Linda Fiorentino Movies

Liberty Wallace (Linda Fiorentino), the wife and business partner of wealthy weapons manufacturer Victor Wallace (Oliver Platt), is on her way to her regular assignation with her boyfriend, Russell (Martin Cummins), an actor who's about to go on-stage for the closing night of his hit play. Their plans are ruined by a mysterious gunman who calls himself Joe (Wesley Snipes). Joe straps Russell to a bomb in his dressing room, which will go off if he moves or speaks too loudly. Joe then calls Liberty on her cell phone and coerces her into chaining herself to a hot dog stand in a plaza outside the theater. The hot dog stand is rigged with a bomb, which will go off if Liberty hangs up her cell phone, or when it runs out of battery power. Joe also has a high-powered sniper rifle, her company's best gun, trained on Liberty. Joe doesn't make any demands at first, but it's clear that he has a problem with Liberty's weapons empire, which she inherited from her late father. He eventually tells Liberty that his young daughter was killed in a school shooting by one of the guns her company manufactured. Joe lets Liberty know that she's going to die, but she can die a hero if she exposes her company's shady business dealings and political connections before she's killed. As Joe monitors and records her every move, Liberty reveals secrets about her own past, and her business dealings. When Victor, who's also having an affair, finds out that his wife has been taken hostage, he's torn between following company protocol -- protecting himself and allowing his wife to be killed -- and going to help her. Liberty Stands Still was written and directed by Kari Skogland. The film premiered on Cinemax in July 2002. ~ Josh Ralske, All Movie Guide

Garry Shandling makes his big-screen debut as a leading man in this sci-fi romantic comedy. Harold (Shandling) is an alien from another galaxy sent to Earth on a vital mission: in order to ensure that his civilization will prevail, Harold must impregnate an Earth woman. But he discovers that this is more easily said than done, as he quickly gets a crash course in the arcane rituals of the human courtship process. What's worse, just when Harold thinks he's making progress in Earthbound seduction, he discovers that the males of his planet don't physically interface properly with women on Earth, so he is issued a variety of bizarre gadgets to complete his assignment. Mike Nichols directed What Planet Are You From?, which also features a top-notch supporting cast, including Annette Bening, John Goodman, Ben Kingsley, and Camryn Manheim. ~ Mark Deming, All Movie Guide

Would you believe that the last living descendent of Jesus Christ is a woman working at an abortion clinic in Illinois? And that she's been sent on a holy mission with two minor characters from Clerks and Mallrats as her guides? Prepare to suspend any and all disbelief as you watch the religious satire Dogma, the fourth film from writer/director Kevin Smith. Bethany (Linda Fiorentino) has been disappointed in life and has found her faith severely tested after her husband leaves her when she discovers she cannot have children. So Bethany is all the more puzzled when she's approached by Metatron (Alan Rickman), a grumpy angel. Metatron wants her to help him stop Bartleby (Ben Affleck) and Loki (Matt Damon), two fallen angels who were ejected from paradise, have escaped from exile and are heading to New Jersey. If they are able to pass through the arc of a certain church, it will prove God is fallible and the world will come to a swift end. Bethany has no idea what to do or why she's been given this project, but she heads out anyway, with her assigned assistants Jay (Jason Mewes), an appallingly rude former dope dealer and self-styled ladies man, and Silent Bob (Kevin Smith). Along the way, Bethany picks up more helpers, including a celestial muse named Serendipity (Salma Hayek) and Rufus (Chris Rock), who claims to have been the 13th apostle and that Jesus owes him 12 dollars. Boasting a huge supporting cast -- including George Carlin, Jason Lee, Janeane Garofalo, Bud Cort, and Alanis Morissette (as God) -- Dogma proved to be highly controversial even before its release. Miramax Pictures, owned by Disney, financed the film, but several weeks before Dogma's world premier at the Cannes Film Festival, they announced they would not release the picture and intended to sell it to another distributor (which would turn out to be Lions Gate Films). Director Smith, however, has always contended that Dogma is a film about the importance of faith, if not organized religion. ~ Mark Deming, All Movie Guide

