that she needs, Oscar begins waging a low-key but ardent campaign to seduce his step-mother over the course of Thanksgiving weekend, despite the fact a number of Oscar's female classmates have made no secret of their attraction to him. Oscar's efforts to bed Eve attract the attention of one of her close friends, Diane (Bebe Neuwirth), a smart and sexy chiropractor who also becomes the not-entirely-unwelcome focus of Oscar's romantic attentions. Shot using digital video equipment, Tadpole was enthusiastically received at the 2002 Sundance Film Festival, where the film's director, Gary Winick, received the Director's Award. ~ Mark Deming, All Movie Guide

British writer Guy Ritchie made his feature directorial debut with this crime-caper comedy-drama set in London's East End and heavy on the Cockney dialogue (with one scene in subtitled Cockney rhyming slang). A big-bucks scheme goes awry: Cardsharp Eddy (Nick Moran) and pals Bacon (Jason Statham), Tom (Jason Flemyng), and Soap (Dexter Fletcher) scuffle to pile up enough money to put Eddy at the card table opposite gangland porn lord Hatchet Harry (P.H. Moriarty). Unfortunately, the whole plan backfires, leaving Eddy owing Harry a huge sum, payable within the week. In truth, Harry hopes to acquire the bar run by his rival, J.D. (Sting), who is Eddy's father. To raise the cash, Eddy sets out to steal from a marijuana business run by Winston (Steven Mackintosh), but the inevitable gunplay doesn't make for an easy heist. World premiere at the 1998 Edinburgh Film Festival (Focus on British Cinema). ~ Bhob Stewart, All Movie Guide