For his fifth effort as a feature-film director, one-time cinematographer Barry Sonnenfeld brought his cartoonish visual style and darkly humorous sensibilities to this adaptation of, appropriately enough, a tongue-in-cheek sci-fi comic book. Will Smith stars as James Darrel Edwards, a New York City cop with an athletic physique and a flippant, anti-authoritarian attitude toward law enforcement. After chasing down a mysterious perpetrator one night who turns out to be an alien, James is recruited by "K" (Tommy Lee Jones), a veteran of a clandestine government agency secretly policing the comings and goings of aliens on planet Earth. Nicknamed the "men in black" for their nondescript uniform of black suit, shoes, tie, and sunglasses, the agents are assigned to recover a bauble that's been stolen by an intergalactic terrorist (Vincent D'Onofrio). It seems the item is none other than the galaxy itself, and its theft has plunged humanity into the center of what's shaping up to become an interstellar war, unless K and his new wisecracking partner, now renamed "J," can stop the bad guy. On their side but somewhat in the dark is a pretty, unflappable city medical examiner (Linda Fiorentino) who has been zapped one too many times by K's ingenious memory-sapping device. Men in Black was a box office smash, inspiring an animated children's television series and a hit soundtrack album that featured a performance by star (and rapper) Smith. ~ Karl Williams, All Movie Guide

Bill Murray teams up with his biggest co-star to date (with the exception of the Stay-Puft Marshmallow Man) in this family-oriented comedy. Jack Corcoran (Bill Murray) is a motivational speaker who makes his living advising others how to tie up the loose ends of their lives, but he has plenty of his own left dangling. Jack is emotionally at the mercy of his mother (Anita Gillette) and his fiancée Celeste (Maureen Mueller), while his booking agent Walter (Jeremy Piven) keeps promising him bigger and better things that don't materialize. Jack has grown up believing that his father died before he was born while trying to rescue a drowning child, but he learns that was not the case at all -- Dad spent a long career working as a circus clown, and died only a few weeks ago. However, Dad was kind enough to bequeath Jack a large stack of debts and his only tangible asset, an Indian elephant named Vera (Tia). Jack is in no position to keep a pachyderm at home, and he has two options for getting rid of the animal -- sell Vera to Terry (Linda Fiorentino), a mean spirited animal trainer, or donate her to Mo (Janeane Garofalo), a zoologist who hopes to return her to the wilds. Either way, Jack has to get Vera from the East Coast to California, and in order to make an important speaking engagement, he and the elephant have five days to cross the country. Larger Than Life also features Matthew McConaughey as an excitable truck driver; Keith David, Harve Presnell, and Pat Hingle also highlight the supporting cast. ~ Mark Deming, All Movie Guide

In this dark thriller set in Las Vegas, a sexy female cop, Rita Cates, begins looking into the brutal murders of two women who had been involved with an ex-police officer, Sam, a wealthy, fast-talker who was also one of her own lovers. ~ Sandra Brennan, All Movie Guide

Director John Dahl's The Last Seduction is an updated film noir centering around a seductive, cheerfully lethal femme fatale. Bridget Gregory (Linda Fiorentino) talks her gullible, easily manipulated, doctor-husband Clay (Bill Pullman) into pulling off a $700,000 drug deal to pay off his gambling debts. But while Clay is in the shower, Bridget quietly leaves with the money. She ends up in a bar in a small town where she meets Mike (Peter Berg) and uses him to further her scheme to keep the money and get rid of her inconvenient husband. Linda Fiorentino was championed by many critics for a Best Actress Academy Award nomination, but neither she nor the movie could be nominated since the film had made its debut on cable television. ~ Linda Rasmussen, All Movie Guide

Actor Anthony Edwards made his directorial debut with this comic fantasy based on a story by Mark Twain. Trenton Knight plays Charlie, a young boy whose archeologist father (Anthony Edwards) has made several discoveries while exploring a cave in Colorado. However, Charlie makes a discovery of his own -- the spirit of a long-dead explorer has come back to haunt him until his remains can be recovered and finally burried in a proper place. However, Charlie can't manage this on his own, and his father is too busy with his own work to pay much attention to him. Linda Fiorentino also appears in a supporting role. Also shown under the title Charlie's Ghost: The Story Of Coronado. ~ Mark Deming, All Movie Guide

Temistocles Lopez's Chain of Desire, based on Arthur Schnitzler's La Ronde, plays like an AIDS-era version of The Yellow Rolls Royce, in which a series of unrelated amorous lovers are connected by a "chain of desire." The film begins as Alma D'Angeli (Linda Fiorentino) flees from a lover and runs into a church, where she finds solace and a young Latino worker, Jesus (Elias Koteas). They make love. Then Jesus comes home to his wife Isa (Angel Aviles) and gets intimate with her. The next morning, Isa goes off to see Dr. Jerald Buckley (Patrick Bauchau), with whom she is having an affair. After seeing Isa, Jerald heads off to visit Linda (Grace Zabriskie), a sexy dominatrix. Linda returns home to her husband, Hubert (Malcolm MacDowell), a harried television commentator. After an unsatisfactory interview with women who claim to have had affairs with John F. Kennedy, he relieves his tensions by seeking the arms of Keith (Jamie Harrold), a teenage hustler. And the trail continues on as gay social worker Ken (Tim Guinee) offers Ken a place for the night, followed by Ken's lover David Bango (Dewey Martin) and hot dancer Diana (Holly Marie Combs), who wants David to deflower her. Coming on the scene after that is famed artist Mel (Seymour Cassel), who has a tryst with Diana, but he finds that he has to answer to his vindictive wife, Cleo (Assumpta Serna). At the end, all the characters arrive at a hip nightclub, where Alma, the singer at the club, has learned that the lover she had spurned at the beginning of the film has been diagnosed with AIDS. ~ Paul Brenner, All Movie Guide

John Travolta stars as a hip music teacher in this old-fashioned pseudo-musical set in 1955, the dawn of the rock n' roll era. Travolta is Jack Cabe, a musician on the run in Texas for murdering a man during a recording session. Attempting to elude the law, Jack takes refuge at the Benedict School for Boys, where he is hired as a music instructor by school director Eugene Benedict (Richard Jordan). At the school, he sets teen rebel Jesse Tucker (James Walters) straight by introducing him to the new music called rock n' roll. But Jack doesn't just stop there, and soon all the youngsters are snapping their fingers to the devil's music instead of keeping time to John Philip Sousa. This steers Jack on a collision course with Eugene, who doesn't appreciate the rhythm and the blues of rock n' roll. As if that weren't enough, Jesse has taken it into his head to seduce Sara (Heather Graham), Eugene's beautiful daughter. Meanwhile, Jack has problems of his own. With the law closing in on him, he is ready to take it on the lam to another state. But the big school concert is coming up and he doesn't want to let his students down. Should he stay to play the gig and risk arrest, or elude the law and take off down the road to freedom? ~ Paul Brenner, All Movie Guide

Ray (Ken Olin) is a young adult and has a girlfriend whom he lives with quite happily. However, the agreed-upon date of their marriage is coming up, and he's not quite sure he wants to make that kind of commitment. His buddies Dennis, Elliot, and Vinny have their own commitment problems. Dennis (Kevin Bacon) isn't sure he wants to stay away from his buddies long enough to get his music career going in Hollywood; Elliot (John Malkovich) knows that he's homosexual but thinks that being gay means fitting all sorts of ugly stereotypes -- stereotypes he is determined to avoid at all costs; and Vinny (Tony Spiridakis) commits himself all too frequently and often to the nearest desirable female. Meanwhile, cousin Al (Joe Mantegna) is in trouble with his wife, and only the intervention of a well-intentioned psychotic (Jamie Lee Curtis) can put him back on the right track. ~ Clarke Fountain, All Movie Guide

In the expatriate-littered Paris of the 1920s, painter Nick Hart (Keith Carradine) mingles with Ernest Hemingway (Kevin O'Connor) and other leading lights of the Lost Generation while palling around with gossip columnist Oiseau (Wallace Shawn), whose reportage has helped establish the international reputation of the writers and artists who fled America for France after WWI. Older and less successful than many of his fellow painters, Hart relies on gallery owner Libby Valentin (Genevieve Bujold) to sell what she can of his work while he supports himself drawing cartoons for Oiseau's weekly column. In a café one day, Hart spies Rachel Stone (Linda Fiorentino) on the arm of her husband, Bertram (John Lone), a condom magnate and art patron who's trying to buy his way into society. It seems Hart and Rachel share a romantic past of which Stone is completely unaware. At the salon of writers Gertrude Stein (Elsa Raven) and Alice B. Tolkas (Ali Giron), Hart suffers a nasty run-in with the Stones and meets Nathalie de Ville (Geraldine Chaplin), a rich socialite who wants to steal three paintings from her estranged husband. Nathalie plies Hart with sexual favors and the promise of cash in exchange for his help in forging copies of the paintings. Although he's loath to follow in the footsteps of his father, a gifted forger, Hart acquiesces, and soon his rivalry with Stone and his involvement with the forgeries leads to death, destruction, and scandal in the art world. Bujold, Shawn, Chaplin, and Carradine are all regular collaborators of iconoclastic director Alan Rudolph, who filmed The Moderns in Montréal and would go on to lens the similarly intellectual Mrs. Parker and the Vicious Circle. ~ Brian J. Dillard, All Movie Guide